nouvelles et appels de dossiers du 18 novembre 2011

La Liste de l’Association des groupes en arts visuels francophones présente les nouvelles de ses membres en Nouvelle-Écosse, au Nouveau-Brunswick, en Ontario et au Manitoba, et compile les appels de dossiers en arts visuels, arts médiatiques, performance, art public, etc.

N’hésitez pas à la faire circuler. Vous pouvez consulter La Liste sur Internet et/ou vous y abonner pour la recevoir gratuitement par courriel: liste.agavf.ca. Visitez l’AGAVF:  www.agavf.ca

Nouvelles des membres de l’AGAVF

 

Kevin Kelly - biologies urbaines - à la Maison des artistes

Maison des artistes visuels (Saint-Boniface)
Kevin Kelly – Biologies urbaines
du 17 novembre 2011 au 12 janvier 2012
219, boulevard Provencher à Saint-Boniface, Manitoba
www.maisondesartistes.mb.ca

 

Galerie du Nouvel-Ontario (Sudbury)
Michèle Provost – abstracts/résumés
du 14 octobre au 19 novembre 2011
Le Nouveau Louvre – exposition bénéfice
du 26 novembre au 17 décembre 2011
174, rue Elgin, Sudbury, Ontario
www.gn-o.org

 

Galerie Glendon (Toronto)
Guillaume Clermont – Warehouse (les jardins)
du 25 octobre au 25 novembre 2011
2275 av. Bayview, Collège Glendon, York Hall, C-130, Toronto
www.glendon.yorku.ca/gallery

 

Association acadienne des artistes professionnel.les du Nouveau-Brunswick
atelier: initiation à la fiscalité à l’intention des artistes avec (20$. 0$ pour membres)
présenté le samedi 19 novembre de 13h30 à 16h30
au 2e étage du Centre culturel Aberdeen à Moncton
www.aaapnb.ca

 

Atelier d’estampe Imago (Moncton)
Pudy Tong, artiste en résidence du 13 au 26 novembre 2011
conférence d’artiste: mercredi 23 novembre à 17h30
140, rue Botsford, rez-de-chaussée du Centre culturel Aberdeen
www.atelierimago.com

 

Galerie Voix Visuelle (Ottawa)
Exposition internationale d’estampe numérique miniature
Le corps transformé, commissariat de Katy Le Van
du 5 novembre au 13 décembre 2011
81 avenue Beechwood à Vanier
www.voixvisuelle.ca

 

Galerie Sans Nom (Moncton)
D’Arcy Wilson – Fleshold
Alex Francheville – Lost
Joëlle Arseneau, D. Kimm, Angela Thibodeau, Julie Tremble, Jacinthe Loranger, Isabelle Hayeur et Kandis Friesen;  (de la France)  Véronique Sapin, Antony Jacob, Jean Gabriel Periot et Prosper & Germaine – volet arts médiatiques dans le cadre du Festival international du cinéma francophone en Acadie
du 28 octobre au 29 novembre 2011
Acadie underground le vendredi 18 novembre à 21h à la salle Empress
atelier VJing – avec Laurent Carlier – du 23 au 25 novembre au Botsford Station
140, rue Botsford, rez-de-chaussée du Centre culturel Aberdeen
Moncton, Nouveau-Brunswick

www.galeriesansnom.org

 

Galerie d’art Louise et Reuben-Cohen (Moncton)
conférence de Julie Lequin
le 23 novembre à midi
Pavillon Clément-Cormier
Centre universitaire de Moncton, Nouveau-Brunswick
www.umoncton.ca/umcm-ga

Galerie SAW Gallery (Ottawa)
Sketch – levée de fonds
le 25 novembre de 20h à 2h
67, rue Nicolas à Ottawa
www.galeriesawgallery.com

Le Laboratoire d’Art (Le Labo) (Toronto)
Labo-Électrick, avec Darshaw Hewitt et Vinyl Den
le 2 décembre de 19h à 23h
Distillery District, 55 rue Mill Street, Cannery Bldg #58
Studio 317, Toronto, Ontario
www.lelabo.ca

Le Trécarré (Pointe-de-l’Église)
Expo-vente
du 10 novembre au 31 décembre 2011
Université Sainte-Anne, Nouvelle-Écosse
letrecarre.blogspot.com

1. appels en français du Canada

articule programmation – Montréal – 1er décembre 2011
articule projets spéciaux – Montréal – 1er décembre 2011
ARPRIM – Montréal – 1er décembre 2011
ONF Studio Acadie – concours Tremplin – 21 décembre 2011 (nouvelle date)
Vidéastes recherché.es – Québec – 9 janvier 2012
Galerie B-312 – Montréal – 1er décembre 2011

2. appels en anglais du Canada

Forgetus Collective – en cours
Blackflash Magazine – Saskatoon – 31 janvier 2012
Truck +15 Window space – Calgary – 1er décembre 2011
Island Media Arts Festival Charlottetown – 15 février 2012
imagineNATIVE et NFB – Toronto – 9 janvier 2012
Rideau river Antiques – Ottawa – en cours
Artscape – Regent Park Arts & Cultural Centre – Toronto – 2 décembre 2011
Calgary Society of Independent Filmmakers – 1er décembre 2011
Subtle Technologies Festival – Toronto – 15 décembre 2011

3. appels internationaux

Vidéoformes – Clermond-Ferrand – 31 janvier 2012
Dak’art 2012 – Dakar – 5 décembre 2011
VIVID – Birmingham – 30 novembre 2011
CONFLUX – Pearl Conard Art Gallery at The Ohio State University – 5 décembre 2011
Prix Cube 2012 – Ile Seguin – Boulogne-Billancourt / Le Cube – Issy-les-Moulineaux – 31 janvier 2012

4. résidences

Hungarian Multicultural Center – Budapest – multiples dates
Gyeonggi Creation Center – Gyeonggi-do – 16 décembre 2011
Caza d’or – Ariège – en cours
APO33 – Plateforme intermédia – Nantes – 9 décembre 2011
Nomadic Village UK 2012 – County Durham, North East England – 28 novembre 2011

5. divers

1. appels en français du Canada

APPEL DE DOSSIERS

PROGRAMMATION 2012-2013

articule est un centre d’artistes autogéré qui se consacre à la diffusion d’un large éventail de pratiques en art actuel et s’intéressant plus particulièrement à l’engagement social, à l’interdisciplinarité et à l’expérimentation artistique. articule soutient les artistes de la relève ainsi que ceux ayant établi des précédents importants et qui continuent à prendre des risques.
articule invite les artistes, les collectifs d’artistes et les commissaires locaux, nationaux et internationaux, ainsi que toutes les personnes intéressées à établir un dialogue avec les arts actuels, à proposer un projet pour sa programmation de septembre 2012 à juin 2013. Nous acceptons les projets et recherches de différentes natures ayant lieu à la galerie, en ligne ou hors les murs, de même que les projets de collaborations (entre individus, organismes, institutions, champs de la pensée..). Les propositions peuvent se dérouler suivant des temporalités variées.
Avant de nous faire parvenir votre dossier, nous vous invitons à visiter notre site Internet afin d’obtenir plus d’informations sur les dimensions de la galerie, son mandat et sa programmation. articule respecte les barèmes établis par CARFAC pour le paiement des cachets d’artistes.

DATE DE TOMBÉE: 1ER DÉCEMBRE 2011

Votre soumission de projet doit comprendre:
– description du projet spécifiant les besoins spatiaux et techniques (max. 1 page) – texte de démarche artistique (max. 1 page) – curriculum vitae – matériel de soutien (comprenant un ou plusieurs des documents suivants):
– maximum 20 images numériques (sur CD) clairement identifiées – maximum 1 DVD (max. 10 min.) clairement identifié – un site Internet – tout autre document que vous jugez pertinent à la demande
– liste descriptive des documents visuels (titres, dates, dimensions et médium) – une enveloppe de retour pré-adressée et suffisamment affranchie si vous
désirez que votre matériel de soutien vous soit renvoyé.
Important :
Veuillez respecter les indications suivantes pour vos documents numériques. – compatibles avec MacIntosh OS 10.4 et OS 10.5 – format jpeg suggéré n’excédant pas 1 MB ou 1024 x 768 pixels – numérotez et identifiez chaque image avec le titre correspondant à la liste
descriptive – veuillez ne pas envoyer d’oeuvres originales
Veuillez noter que les applications par courriel ne sont pas acceptées. Les dossiers non réclamés ou non affranchis ne seront pas conservés.
articule accepte également des projets indisciplinés en tout temps pour le volet des projets spéciaux. Veuillez visiter notre site Internet pour obtenir plus d’informations à ce sujet.

(veuillez trouver l’appel ci-jointe)

PROJETS SPÉCIAUX 2011-2012

Depuis plus de dix ans, articule soutient les interventions publiques, projets d’art action, manoeuvres, nouvelles pratiques artistiques, conférences, ateliers, projections vidéos, etc. à travers le volet de programmation des projets spéciaux. Cette année, nous invitons les artistes et les personnes oeuvrant dans d’autres champs de recherche à réfléchir avec nous sur ce que représente aujourd’hui l’indisciplinarité. Comment définit-on, par exemple, les limites entre art et action communautaire ou militante, entre recherche esthétique, politique, scientifique ou philosophique? Comment ces limites sont-elles transgressées? Les projets peuvent avoir lieu à la galerie, sur le web ou hors site. Nous sommes également ouverts aux propositions de collaboration avec d’autres organismes. Enfin, pour répondre rapidement aux initiatives proposées, le comité se rencontrera régulièrement afin d’évaluer les dossiers reçus, et ce, tout au long de l’année.
Le soutien d’articule pour les projets spéciaux peut prendre plusieurs formes : appui promotionel et logistique, accès à l’équipement du centre, appui financier (pour un montant maximum de 500$). Les personnes désirant discuter d’une idée et la développer avec le comité sont également invitées à le faire.

DATE DE TOMBÉE : EN TOUT TEMPS

Votre soumission de projet doit inclure:
– curriculum vitae – description détaillée du projet (max. 2 pages) – un budget global précisant le soutien demandé à articule – votre matériel de soutien – matériel de soutien (comprenant un ou plusieurs des documents suivants):
– maximum 20 images numériques (sur CD) clairement identifiées – maximum 1 DVD (max. 10 min.) clairement identifié – un site Internet – tout autre document que vous jugez pertinent à la demande
– liste descriptive des documents visuels (titres, dates, dimensions et médium) – une enveloppe de retour pré-adressée et suffisamment affranchie si vous
désirez que votre matériel de soutien vous soit renvoyé.
Important :
Veuillez respecter les indications suivantes pour vos documents numériques. – compatibles avec MacIntosh OS 10.4 et OS 10.5 – format jpeg suggéré n’excédant pas 1 MB ou 1024 x 768 pixels – numérotez et identifiez chaque image avec le titre correspondant à la liste
descriptive – veuillez ne pas envoyer d’oeuvres originales
Veuillez noter que les applications par courriel ne sont pas acceptées. Les dossiers non réclamés ou non affranchis ne seront pas conservés.

articule
262 Fairmount Ouest
Montréal, QC
Canada
H2V 2G3

www.articule.org
info [arobas] articule [point] org

•••••

Appel de dossier / Programmation 2012-2013 D’ARPRIM

Date de tombée : 1 décembre 2011

Les artistes professionnels et les commissaires en art actuel s’intéressant au champ élargi des pratiques liées à l’art imprimé sont invités à proposer un projet d’exposition ou d’événement pour la programmation 2012-2013 chez ARPRIM.

L’ubiquité de l’imprimé dans le quotidien offre matière à penser, produire et re-produire. Elle se traduit par une multitude de questionnements investis par la création contemporaine. En empruntant le langage de l’art imprimé, les artistes redéfinissent  jusqu’aux paramètres mêmes de l’art. La rencontre des nouvelles technologies avec des procédés rudimentaires ; la génération systématique de données ; la matérialisation de l’intangible ; l’investissement des espaces publics physiques et virtuels ; la copie comme mode opératoire du vivant ; l’utilisation des codes de l’imprimé pour déconstruire le réel et le reformuler dans un nouveau langage ne sont que quelques-unes des tendances actuelles en art imprimé.

Les propositions soumises devront démontrer l’inhérence du média imprimé dans la démarche de l’artiste, de son utilisation comme un véhicule, au-delà d’une simple finalité technique, permettant de communiquer des enjeux spécifiques. Le comité de programmation privilégiera les dossiers d’artistes faisant preuve d’audace dans leur conception des pratiques en art imprimé. Les expositions retenues seront présentées pour des périodes respectives de cinq semaines.

ARPRIM s’engage à couvrir les frais reliés à la salle d’exposition, aux communications et au vernissage.

Le dossier doit comprendre :
Aucun document imprimé ne doit être envoyé, svp mettre vos textes en format DOC ou PDF sur un CD ou dans un dossier ZIP pour les propositions par courriel
– une proposition de projet
– un texte de démarche  (max 250 mots)
– 15 images numériques format JPEG, 72 dpi.
– une liste descriptive du visuel
– un curriculum vitæ(max. 3 pages)
– un dossier de presse (facultatif)
– une enveloppe pré-affranchie (facultatif )

Envoyez vos dossier par la poste à:
Comité de programmation ARPRIM
372, Sainte-Catherine Ouest, #426
Montréal, Québec H3B 1A2

ou par courriel à: ccloutier [arobas] arprim [point] org (Objet du courriel: Dossier de proposition)

•••••

Le Studio Acadie désire vous aviser qu’une nouvelle date de soumission a été désignée pour le CONCOURS TREMPLIN 2012 SOIT LE :
21 DÉCEMBRE 2011 À MINUIT

Étant donné le trop court laps de temps entre le lancement du concours et la date de soumission originale, le Studio a décidé de repousser de 2 mois la date limite pour les soumissions. Le concours est pour une 1e ou une 2e œuvre et l’atelier de scénarisation est planifié pour les 8 et 9 février. Si vous avez plus d’un projet en tête il est possible de les soumettre.

N’hésitez pas à transférer ce message à tous vos contacts.

Vous pouvez visiter le site Tremplin onf.ca/tremplin pour plus d’information.

Colette Allain
Adjointe, production et communications régionales/
Assistant, Production and Regional Communications
Studio Acadie / Studio Acadie
Office national du film/Programme français/National Film Board/French Program
Place Héritage, 95, rue Foundry, bur. 100/Heritage Court, 95, Foundry Street, room 100
Moncton, NB  E1C 5H7 Adresse courriel/e-mail address: c [point] allain [arobas] onf [point] ca
Tél/tel:.: 506-851-6104 – Fax: 506-851-2246 # sans frais/toll free # 1-866-663-8331
Gouvernement du Canada/Government of Canada

•••••

Lancement du concours Vidéastes Recherché•es
Vidéastes Recherché•es fait appel aux jeunes réalisateurs en lançant une fois de plus son concours dédié aux premières œuvres indépendantes québécoises
Pour la première fois, la programmation officielle de Vidéastes Recherché•es sera présentée dans le cadre des Rencontres cinématographiques de Québec, en mars 2012.
Au moment où la technologie numérique bouscule les pratiques de diffusion et de production, les Rencontres cinématographiques de Québec proposent d’ouvrir le dialogue entre public, professionnels, artistes et industrie de l’image animée. Cela afin d’occuper au mieux ce nouveau champ de création médiatique qu’est la technoculture. Cet événement novateur offrira une suite de rencontres où professionnels et artistes pourront se côtoyer et rencontrer le public lors d’ateliers de formation, de conférences, de démonstrations technologiques, de soirées de cinéma et de projections expérimentales.
Depuis 21 ans, la mission du concours Vidéastes Recherchées est de stimuler la création d’œuvres originales de la relève et de les faire connaître. Le concours vise également à établir un pont entre les jeunes créateurs et les professionnels du milieu mais aussi, entre les grands centres de production et les régions. Cette année encore, les œuvres retenues seront présentées en salle au grand public et les gagnants se mériteront plus de $20 000 en prix.
Les réalisateurs ont jusqu’au 9 janvier 2012 pour soumettre leurs œuvres
Veuillez transmettre votre œuvre sur DVD (en format DATA ou en format traditionnel), accompagnée du formulaire rempli, par la poste, à l’adresse suivante:
La Bande Vidéo – Vidéastes Recherché•es, 605 St-Joseph Est, CP 30269, G1K 8Y2
http://videastes.labandevideo.com/iiix/home/

•••••

Galerie B-312
La Galerie B-312 convie les artistes de toutes disciplines en arts visuels et en arts médiatiques, de même que les commissaires ou les collectifs, à soumettre un projet d’Exposition, de performance, de vidéo ou tout autre type d’évènement in ou hors situ pour son prochain calendrier d’activités, soit de septembre 2012 à juin 2013.
Date de tombée: 1er décembre 2011
Détails:
www.galerieb312.ca/html/appel_dossiers.html

2. appels en anglais du Canada

Forgetus Collective
Untitled Snapshot Show

Untitled Snapshot Show will be mounted in January 2012 at
Forgetus Collective. Through an open submission process,
Untitled Snapshot Show will feature works that explore the
genre of snapshot imagery with an artistic mindset. It will be the
first show of its kind; taking everyday snapshot photos of varying
medium and size, and curating them into a refined fine art
exhibition. Snapshot images are traditionally informal
photographs taken quickly to document a moment, often shot
with a 35mm handheld camera. In modern times, the medium
can be expanded to include but aren’t limited to; point-and
shoot digital cameras, cellphone cameras and webcams. We
encourage you to work in a medium you feel comfortable and
invokes your own interpretation of the artistic snapshot.

Word Bank:
Fleeting, amateur, ephemeral, out-of-focus, drama, everyday,
boring, accidental, tactile, document, film grain, pixels,
nostalgia, visceral, colour-shifts, ironic, happenings

Submission Details:
Send zipped files to laidbareart [arobas] gmail [point] com
Be sure to include a .rtf of your list of works: image title, year,
medium, size of image and price for each piece
All docs should be named: lastname_firstname_title.jpeg/.rtf
Include your name, contact info, bio, and website (if applicable)

PHOTOGRAPHY – Submit up to 10 images
-Images should be 100dpi, sized at 1024 pixels on the longest
side
-All images should be RGB, jpeg files
FILM/VIDEO – Link to your video submission (password protected
if need-be)
– Please submit the entire film when possible
– Cellphone video clips or other everyday raw video clips will be
accepted unedited, as one component of the will be a looped
series of vignettes.

Full details available at: http://on.fb.me/n4k0WE and http://laid-
bare.tumblr.com/snapshotshow

For more information please email laidbareart [arobas] gmail [point] com

Laid Bare: Curations and Other Concerns
laid-bare.tumblr.com
twitter.com/laidbareart
http://facebook.com/laid.bare

•••••

BlackFlash Magazine Image Contest
BlackFlash Magazine is now accepting submissions for our annual image contest Optic Nerve.
Grand Prize: $500
Plus the winning entry and honourable mentions will be published in the 2012 Summer issue of BlackFlash Magazine and showcased on the BlackFlash.ca.
Still and moving image entries will be accepted.
The entry fee is $25 for a maximum of two entries.
Payment can be made through Paypal or by sending a cheque or money order payable to BlackFlash Magazine to PO Box 7381, Saskatoon, Sk, S7K 4J3. Entrants will be contacted by email once they have paid.
Every entrant receives a one-year subscription or subscription extension to BlackFlash Magazine. New subscription will begin with the 2012 Summer issue.
Contest deadline January 31st 2012.
For contest rules visit http://www.blackflash.ca/about/opticnerve
For further information please contact:
John Shelling
Managing Editor
BlackFlash Magazine
editor [arobas] blackflash [point] ca
306.374.5115

•••••

+15 Window / Submissions deadline Dec. 1
TRUCK +15 Window Space: CALL FOR SUBMISSIONS
Deadline: December 1, 2011
Submissions must be postmarked or received by 5:00 PM on December 1

The +15 Window Space is located off-site in the EPCOR Centre for the Performing Arts on the busy +15 pedway system. Exhibitions in this storefront style window are two months long. Professional artists, as well as those who are still completing their education are eligible to apply to this space.  The +15 Window is designed to provide artists an alternative space in which to showcase new works or works in progress, whist engage a diverse cross section of Calgary’s public.

Submission Procedure:
TRUCK accepts submission in ELECTRONIC FORMAT ONLY. Please send all written support as a SINGLE PDF FILE. Images must be in JPEG FORMAT burned to a single CD. Please do not send any paper documents, printed images, or return envelopes as submissions will not be returned. Please do not e-mail submissions.
ALL SUBMISSIONS MUST INCLUDE THE FOLLOWING:
1. A completed application form (available for download in Word or PDF format)
2. Proposal (maximum of 1 pages): Clearly describe the proposed exhibition or project. Provide details about your spatial, and material requirements, including equipment needs.
3. Artist Statement (maximum of 1 page): Contextualizes the work submitted within your artistic practice.
4. Curriculum Vitae (maximum of 3 pages): Describe your artistic background (e.g. education, grants, scholarships or awards received, professional status, previous exhibitions or performances, commissions, professional memberships, articles, etc.)
5. Images/Support Material: 10 to 15 JPEG images and/or DVD for video. All images must be numbered and labeled to match the corresponding image list. Images must be in JPEG format, 300 dpi and maximum 1 MB in size. Video must be no longer than 5 minutes in length.
6. Image List

Submissions should be addressed to:
Programming Committee
TRUCK Contemporary Art in Calgary
Grain Exchange Building
815 – First Street SW (basement)
Calgary AB T2P 1N3

•••••

The Island Media Arts Festival in Prince Edward Island call for submissions is now open!

In its third year, this year’s festival theme is Diverse Networks. What connects seemingly dissimilar people? What technologies and mediums unite media artists from all perspectives? In this spirit, IMAF2012 seeks to connect media artworks made throughout the Atlantic provinces.

With screenings province-wide, workshops, panel discussions, networking events, street-projections, and parties, IMAF is a little festival with big heart.

SUBMISSION DEADLINE IS FEBRUARY 15TH 2012.

Submission Forms and Guidelines are available at: http://islandmedia.pe.ca/events/imaf/

IMAF is a program of The Island Media Arts Co-op.

Mille Clarkes
Curator
The Island Media Arts Festival

•••••

imagineNATIVE and the NFB Renew Digital Media Partnership with Call for Proposals for
Innovative Interactive Works

Toronto, November 16, 2011 – The imagineNATIVE Film + Media Arts Festival and the National Film Board of Canada (NFB) have renewed their digital media partnership for a second year of collaboration, and are inviting Canadian Aboriginal artists to submit proposals for innovative interactive digital media projects. Proposals can be for works in any digital medium and genre, including interactive documentary, mobile and locative media, interactive animation, interactive photo essay, data visualization and physical installation.

De Nort, an online locative video, photo and auditory journey into life on a northern reserve by Winnipeg’s ITWE collective, was selected through last year’s call for proposals and is now in pre-production at the NFB’s Winnipeg production studio. It’s slated to launch at the 2012 imagineNATIVE Festival.

« We’re thrilled to be renewing our partnership with imagineNATIVE and deepening our connection with artists in the Aboriginal digital media community, » says Cindy Witten, Director General of the NFB English Program. « It’s a fantastic collaboration, bringing together imagineNATIVE’s curatorial smarts and commitment to the digital arts and our role as a creative laboratory working with talented artists to explore the creative application of technology to interactive storytelling. »

« As we continue to expand and develop the presentation of Indigenous media arts at imagineNATIVE, we’re pleased to partner once again with the NFB, » says Jason Ryle, Executive Director of imagineNATIVE. « Interest in last year’s project was incredibly high, and we all look forward to this year’s applications. This project is a fantastic opportunity to create an innovative work and continue our fruitful partnership with the NFB. »

One project will be selected jointly by imagineNATIVE and the NFB for production, with the NFB serving as creative and administrative producer and imagineNATIVE providing creative input at key stages throughout the production. The project will be presented at imagineNATIVE 2013. The chosen project must be realizable within a $30,000 to $50,000 budget range.

The submission deadline is January 9, 2012. All Canadian Aboriginal artists are eligible to submit their proposals. Full submission details can be found at nfb.ca/imaginenative/proposals.

imagineNATIVE has been active in the programming and commissioning of digital media work by Aboriginal artists since the early 2000s. The NFB is Canada’s leading producer of internationally acclaimed innovative interactive digital media works, and has been producing audiovisual works by First Nations, Metis and Inuit directors since the late 1960s. The NFB works with a range of artists to reflect Canadian perspectives through film, video and interactive digital media projects.

•••••

Industrial Art Wanted
There was a time when things were built to do one thing well and last for decades. While many of them have weathered years of history and neglect, others have been re-purposed to serve contemporary needs. Scrap steel and wood have been recycled to create unique decorative arts, decrepit architecture has been salvaged in parts or immortalized by pictorial artists and machine age items has been carefully restored to their original glory. These revivals narrate remarkable stories of unique pieces and the people who rediscover them as Industrial Art. 

Rideau River Antiques is seeking Industrial Art for a brand new location beside the Museum of Science and Technology. Industrial themes could include recycled vintage parts, restored machine age items, re-invented industrial designs or wall art with industrial design ethics. Objects should have a function, be reasonably clean and show a sound sense of design. Any form or medium will be considered. Gallery floor is 3200sq with no columns, wallspace is 5000 sqft, ceilings are 22′ high.

Please email a brief note about your work together with sample images (less than 500Kb each) to submissions [arobas] riverantiques [point] com. 

Rideau River Antiques 
2271 Gladwin Crescent
Ottawa, ON K1B 4K9 
www.riverantiques.com/art.html

•••••

Calling all artists, arts organizations and arts collectives!
Artscape is Now Accepting Expressions of Interest for Use of Performance and Event Space at the Regent Park Arts & Cultural Centre, Toronto

Artscape is currently seeking expressions of interest for the performance and event spaces at the Regent Park Arts & Cultural Centre, slated to open in late Spring 2012. This 60,000 sq. ft. purpose-built facility is poised to become the artistic, cultural and social core of the Regent Park and the newest addition to downtown Toronto’s thriving cultural landscape.
The Regent Park Arts & Cultural Centre has four street-level performance and event spaces suited to a diversity of disciplines and organizations. Imagine world-class dance performances and community film festivals in the Performance/Event Space, open-air concerts and plays in the Outdoor Performance Court, poetry slams in The Café, exhibitions in the South Lobby, and more!
Designed by the award-winning Diamond & Schmitt Architects, the Regent Park Arts & Cultural Centre is located on Dundas Street, just east of Parliament St., in the heart of the Regent Park Revitalization. With approximately 17,000 new and returning community members, new parks, pedestrian-friendly mews and over 40,000 sq. ft. of new retail space, Regent Park will soon emerge as a new hotbed of cultural activity in Toronto.
The Regent Park Arts & Cultural Centre will be a central meeting place rooted in Regent Park and open to the world. It will be a place where people of all ages, walks of life and cultures can come together to learn, share, create and be inspired. Those interested in using performance and event space in the Centre must submit an expression of interest to be reviewed by a Programming Advisory Committee. Scheduling of the performance and event spaces will be prioritized according to the vision and values of the Centre.
The 6,000 sq. ft. Performance/Event Space will be fully-equipped and supported by an A/V booth, kitchen, green room and dressing rooms. The space can also be partitioned into three distinct smaller spaces to accommodate smaller events. The Café, South Lobby and Outdoor Performance Court and can be used as independent programming spaces or as spillover space for events inside the Performance/Event Space.
Technical Features:
•    22 ft. floor-to-ceiling height
•    Theatrical lighting system
•    Flexible sound system
•    Video projection
•    Full series of catwalks
•    Semi-sprung floor for dance performance
•    A 300-seat retractable seating system with an option for an additional 100 chairs on the floor
•    Structural steel rigging points and dedicated sound & lighting power
•    Access to technical staff & crews
•
HOW TO SUBMIT AN EXPRESSION OF INTEREST
Artists, arts organizations and arts collectives interested in using the performance and event spaces should submit an Expression of Interest online through the Information Form on the Regent Park Arts & Cultural Centre REOI website: to http://www.torontoartscape.org/regent-park-arts/reoi-eventspace
The Expression of Interest Information Form asks for basic information about the nature of your event, when it takes place, and additional requirements you may have. The form takes approximately 10 minutes to complete. You may find the architectural renderings and vision and values of the Regent Park Arts & Cultural Centre, available on the website, helpful in completing this form.
The deadline for submitting an Expression of Interest is December 2, 2011 at 12:00 pm.
Those submitting an expression of interest will be notified of next steps, including booking rates, tours, and facilitation of the booking process, in December 2011.
QUESTIONS: If you have any questions or require assistance with the submission process, please contact Seema Jethalal, Managing Director, Regent Park Arts & Cultural Centre at seema [arobas] torontoartscape [point] on [point] ca or 416-392-1038 x49.
ABOUT THE REGENT PARK ARTS & CULTURAL CENTRE
Currently under construction and scheduled to open in 2012, the Regent Park Arts & Cultural Centre will be home to many organizations including: ArtHeart Community Art Centre, Cabbagetown Regent Park Community Museum, Centre for Social Innovation, COBA Collective of Black Artists, Native Earth Performing Arts, Regent Park Film Festival and Regent Park School of Music. Artscape is partnering with Toronto Community Housing, The Daniels Corporation and a locally-based Steering Committee to develop the facility.
www.regentparkarts.ca
ABOUT ARTSCAPE 
Celebrating its 25th anniversary in 2011, Artscape is a not-for-profit organization that makes space for creativity and transforms communities. Artscape projects provide affordable space for creativity while generating positive cultural, economic, social and environmental impacts. Artscape has transformed a portfolio of underutilized buildings across Toronto into dynamic community assets that serve to enable innovation and creativity, including the award-winning Artscape Wychwood Barns and multi-tenant arts facilities in the Queen Street West, Liberty Village, Toronto Island and Distillery Historic District neighbourhoods. Collectively, Artscape manages 10 buildings for 863 artist and cultural worker tenants and owners in 417,000 square feet of space.
www.torontoartscape.on.ca

•••••

Calgary Society of Independent Filmmakers

date de tombée:
2011/12/01
Deadline for Entries: December 1, 2011.
• 16mm or Super 8 Film under 22min
• MUST provide a 16mm or Super 8 film print for screening.
• Official Release date after December 1, 2009.
The Calgary Society of Independent Filmmakers is pleased to present the 20th annual $100 Film Festival from March 1-3, 2012. The festival embodies the spirit of independent filmmaking and brings the experience of projected celluloid to our audience by only screening film prints. It is one of only a handful of festivals left in the world that screens exclusively on Super 8 and 16mm film. The $100 Film Festival does not charge any entrance fees and pays artist honorariums for all films selected for the festival. The selected films will also be eligible for festival prizes.
To submit, download & e-mail or mail the entry form, along with either a digital submission of your film via our website, or a dvd (NTSC) copy to the address below. Please note our new mailing address for festival submissions.
The Calgary Society of Independent Filmmakers
1231 – 9th Ave SE
PO BOX 46035
Calgary, AB CANADA T2G 0T0
Digital Submissions
(403) 205 4747
festival [arobas] csif [point] org
Calgary
100dollarfilmfestival.org

•••••

The 2012 Subtle Technologies Festival Call for Submissions is now open!

• Toronto, Canada
• Festival dates: May 24-27, 2012
• Submissions deadline: December 15, 2011
• Submit through our online form here

In 2012, Subtle Technologies celebrates our 15th anniversary with our annual Festival.

For 15 years Subtle Technologies has been bringing people together to promote wonder, incite creativity and spark innovation across disciplines. Our symposium, performances, workshops, screenings, exhibitions and networking sessions provide a forum to explore ideas and pose questions at the intersection of art, science and technology. Subtle Technologies is known internationally for presenting work by artists and scientists at the leading edge of their respective disciplines.

Our 2012 festival takes place from May 24 to May 27 2012 at various venues throughout Toronto. Our annual open call accepts submissions that bridge art, science and technology. This year we are also accepting submissions for a themed session which explores work inspired by biology, as outlined below. For both streams we are soliciting proposals from all disciplines and also welcome topics that explore ways of knowing that are outside of the western framework.

We are interested in receiving submissions from individuals as well as interdisciplinary teams and collaborative projects. We would like to present successful stories from artists and scientists working together. We are equally interested in hearing about the issues that inhibit disciplines from collaborating. What approaches can we take to foster inter-cultural exchanges when it comes to science or technology based work? How do we make scientific systems more accessible to artists as tools for creating new work?

Possible areas to be explored in this year’s Festival from either an artistic or scientific approach include:

• Acoustics
• Alternative energy
• Artificial intelligence
• Astronomy
• Bioengineering
• Bioethics
• Chemistry
• Complexity
• Computer science
• Consciousness
• Environmental science
• Ethnobotany
• Funding strategies for interdisciplinary collaboration
• Hacking and DIY culture
• Imaging techniques and systems
• Interactive systems
• Indigenous science
• Mathematics
• Nanotechnology
• Network Theory
• Neuroscience
• Pharmacology
• Psychology
• Physics
• Robotics
• Science and society
• Systems theory
• Virtual worlds

In 2012 Subtle Technologies is also presenting a special session at our symposium that focuses on work inspired by, utilizing or hacking biological systems. This special session will include work by artists who are using live tissues, bacteria and other biological process in their work. We are also interested in submissions exploring enhancements or modifications to the human body through transhumanism. Projects which use concepts of biomimicry, genetic engineering and synthetic biology will also be considered for this special session. We are interested in both technical, socio-political and ethical issues surrounding this work.

The above topics are only suggested ones for inclusion in the Festival. Other relevant topics within the realm of art, science and technology will be considered.

To have your submission considered for either the symposium, poster session,  or a workshop please visit our submissions form here.

3. appels internationaux

XXVII VIDEOFORMES • 14>17 / 03 / 2012
CONCOURS DE CRÉATION VIDÉO 1 MINUTE

VIDEOFORMES organise au niveau national un concours de création vidéo, 
soutenu par la DRAC d’Auvergne, le Rectorat de Clermont-Ferrand et la Fondation Varenne.
Ce concours est ouvert à tous les jeunes, aux établissements scolaires, universitaires, comme aux associations.

Il existe 4 catégories : école, collège, lycée & enseignement supérieur.

La seule contrainte est de se tenir à une minute de réalisation. 
Tous les genres, tous les sujets, toutes les techniques de production d’images en mouvement sont acceptés.

Les vidéos doivent être envoyées à VIDEOFORMES avant le 31 JANVIER 2012

Règlement et formulaire ici
http://www.videoformes-fest.com/jeunes-publics/concours-de-la-création-une-minute-2012/

Videoformes bénéficie du soutien de / is supported by : 
Ministère de la Culture/DRAC Auvergne, Ville de Clermont-Ferrand, Clermont-Communauté, 
Conseil Général du Puy-de-Dôme, Conseil Régional d’Auvergne.
www.videoformes.com _ videoformes [arobas] videoformes [point] com 
Videoformes, 64 rue Lamartine, 63000 Clermont-Ferrand (France)
T + 33 (0)4 73 17 02 17 _ F + 33 (0)4 73 93 05 45

•••••

Merci de diffuser cet appel à destination des artistes africains et de la diaspora ainsi qu’aux professionnels de l’art contemporain.

Dak’Art 2012: la 10ème Biennale d’Art Africain Contemporain vous donne rendez-vous du 11 mai au 10 juin 2012 à Dakar, Sénégal.

Les candidatures sont ouvertes pour Dak’Art 2012.
Les dossiers de candidature des artistes africains ou de la diaspora doivent parvenir au plus tôt au Secrétariat de la Biennale et
AVANT
LE 05 décembre 2011.

Les candidats doivent lire soigneusement les indications pour l’envoi de leurs dossiers et télécharger sur
http://biennaledakar.org/2010/spip.php?article126&lang=fr :
1. Le formulaire de candidature à compléter
2. Le règlement

Veuillez nous excuser pour les envois multiples.
Cordialement
—————
ENGLISH VERSION:

We thank you to forward largely this call to African artists and diaspora artists as well as to contemporary art professionals.

The 10th Biennale of African Contemporary Art welcomes you from 11th of may  to
10th of June 2012 in Dakar, Senegal.

Applications are opened for Dak’Art 2012.

Application documents of african or diaspora artists must reach the General
Secretariat of the Biennale as soon as possible AND LATELY
the 5th of december 2011 .

Candidates must read carefully the explanations for sending their portfolio and download
on http://biennaledakar.org/2010/spip.php?article127&lang=en:

1. the application form to be filled in
2. the general regulation

We apologize for cross sending.
Regards
—
candidature [arobas] biennaledakar [point] org
Candidatures Dak’Art
Biennale de l’Art Africain Contemporain de Dakar

Tél : +221 33 823 09 18
Fax : +221 33 821 16 32

Secrétariat Général de la Biennale des Arts de Dakar
19, Avenue Hassan II ( ex -Avenue Albert Sarraut)
BP 3865 Dakar RP
Dakar – Sénégal

www.biennaledakar.org

•••••

Call for Artists: Deathtripping with VIVID feat Lydia Lunch
18th & 19th February 2012 Birmingham UK

‘Deathtripping’ in collaboration with VIVID. Featuring Lydia Lunch, Richard Kern and Nick Zedd

A two day/one-off night event based on extremes, sexuality and breaking down barriers by celebrating the Cinema of Transgression and NO WAVE scenes of 1980’s NYC.

WANTED: Artists of ANY medium who take influence from the emotive/dirty/no-budget/sex/death/music/art/noise of the CofT or No Wave scene. A fantastic opportunity to show your art alongside the work of legends!

To apply:
• Send a proposal of what you would like to show
• State the size or space you require and duration of work if video or live
• Images relating to the work
• Please include with your proposal: Name, Age, Address, Biography/CV, Image for publicity
• Please send all proposals/enquiries to berni [arobas] BernadetteLouise [point] com

Deadline: 30th November 2011.

Curated by Bernadette Louise.
Supported by Arts Council England, National Lottery GFA and VIVID.

Go to www.BernadetteLouise.com/Deathtripping.html for more info.

•••••

CONFLUX
As advanced technologies emerge and become increasingly accessible, artists are uncovering new possibilities for expression and cultural investigation.    The Pearl Conard Art Gallery at The Ohio State University [Mansfield Campus] seeks artists working at the intersection of art + technology for CONFLUX, a group exhibition to occur during Winter Quarter 2012. All genres of new media art are welcome, including robotics, multimedia, animation, bio art, digital imaging, locative media, rapid prototyping, digital video, net art, interactive media, and sound art.

Submissions Due 5th December 2011.  See prospectus for details.

http://www.confluxexhibition.com/prospectus-and-submission-form.html

•••••

Appel à candidature création numérique : Prix Cube 2012

Le Prix Cube 2012 récompense la meilleure création en art numérique réalisée par un(e) jeune artiste de moins de 35 ans, mettant en valeur et soutenant le travail d’un(e) artiste émergent de la scène internationale des arts numériques.

Le Prix Cube 2012 récompensera une œuvre d’art numérique de moins de 2 ans dans les domaines suivants : interactivité, générativité, réseau, internet, mobilité. Ces œuvres doivent être des installations ou dispositifs innovants, explorant les spécificités du numérique dans l’art (hors spectacle vivant, art vidéo ou photographie).

Cinq œuvres seront sélectionnées et exposées au public lors du Cube Festival 2012. Le lauréat du Prix se verra décerner une dotation de 10 000€.

Candidature jusqu’au 31 janvier 2012 (12h) sur : www.cubefestival.com

4. résidences

Hungarian Multicultural Center

http://www.hungarian-multicultural-center.com/id69.html

« Artist residencies allow the time for dialogue and create connections that contribute to the future.. »

Deadline: ongoing

2012 Dates:
Please indicate (X) when would you like to participate
___Session 1: Tuesday May 15, 2011 – Thursday, June 7, 2012 Deadline: February 10, 2012
___Session 2: Monday, June 11, 2011 – Thursday, July 5, 2012 Deadline: March 10, 2012
___Session 3: Monday, July 9, 2011 – Thursday, August 2, 2012 Deadline: April 6, 2012
___Session 4: Monday, August 2, 2011 – Sunday August 26, 2012   Deadline: April 6, 2012
___Session 5: Thursday, December 27 – Saturday, January 12, 2013 (Fee $950 or Euro 700) Deadline: August 11, 2012
Online Application Only!

Applications should consist of:
* Application form
* Artist’s statement/Project Description/One-page resume/CV
* $35 application fee by PayPal (see instruction at the end of the Application Form)
* Visual Artists: Provide 5 jpg images representing your most recent work.
* Video/Performance/Time-based Artists   Link to work on YouTube.
* Curators/writers  sample of written work(s). Maximum 6 pages.

Further Information and Costs:
Applications accepted on basis of availability and quality of work.

While HMC does not provide funding for residencies, we are helping to facilitate the creation of program, the cost of the exhibitions and cover %40 of total cost, artists cover %60.   We encourage the applicants to apply for a grant or scholarship.

The residence offers shared room/bath as living quarters, and working area, few single rooms may be available at an extra fee.  Exhibition, Artist Talk, field trip, gallery tour are included in the cost.
There is a cost to attend the residency of $1250 or Euro 900.  Longer or shorter stays can be arranged.  Artists are expected to pay all travel expenses, personal costs, visa (if necessary), insurance, and to supply artist materials for their use during the residency.   We can provide basic materials and tools.
Artists are expected to give at least one informal public audio-visual presentation about their work during their residency and to leave one piece of work made during the residency as a donation to the HMC.

Successful applicant wish to be accompanied by family members or an assistant, it is necessary to consult with HMC beforehand.
Artists will give at least one informal public slide/powerpoint/DVD/CD presentation (30 – 45 minutes) about their work during their stay at the HMC and leave one exhibition ready art work made during the residency as a donation to the HMC.  Exhibitions are arranged at the Pen Club and at Raday Konyveshaz Gallery, Budapest in August, 2012.

The Hungarian Multicultural Center, Inc.® (HMC), 501(c)(3), Dallas, TX/Budapest, Hungary based non-profit organization.  The HMC dedicated to inspiring, connecting, exhibiting, and promoting artists.  The HMC invites interested visual artists, writers, performers  to submit application for its residency program in Budapest, Hungary.  The residencies offer participants to interact with other artists representing a variety of cultures and backgrounds.

End of your residency we are asking a Residency Evaluation submitted by you (1page) detailing your experience at Budapest and what you were able to accomplish during your residency regarding your specific Art project.
We very much look forward to receiving and reviewing your Project Proposal!

The Arts Team at HMC

•••••

Gyeonggi Creation Center Residency 
Studio Program: 2012 Open Call for 
Artists and Curators
www.gyeonggicreationcenter.org

Gyeonggi Creation Center is an artist residency located in the west coast of Korea. Established in 2009, GCC aims to support artists and curators from around the world and from various fields of art for their creative work and research. With various programs and facilities alongside the studios, GCC hopes to be a dynamic platform for an experimental and progressive contemporary art.
For the 2012 Residency Studio Program, GCC will accept applications from artists of all fields including visual and performing arts, film and new media, literature, music and sound arts. Artists, curators and researchers from respective fields may also apply in our 2012 Open call.
Call For Artists:
Gyeonggi Creation Center 2011 Residency Studio Program
■ Open call information session
Please join and know more about 2012 application!
Date: Nov 18, 2011 at 4pm
Location: Gyeonggi Creation Center
Shuttle bus:
- Seoul (Sadang stn. Gate #4) departs at 2pm – GCC 3:30pm
- GCC 7pm – Seoul (Sadang Stn. Gate #4) 8:30pm
Programs: Open call for 2012 / 2012 Program overview / Q&A with 2011 Artists
Note: 2012 Open call information session occurs together with GCC Open Studio / 2011 Fall.
■ Application Deadline: December 16. 2011
■ Programs
Creative Residency Program: Artists in visual art, Design, Architecture, literature, Dance, Performing Arts, and media arts
Research Residency Program: Independent and alternative space curators, producers for theater and music, researchers and critics
■ Eligibility and Requirements
Domestic and foreign artists in visual art, Design, Architecture, literature, Dance, Performing Arts, and media arts and researchers, curators and critics
No limitation of age, nationality, or gender
Artists are required to stay in studio during their respective residency session
Individual and group artists are allowed
■ Session: March 2012–February 2013
Long-term residency (for Domestic Artists): 6 months, 1 year and 2 year
- 12 artists and 2 curators positions available 
Short-term residency (for Foreign Artists): 3 months
- select a schedule among the following periods: Apr–May, Jun–Aug, Sep–Nov, and Dec 2012–Feb 2013
■ Benefits for 2012 Residents:
- Private Studio and Living quarters, all free of charge.
- Two-way economy-class airfare for one person, as applicable for foreign residents and Korean residents working/living abroad
- Production stipend for artists: around 2,000,000 KRW depending on needs
- Research stipend for researchers: amount depending on needs for exhibition, publication or other applicable outcome
Note: all stipend amount are to be determined after discussion with GCC staff.
■ Materials for application
Application form (Downloadable from GCC web site)
Complete CV or resumé
A project description of intended activity during the residency
Portfolio/Work samples (CD/DVD): maximum 20 images or 5 minutes of video (jpg, ppt, avi, mov, wmv)
Copy of passport or I.D Certificate
* All materials for application will not be returned
■ Note
GCC allows one partner of residents—must be discussed with GCC before registration
GCC does not allow pets and children
■ Application Procedure
Please download, fill and e-mail the application form first. Send 1 copy of your application with all additional materials to GCC prepared in accordance with the guidelines noted in the Application Outline. 
Submission Period: November 15–December 16, 2011
Application can be delivered directly or post to, Gyeonggi Creation Center 400-3 Seongam-dong, Danwon-gu, Ansan-si, Gyeonggi-do (425-310) Korea

Applications must be postmarked by December 16, 2011
■ Selection Procedure
All applications will be evaluated by the selection committee of international art professionals
Pre-selection by paper screening / Main selection by interview
* For foreign applicants interview is optional
■ Notification
January 15, 2012 Date subject to change
The selected list will be posted at the website of Gyeonggi Creation Center: www.gyeonggicreationcenter.org
■ Contact
Phone: +82-(0)32-890-4820/4825
Email: gcc [point] apply [arobas] gmail [point] com
Address: Gyeonggi Creation Center
400-3 Seongam-dong, Danwon-gu, Ansan-si, Gyeonggi-do (425-310) Korea

•••••

Caza d’Oro est une résidence de création, installée en Ariège au Mas d’Azil. Les artistes sélectionnés en comité de pilotage, sont accueillis 3 mois à Caza d’Oro. Ils bénéficient de :
•    Studio aménagé
•    Atelier
•    Bourse de séjour : 900 euros/mois
•    Aide aux matériaux : 2 000 euros
•    Charte de communication
•    Catalogue en fin d’année de résidences (parmi les autres artistes)
•    Exposition des œuvres réalisées pendant la résidence durant la dernière semaine
Les candidatures peuvent être envoyées toutes l’année à l’adresse suivante:
Caza d’oro
Centre International de Recherche, de Création et de Diffusion d’Art Contemporain Résidences d’artistes
15, rue du temple
09290 Le Mas d’Azil
Tél./Fax : 05 34 01 18 83
http://www.cazadoro.org/candidature/

•••••

APPEL À PROJETS : APO33 RÉSIDENCE 2012

Pour résidence  de 1 à 3 mois à la Plateforme intermédia – Nantes – mi-avril / mai et  août/octobre 2012
Cet appel à projets s’adresse à tous les artistes, théoriciens, architecte ou sans étiquette ayant une approche expérimentale de leur médium (quel qu’il soit)

LA RÉSIDENCE : Tout au long de l’année APO33 invite des artistes à développer un travail insitu (sur le site) à travers une exposition, présentation, expérimentation, mise en abîme de leur propre travail ou en forme de collaboration (selon les propositions). La résidence se développe habituellement sur deux niveaux : un premier de préparation (environ 1 month) de l’installation, performance… ou pour expérimenter un projet de performance ou de construction architecturale et une deuxième étape où l’espace est ouvert au public (visite, participation, rendez-vous…). APO33 propose aussi son assistance technique aux personnes invités et notamment pour ceux qui utilisent des outils numériques et ouvert à l’utilisation de logiciel libre et open source. Les personnes invités pourront si elles le souhaitent faire une présentation de leur approche voir de questionnements plus théoriques sur les problématiques de la proposition.
APO33 se propose de prendre en charge les frais de transports, logements et défraiement et de mettre à disposition un petit budget de production (selon les demandes)
APO33 est un laboratoire artistique, technologique et théorique transdisciplinaire qui développe des projets collectifs divers alliant recherche, expérimentation et intervention dans l’espace social. S’inscrivant dans la continuité des dynamiques ouvertes par le mouvement des logiciels libres, APO33 se construit comme un espace modulaire, initiant des projets et processus de création collaboratifs et explorant de nouveaux modes de production et de diffusion artistiques et créatifs. A travers des workshops, des ateliers de partage, des séminaires, des interventions dans l’espace public, des créations, des rencontres internationales, des projets en ligne, des publications etc. APO33 interroge les transformations actuelles des pratiques artistiques et culturelles conséquence des réappropriations et usages des Technologies de l’Information et de la Communication. Ce questionnement conduit APO33 à travailler aux marges du champ culturel pour explorer les passages et croisements qui peuvent s’opérer entre la création et d’autres disciplines ou pratiques sociales (activisme politique, médiation ou action sociale, sciences dures et sciences humaines, urbanisme, écologie, économie…).
http://www.apo33.org
Proposer un projet :
Envoyer un PDF* à apo33 [point] proposal2012 [arobas] gmail [point] com contenant les informations suivantes :
•    NOM COMPLET (+ ALIAS si besoin)
•    EMAIL
•    PAYS & VILLE DE RÉSIDENCE
•    DESCRIPTION DU PROJET
•    MOTIVATION
•    FICHE TECHNIQUE / BESOIN TECHNIQUE
•    LIENS INTERNET
•    TOUTES INFORMATIONS COMPLÉMENTAIRE SUR VOTRE PROJET
* PDF – 2MB maximum
DATE DE LIMITE D’ENVOIS DES PROPOSITIONS : 9 DECEMBRE 2011

•••••

Nomadic Village UK 2012
County Durham, North East England, May 21st – June 3rd 2012

CALL FOR PROPOSALS

Deadline for Applications: Monday 28th November 2011
The Nomadic Village is a temporary 10-day settlement set up on a vacant lot in County Durham, UK. The nomadic artists’ mobile homes/ateliers will form the structure of the Village, with On The Road Productions’ (ORP) Steyr-Ikarus bus acting as its townhall. Artists will come together to work in this autonomous environment to stimulate creativity and exchange, and attract local people to observe and participate in the process. At the end of the Village there will be a public exhibition/show that will invite a wider audience to appreciate the works produced during the Village. The project is run by Klaus Maehring (Lead Artist and founder) from ORP/Austria.
The Nomadic Village UK 2012 is produced in collaboration with ISIS Arts (Newcastle upon Tyne, UK) and supported by Durham County Arts Team. It will seek to invite nomadic artists from all over the world, whose practice is rooted in themes surrounding nomadism; those who intentionally displace themselves to seek encounters that not only influence their work but form it; artists who work without borders and constantly respond to situations, places and people along their journey. The Nomadic Village will act as a platform for artists working in this manner, ultimately creating a wider, more visible network for nomadic artists.
How to Apply:
This call is open to artists from all over the world, who preferably come with their own mobile space to live and work in. To apply please send us a description of the project you would like to realise at the Nomadic Village, an artist bio/statement and CV. Include supporting material/documentation of previous work, either attached to email or send us web links. Make sure we get an idea about who you are, your artistic practice, who is involved and what kind of mobile structure you will travel/work/live in. Let us know if for some reason you can’t come with your own vehicle; we might be able to provide you with a space. The Nomadic Village provides the site, infrastructure and food but does not pay for artists coming to the Village. However, if your travel costs are especially high, e.g. if you are coming with a big diesel hungry truck or flying from far away, you can apply to the Dizel Grant (see below).
We highly encourage you to contact us to talk about your proposal ideas, mobile space and travel arrangements before submitting an application – just for an informal chat, remember the deadline for submissions is Monday 28th November-so make sure you leave enough time to contact us.
Location:
Demesne Mill, Wolsingham, County Durham.
See google map of location: http://g.co/maps/fu2ch

Dizel Grant:
The Dizel Grant is an uncomplicated small grant to enable nomadic artists’ travel to the Nomadic Village UK 2012. It is especially for artist whose cost of travel is high. To apply for the Dizel grant send us your travel itinerary including costs. We highly encourage you to discuss this with us before submission and we can give you an idea of the level of support we can provide on a case by case basis.
The Traveling Exhibition:
After the public presentation in the Village, a selection of the artists’ work will be curated into a group exhibition. The bus will then hit the road, serving as a mobile gallery across England and Europe. It will travel to remote areas such as small villages and rural locations, as well as to cities and art centres.
Selection criteria includes:
• Artists whose work looks at themes of nomadism, working without borders, displacement,   dislocation, journey.
 • Work that responds to the place and the situation.
 • Artists who practice explores places, meeting/interacting with strangers, going into the
  unexpected.
 • Access to live/work mobile space.
 • Ability to commit to entire Village.
The Nomadic Village will provide:
• All meals provided with dinners cooked by Umesh Maddanahali, other meals provided on a DIY base.
 • letters of invitation and other support to enable you to raise additional funds.
 • Facilities – including electricity, toilets, running water, wifi.
 • Contact to the local community.
 • Equipment for final presentation (Artists must provide their own equipment and materials   forrealising their projects during the Village).
 • Documentation of project.
Timetable:
•  Monday 21st – Thursday 24th of May: Arrival and set-up
 •  Thursday 24th of May: Launch event, press conference
 •  Friday 25th – Thursday 31st of May: Production time
 •  Friday 1st of June: Final presentation closing event
 •  Saturday 2nd of June: Last Supper
Contact:
For questions and initial conversation before submission contact either:
Captain Klaus, klaus [arobas] maehring [point] at, +43(0)699 10316027
Sharon Bailey, ISIS Arts, sharon [arobas] isisarts [point] org [point] uk +44(0)191 261 4407

For submissions email applications to:
klaus [arobas] maehring [point] at
Web link for full call: http://www.isisarts.org.uk/opportunities/call+for+proposals%3A+nomadic+village+uk+2012/5

5. divers