La Liste de l’Association des groupes en arts visuels francophones présente les nouvelles de ses membres au Manitoba, en Ontario, au Nouveau-Brunswick et en Nouvelle-Écosse, et compile les appels de dossiers en arts visuels, arts médiatiques, performance, art public, etc.
Retrouvez l’AGAVF sur Twitter: www.twitter.com/agavf
ou sur Facebook: www.facebook.com/agavf
La Liste sur Internet: liste.agavf.ca. Abonnement courriel gratuit.
Visitez l’AGAVF: www.agavf.ca
Nouvelles des membres de l’AGAVF
Rétrospective Louise Bourque à la Galerie Sans Nom
Galerie Sans Nom (Moncton)
Maryse Arseneault
– Une coupe de cheveux pour la fin du monde
Jonah Haché – Process(us)
du 2 novembre au 11 décembre
Louise Bourque – Rétrospective Louise Bourque
le 20 novembre à 20h
avec le Festival Images et le Festival international du cinéma francophone en Acadie
140, rue Botsford, rez-de-chaussée du Centre culturel Aberdeen
Moncton, Nouveau-Brunswick
www.galeriesansnom.org
Galerie d’art Louise et Reuben-Cohen (Moncton)
Magali Babin,
Scott Rogers,
Scenocosme – Lieux inusités / Uncommon Ground
du 26 septembre au 4 novembre 2012
Lettres d’encouragement de Jennifer Bélanger
Derby de Jean-François Caissy
À l’affut et à l’écoute de Frédéric Lavoie
Commissaire : Angèle Cormier (Moncton)
Du 16 novembre 2012 au 20 janvier 2013
Pavillon Clément-Cormier
Centre universitaire de Moncton, Nouveau-Brunswick
www.umoncton.ca/umcm-ga
Maison des artistes visuels (Saint-Boniface)
Caroline Monnet – Tipi moderne
du 1er novembre 2012 au 10 janvier 2013
219, boulevard Provencher
Saint-Boniface, Manitoba
www.maisondesartistes.mb.ca
Centre d’artistes Voix Visuelle (Ottawa)
Vite! Exposition internationale d’estampe numérique miniature
Artistes: Jocelyne Aird-Bélanger, Isabelle Beraut, Berko, Suzanne Blouin, Frances Caswell-Routhier, Valérie Boivin, François Chalifour, Micheline Couture, Lillianne Daigle, Céline J. Dallaire, Vera David-Heisler, Michèle DeBellefeuille, Maryse Des Aulniers, Gracia Dubé, Odette Fortier-Auclair, Paula Franzini , Martine Gilbert, Geneviève Giroux, Louis Godbout, LluísIvern, Snežana Kezele, Doris Lamontagne, Alex Leblanc, Marie-Paule Le Bohec, Denis Leclerc, Louise Mercure, Richard Miron, Csaba Pál, Galina Pavlova, Manon Pelletier, Henri Pouillon, Naïma Saadane, Gilles Vallée, Markéta Váradiová, Paul Walty
Commissaire : Raymond Aubin
du 3 novembre au 11 décembre 2012
81 avenue Beechwood
Vanier, Ontario
www.voixvisuelle.ca
Galerie Glendon (Toronto)
Pascal Paquette – Ce que les cinq dernières années m’ont appris
du 23 octobre au 30 novembre
2275 av. Bayview, Collège Glendon, York Hall, C-130
Toronto, Ontario
www.glendon.yorku.ca/gallery
Le Trécarré (Pointe-de-l’Église)
Bonnie Baker – Lachesis Measure
du 15 octobre au 30 novembre 2012
Université Sainte-Anne
Pointe-de-l’Église, Nouvelle-Écosse
letrecarre.blogspot.com
Galerie du Nouvel-Ontario (Sudbury)
Laurent Vaillancourt – minute
du 20 octobre au 17 novembre 2012
Le Nouveau Louvre
du 24 novembre au 22 décembre 2012
174, rue Elgin
Sudbury, Ontario
www.gn-o.org
Centre culturel franco-manitobain (Winnipeg)
Marie-Andrée Côté – Point de rencontre
du 16 octobre au 7 décembre 2012
340, boulevard Provencher
Saint-Boniface, Manitoba
www.ccfm.mb.ca
Galerie SAW Gallery (Ottawa)
2Fik, Laurie Anderson, Shahla Bahrami, Chris Burden, nichola feldman-kiss, Gilbert & George, Antti Laitinen, Suzy Lake, Theo Pelmus et Paul Wong – Extreme Self: L’art à la première personne du radical
du 4 octobre au 24 novembre 2012
67, rue Nicolas
Ottawa, Ontario
www.galeriesawgallery.com
Le Laboratoire d’Art (Le Labo) (Toronto)
Manuel Chantre – Double
Du 29 septembre au 20 octobre 2012
Distillery District, 9 Trinity, suite 317
Toronto, Ontario
www.lelabo.ca
1. appels en français du Canada
Dare-Dare – Montréal – 10 janvier 2013
La Galerie AOE – Ottawa – 14 décembre 2012
Verticale – Laval – 15 décembre 2012
articule – Montréal – 30 novembre 2012
ARPRIM – Montréal – 14 décembre 2012
Galerie du Centre des arts et de la culture de Dieppe – 30 novembre 2012
Symposium international d’art contemporain de Baie-Saint-Paul – 14 décembre 2012
Saw Vidéo – Resolution 2013 – Ottawa – 1er décembre 2012
Galerie Sans Nom – Moncton – 15 janvier 2013
Centre d’exposition Raymond-Lasnier – Trois-Rivières – 1er février 2013
Espace Cercle Carré – Montréal – 1er décembre 2012
Praxis Art Actuel – Sante-Thérèse, Québec – 3 février 2013
Espace virtuel – 15 décembre 2012
2. appels en anglais du Canada
Centre3 for Print and Media Arts – Hamilton – 30 novembre 2012
La Bande Vidéo – Québec – 8 janvier 2013
Public artwork – Fort McMurray, Alberta – 17 décembre 2012
Li Ka Shing foundation Public Art Commission – Edmonton – 17 décembre 2012
Under new management – Toronto – 7 février 2013
Blank Canvas Public Art – St John’s – 16 novembre 2012
Vector Film and Video Program – Toronto – 10 décembre 2012
Art Gallery of Regina – 15 janvier 2013
Art Gallery of Southwestern Manitoba – Brandon – en cours
Harcourt House Artist Run Centre – Edmonton – 30 novembre 2012
3. appels internationaux
ANX.ARS – audio – internet – en cours
Sprint and starting Blocks – Camden – 23 novembre 2012
Prix Victor Vasarely de l’Art dans l’espace public – 17 décembre 2012
Horizons: art nature – Sancy, France – 17 décembre 2012
switch – Tiperrary, Irlande – 7 décembre 2012
Kino Der unst – Munich – 15 décembre 2012
Beers.Lambert Award for Emerging Art – London – 31 décembre 2012
Fondation François Schneider – 15 décembre 2012
Beam Camp – New Hampshire, États-Unis – 11 janvier 2013
re:MMX – Public Video Box – 30 novembre 2012
Concours création vidéo autour de l’architecture – 5 avril 2013
WRO International Media Art Biennale – Wroclaw – 15 décembre 2012
Microscope Gallery – Brooklyn, États-Unis – 10 décembre 2012
Three commissioned pieces – Metro’s Art in Transit – St-Louis, Missouri, États-Unis – 26 novembre 2012
4. résidences
Résidence à Buenos Aires pour designer – avant le 26 novembre 2012
Oxygen Art Centre Exhibition & Residency Program – Nelson Canada – en cours
Australia Indigenous Ars Residency Exchange 2013 – Lethbridge – 16 novembre 2012
Gyeonggi Creation Center residency program 2013 – Corée du sud – 14 décembre 2012
Rencontre de la jeune photographie internationale – Niort, France – 31 décembre 2012
2013 residency on Andrea Zittel’s Indy Island – Indianapolic, États-Unis – 11 janvier 2013
Unesco-Aschberg bursaries for artists programme – Cittadellarte – 18 décembre 2012
Tokyo wonder Site – Japon – 20 novembre 2012
Residencies PACT Zollverein – Essen, Allemagne – 10 décembre 2012
Henry Moore Institute – Leeds, Angleterre – 14 janvier 2013
Acadia National Park Artist Residency – Maine, États-Unis – 7 janvier 2013
Atelier Topaz – Opasatika, Ontario – en tout temps
International Helen M. Salzbert Artist in residency program – Florida, États-Unis – avant 22 janvier 2013
Brucebo Scholarships for Canadian Artists – Gotland, Suède – 31 janvier 2013
RESÒ International Art Residency Program – en cours
5. divers
BRAVO-Sud mène un sondage auprès des artistes visuels en Ontario français
1. appels en français du Canada
*** ENSEIGNE LUMINEUSE EN QUÊTE D’AUTEURS ***
DARE-DARE poursuit son projet de poésie/écriture urbaine diffusé sur une enseigne lumineuse. Les phrases, poèmes, onomatopées s’enchaîneront semaines après semaines et seront visible pour des milliers de passants quotidiennement.
Faites nous parvenir vos propositions de courtes phrases (jusqu’à 15 mots)
à info [arobas] dare-dare [point] org en prenant soin d’intituler votre message : APPEL À PROJETS_DARE-DARE_VOLET 3
DARE-DARE offre :
– un droit d’exposition
– un droit d’auteur
– une promotion du projet
– le prêt des matériaux nécessaires (lettres et enseigne lumineuse)
Date de tombée : 10 janvier 2013
DARE-DARE est situé
aux abords du
Métro-St-Laurent
Casier postal 320
Succursale C
Montréal Québec
H2L 4K3 Canada
514.849.DARE (3273)
info [arobas] dare-dare [point] org
•••••
LA GALERIE AOE : EXPOSITIONS 2013 – Appel aux artistes
La Galerie AOE située au Centre des Arts Shenkman accepte maintenant les demandes d’exposition jusqu’au 14 décembre 2012.
Chaque exposition durera un mois. L’espace peut facilement accommoder 30 œuvres d’arts murales de taille moyenne (ex. 24’’ x 24’’) ainsi que quatre grandes pièces (ex. 4’ x 6’). L’espace peut aussi accommoder des sculptures mais nous encourageons les sculpteurs à faire demande conjointement avec un autre artiste qui travaille en deux dimensions.
AOE encourage les artistes individuels et les groupes d’artistes qui sont membres d’AOE à soumettre leur demande. Celle-ci doit inclure :
-une description de l’exposition et son titre;
-un énoncé artistique;
-une biographie ou une description du groupe (maximum d’une page);
-10 à 20 photos (format jpg) des œuvres de l’exposition proposée;
-une explication de comment vous prévoyez utiliser les deux grands murs à la réception de la galerie.
Les critères de sélection sont les suivants:
-l’usage approprié du médium
-la cohérence des pièces par rapport au style ou au thème
-la connaissance des éléments et des principes d’art
-l’originalité
Le Conseil des arts AOE se réserve le droit de prendre une commission de 15% sur les œuvres vendues.
Pour plus d’information ou pour soumettre votre demande, veuillez communiquer avec Louise Michaud, Directrice des programmes d’AOE au 613-580-2767 ou par courriel : louise [arobas] artsoe [point] ca
Voir la page de la Galerie AOE et de l’exposition : Ivano Cargnello, VIAGGI – VOYAGES – VIAJES
http://www.artsoe.ca/fr/about/aoe-gallery/oct%2030%20-jan%2010.aspx
•••••
VERTICALE – CENTRE D’ARTISTES
APPEL DE DOSSIERS 2013-2014
DÉPÔT DES CANDIDATURES : 15 DÉCEMBRE 2012
VERTICALE – CENTRE D’ARTISTES lance un appel aux artistes afin de mettre en place la programmation de l’année 2013-2014.
Verticale, supporte et encourage les propositions d’artistes professionnels et de commissaires indépendants en art actuel, qu’ils soient émergents ou établis. Favorisant l’inter, la multi et la transdisciplinarité, le centre appuie tous les modes de réalisation comme de diffusion, susceptibles de produire des contenus et des discours artistiques signifiants et inédits.
Verticale travaille présentement les pratiques HORS LES MURS. Nous acceptons les propositions artistiques à l’esthétique foudroyant, celles qui témoignent d’engagement social et communautaire, ainsi que les pratiques émergentes et expérimentales. Les projets présentant une sensibilité aux spécificités du contexte et du territoire lavallois seront privilégiés.
Les dossiers contiennent les documents suivants :
• Description du projet
• Intention et possibles quant au lieu et aux moyens de diffusion
• Texte de démarche
• CV à jour des participants
• Autre documentation pertinente (texte, revue de presse, lien vers site web, calendrier projeté, budget, …)
• Documentation visuelle ( photographies : maximum de 15 .jpg max 1mo; audio et vidéo : maximum de 7 minutes de .mp3, .wmv, .mp4 ou .mov et/ou lien externe). Dans tous les cas, fournir une liste de la documentation visuelle.
Les dossiers doivent être envoyés par COURRIEL à info [arobas] galerieverticale [point] com avec l’intitulé APPEL DE DOSSIERS (2013-2014) – VOTRE NOM.
renseignements
galerieverticale.com
info [arobas] galerieverticale [point] com
Charlotte Panaccio-Letendre : Coordonnatrice à la programmation
bureau administratif
397, Boul. des Prairies, bur.412
Laval QC H7N 2W6
Tél.:450-934-6042
Téléc.:450-934-6043
Heures d’ouverture
9h-17h mardi au vendredi
•••••
APPEL DE DOSSIERS + RAPPEL SPRINGTEMPS
Bonjour!
articule est heureux de lancer son appel de dossiers pour la programmation de l’année 2013-2014! Veuillez trouver les détails de l’appel ci-dessous et en pièce jointe. (DATE DE TOMBÉE 30 NOVEMBRE 2012) Par la même occasion nous aimerions vous rappeler l’appel de dossier SPRINGTEMPS dont la date de tombée est le 2 novembre (voir ci-dessous et en pièce jointe)
Au plaisir,
APPEL DE DOSSIERS PROGRAMMATION 2013-2014 articule est un centre d’artistes autogéré qui se consacre à la diffusion d’un large éventail de pratiques en art actuel et s’intéressant plus particulièrement à l’engagement social, à l’interdisciplinarité et à l’expérimentation artistique. articule soutient les artistes de la relève ainsi que ceux ayant établi des précédents importants et qui continuent à prendre des risques. articule invite les artistes, les collectifs d’artistes et les commissaires locaux, nationaux et internationaux, ainsi que toutes les personnes intéressées à établir un dialogue avec les arts actuels, à proposer un projet pour sa programmation de septembre 2013 à juin 2014. Nous acceptons les expositions, projets et recherches de différentes natures ayant lieu à la galerie, hors les murs ou en ligne; ainsi que les collaborations (entre individus, organismes, institutions, disciplines..). Nous acceptons également des projets se déroulant dans un temps autre que les cinq semaines d’exposition habituelles. Avant de nous faire parvenir votre dossier, nous vous invitons à visiter notre site Internet afin d’obtenir plus d’informations sur les dimensions de la galerie, son mandat et sa programmation. articule respecte les barèmes établis par CARFAC pour le paiement des cachets d’artistes.
DATE DE TOMBÉE: 30 NOVEMBRE 2012 Votre soumission de projet doit comprendre: - description du projet spécifiant les besoins spatiaux, techniques et le lien avec votre démarche artistique (max. 2 page) - curriculum vitae - matériel de soutien (comprenant un ou plusieurs des documents suivants) : - maximum 20 images numériques clairement identifiées - maximum 10 minutes de vidéos (extraits ou oeuvres complètes) clairement identifiées. (Veuillez ne pas envoyer de documents vidéo par courriel. Intégrez plutôt un lien Viméo ou YouTube à votre dossier. Si vous créer un compte privé, n’oubliez pas de préciser le mot de passe.) - un site Internet - tout autre document que vous jugez pertinent à la demande - liste descriptive des documents visuels (titres, dates, dimensions et médium) Important : Veuillez respecter les indications suivantes pour vos documents numériques. - votre demande doit être contenue dans un seul courriel de maximum 10 MB. - vos documents doivent être compatibles avec Mac, Windows et Linux - format jpeg suggéré n’excédant pas 500 KB ou 1024 x 768 pixels - numérotez et identifiez chaque image avec le titre correspondant à la liste descriptive - veuillez ne pas envoyer d’oeuvres originales - Nous encourageons l’envoi de dossiers électroniques, mais si vous préférez envoyer des documents par la poste, il vous est également possible de le faire. Veuillez envoyer votre proposition à : soumission [arobas] articule [point] org.
•••••
ARPRIM
Les artistes, les collectifs et les commissaires professionnels ayant des pratiques actuelles liées aux arts imprimés sont invités à proposer un projet d’exposition ou d’événement pour la programmation 2013-2014 d’ARPRIM.
Date de tombée : 14 décembre 2012
Plus de détails sur www.arprim.org.
•••••
APPEL D’OFFRE
GALERIE DU CENTRE DES ARTS ET DE LA CULTURE DIEPPE
À propos du Centre des arts et de la culture et sa galerie
Le Centre des arts et de la culture, ouvert au public depuis septembre 2010, est la seule institution artistique et culturelle dans la Ville de Dieppe ; il est un lieu rassembleur ancré dans sa collectivité dont la mission est de renforcer l’identité culturelle de la jeunesse et de la communauté environnante en encourageant la créativité et la participation aux activités artistiques et culturelles.
La galerie du CACD contribue à l’épanouissement de plusieurs artistes et, par le fait même, expose sa communauté aux arts visuels. La salle d’exposition du CACD se démarque par ses installations techniques à la fine pointe de la technologie (système d’accrochage, éclairage) ainsi que par le fait que le CACD rémunère, comme il se doit, les artistes au taux CARFAC pour leurs expositions. Cet espace est réservé aux artistes professionnels et est un ajout important au circuit des galeries dans la région.
Pour nous soumettre une proposition
Nous invitons les artistes œuvrant dans toutes les pratiques d’arts VISUELS à faire parvenir des propositions de projets futurs pour la saison 2013-2014.
Modalités
• La date de tombée est 16 h 30 le vendredi 30 novembre 2012;
• Des accusés de réceptions seront expédiés pour tous les dossiers reçus;
• Les dossiers seront évalués par un comité de sélection;
• Nous ne communiquerons qu’avec les artistes dont la proposition aura été retenue;
• Veuillez noter que la programmation peut s’étaler sur des périodes de douze à trente-six mois.
• La durée des expositions est de trois mois;
• La superficie de la salle est de 1578 pi²
• Les propositions doivent être envoyées à : Comité de sélection (Galerie d’art), Centre des arts et de la culture de Dieppe, 331 avenue Acadie, Dieppe, Nouveau-Brunswick E1A 1G9
• Nous n’acceptons pas la soumission d’un dossier par courriel;
• Submissions can also be sent in English.
Afin de simplifier le processus de sélection les artistes sont priés de faire parvenir des demandes constituées des éléments suivants :
• Une lettre de présentation spécifiant la nature de l’exposition.
• Un texte décrivant l’intention de recherche et la description du projet (max 1000 mots).
• Un curriculum vitae comprenant une liste d’expositions.
• Catalogues, critiques, articles de journaux, etc. (optionnel)
• Documents d’appui :
o images numériques (CD ou DVD), numérotées et accompagnées d’une liste descriptive indiquant le titre, l’année, le format et le médium des œuvres.
• Veuillez noter : Les dossiers non-retenus ne seront renvoyés que si vous fournissez une enveloppe de retour préaffranchie.
•••••
Bonjour,
Veuillez trouver ci-joint, l’appel de candidatures pour la 31e édition du Symposium international d’art contemporain de Baie-Saint-Paul qui se tiendra du 2 août au 1er septembre 2013.
La date limite pour déposer un dossier est fixé au 14 décembre 2012.
Merci de le diffuser auprès de votre réseau.
Cordiales salutations.
MUSÉE D’ART CONTEMPORAIN DE BAIE-SAINT-PAUL
23 rue Ambroise-Fafard
Baie-Saint-Paul (Québec) G3Z 2J2
T. (418) 435-3681
F. (418) 435-6269
www.macbsp.com
www.symposium-baiesaintpaul.com
•••••
Saw Vidéo
Appel de soumissions: RESOLUTION 2013
Date limite : 1 décembre 2012
Avez-vous réalisé une vidéo avec l’aide de Saw au cours de l’année 2012 ?
Chaque année, Saw Vidéo organise l’événement RÉSOLUTION, une projection publique mettant en vedette de nouvelles œuvres produites par nos membres. Nous sommes à la recherche d’œuvres de nos membres complétées en 2012 et qui pourraient être considérées pour l’édition 2013 de RÉSOLUTION. Veuillez lire les instructions attentivement avant de soumettre une proposition.
Vous pouvez soumettre n’importe quel genre de matériel, aussi bien expérimental que dramatique, documentaire ou d’animation. La durée de l’œuvre ne peut excéder 25 minutes. Vous pouvez proposer plusieurs créations et vous pouvez aussi envoyer une ébauche (rough cut) de votre travail. Nous acceptons les projets en format DVD, VHS et miniDV, en ficher QuickTime ou sur une clé USB. Si vous désirez que nous vous remettions votre document, veuillez nous le signaler.
Assurez-vous de joindre les informations suivantes à vos vidéos : année de production, format, durée, genre, liste des principaux participants, court descriptif de l’œuvre, une courte biographie du réalisateur et les coordonnées de celui-ci.
Si vous souhaitez soumettre votre travail à RÉSOLUTION 2013, veuillez nous faire parvenir vos œuvres au plus tard le 1 décembre 2012. Vous pouvez passez à SAW Video pour y déposer vos vidéos en personne, ou les envoyer par la poste à l’adresse suivante :
Comité de programmation de Résolution 2013
Saw Vidéo
67, rue Nicholas
Ottawa, Ontario
K1N 5B7
Canada
Les membres de notre comité de programmation procéderont à la sélection finale des œuvres.
Pour de plus amples renseignements, veuillez contacter Christopher Rohde à : programming [arobas] sawvideo [point] com
•••••
Galerie Sans Nom
GSN sollicite des propositions d’artistes, de collectifs ou de commissaires
2012/2013
APPEL DE DOSSIER
Date limite : 15 janvier 2013
Les dossiers doivent comprendre :
• lettre d’intention
• titre et description détaillée du projet proposé
• les besoins techniques du projet
• curriculum vitae et une courte biographie
• 10 à 15 exemples de travaux récents (format numérique)
• liste détaillée du matériel d’appui
• enveloppe de retour affranchie (si vous souhaitez ravoir votre dossier)
• dossier de presse (facultatif)
La Galerie Sans Nom est un centre d’artistes voué à la présentation des arts visuels et multidisciplinaires. Depuis 1977, elle appuie les initiatives d’artistes, favorisant l’expérimentation et l’innovation. Sa programmation tient compte des tendances de l’art actuel et reflète les préoccupations et les réalités contemporaines, tout en étant pertinente pour son milieu et sa communauté d’artistes. La GSN étend ses activités à une variété de pratiques et de disciplines afin de répondre aux besoins changeants d’une communauté diverse dans un milieu urbain en croissance.
La Galerie Sans Nom respecte les cachets d’artistes recommandés par CARFAC.
Galerie Sans Nom
140 rue Botsford St, Locaux 13 et 16
Moncton, NB E1C 4X5
T. 506.854.5381 F. 506.857.2064
•••••
Centre d’exposition Raymond-Lasnier Maison de la culture de Trois-Rivières
Le Centre d’exposition Raymond-Lasnier invite les artistes professionnels et de la relève, les collectifs d’artistes et les commissaires en art actuel à soumettre un projet d’exposition pour sa programmation.
La date limite pour soumettre votre candidature est le 1er février de chaque année.
Le dossier doit inclure :
• Description détaillée du projet d’exposition
• Documentation visuelle avec description : supports informatiques (10 à 15 images)
• Curriculum vitae
• Démarche artistique
• Dossier de presse
• Enveloppe pré-affranchie et pré-adressée pour le retour du dossier
Vous pouvez faire parvenir votre demande par la poste ou par courriel au :
Centre d’exposition Raymond-Lasnier Maison de la culture de Trois-Rivières 1425, Place de l’Hôtel-de-Ville, C.P. 368 Trois-Rivières, Québec G9A 5H3 Courriel : cerl [arobas] v3r [point] net
Pour information : Téléphone : 819 372-4611 Télécopieur : 819 372-4632 Courriel : cerl [arobas] v3r [point] net
•••••
APPEL DE DOSSIERS AUX ARTISTES DES ARTS VISUELS & ARTS MÉDIATIQUES.
ESPACE CERCLE CARRÉ est à la recherche de soumissions d’artistes visuels et médiatiques pour sa programmation 2013-2014.
DATE LIMITE – DEADLINE : 1 DÉCEMBRE 2012 ESPACE CERCLE CARRÉ est un lieu de diffusion situé dans le Vieux-Montréal à l’intérieur de Cercle Carré, une coopérative d’habitation abritant 65 artistes et travailleurs culturels. Ce lieu est consacré à l’art contemporain, aux pratiques émergentes et établies, et est ouvert à toutes les disciplines artistiques.
•••••
Appel à projets Praxis Art Actuel
Laboratoire-résidence Bloc 8
– 2014
Date de tombée : 3 février 2013
Praxis Art Actuel lance son appel de dossiers pour la programmation du Bloc 8. Ce Bloc se tiendra du printemps à l’automne 2014.
Nous invitons les artistes professionnels à proposer des projets innovants qui s’éloignent du cadre habituel d’exposition, s’infiltrent dans l’espace public et s’inspirent des caractéristiques du lieu dans lequel ils se retrouvent afin de le questionner, de l’interpréter, de le modeler et de le transformer.
Les projets peuvent toucher à la fois à des particularités et des caractéristiques géographiques, sociales, économiques ou culturelles de la Ville de Sainte-Thérèse ou de la région des Laurentides.
Les artistes sont ainsi invités à redéfinir des problématiques liées à leur démarche artistique ou approfondir certaines facettes de leur pratique.
Praxis Art Actuel s’intéresse aux processus de création axés sur le travail in situ ou in socius, en lien avec des groupes (individus, étudiants, travailleurs, commerçants…), des organismes, des espaces, des lieux ou des territoires considérés dans leur spécificité.
www.praxisartactuel.org/Communications/programmation/bloc/Appel-Bloc8_Praxis.pdf
•••••
Espace Virtuel
APPEL DE DOSSIER
Programmation 2013-2014
Date limite : 15 décembre 2012
Depuis plus de 25 ans, le centre d’artistes Espace Virtuel fait la promotion du travail des artistes en arts visuels, soutient leurs recherches, agit comme médiateur culturel, stimule l’échange et la réflexion critique autour de l’œuvre et de son créateur, participe à la synergie de son milieu en collaborant avec les organisations possédant des objectifs communs.
Point de suspension, la librairie spécialisée du centre, soutient la rédaction et la diffusion de textes d’auteurs et organise des conférences ainsi que des soirées de discussion sur l’art, son marché, ses institutions et sa critique. Pour chaque exposition présentée dans la galerie, la librairie Point de suspension ajoute à ses rayons une sélection de livres liée au contenu du travail présenté.
Espace Virtuel participe à la diversité des pratiques artistiques diffusées en travaillant sans cloisonnement disciplinaire et en soutenant tous les types de productions en arts visuels. Le centre diffuse le travail des artistes de la relève, émergents et établis. Notre direction artistique met l’emphase sur la réactualisation des langages artistiques, la sensibilité du discours de l’artiste et les approches novatrices. Espace Virtuel assure une diffusion représentative des pratiques actuelles.
Appel de dossier :
En vue de la saison 2013-2014, Espace Virtuel invite les artistes professionnels à soumettre leur dossier à son comité de programmation. Il est à noter que le centre envisage une programmation 2013-2014 tournée en partie vers des expositions collectives. Ainsi, les dossiers soumis ne doivent pas nécessairement proposer un projet nouveau ou en cours de réalisation, puisque l’ensemble du dossier visuel sera considéré et qu’une œuvre antérieure pourrait se voir sélectionnée par notre comité de programmation.
NOUVEAU!
À partir de cette année, Espace Virtuel recevra les dossiers d’artistes par courriel uniquement.
Les dossiers doivent contenir :
• Un curriculum vitae
• Un texte de démarche artistique
• Le cas échéant, une description du projet proposé
• 10 à 15 images en format .JPG (1 Mo max. par image) d’œuvres ou de projets antérieurs
• Vidéos : inclure un lien dans le corps du message vers un site de diffusion vidéo (ex : Youtube, Vimeo, etc). * S’assurer que les vidéos reste en ligne jusqu’en mai 2013
• Une liste descriptive des documents visuels.
Veuillez regrouper vos fichiers dans un seul fichier .ZIP.
Envoyez vos dossiers à l’adresse suivante : programmation [arobas] espacevirtuel [point] ca
espacevirtuel.ca
2. appels en anglais du Canada
Call for Submissions
NEW MEDIA
Centre3 for Print and Media Arts (formerly The Print Studio) invites submissions from Canadian artists using cutting-edge technology in their art practice, including but not restricted to tablets, interactive technology (video etc), cell phones etc.
New Media takes the form of innovative artworks integrating technology or robotics, kinetic sculpture, installations, performances, immersive environments, web art, VJing, electronic art, and interactive works.
DEADLINE: FRIDAY, NOVEMBER 30, 2012
Only electronic submissions will be accepted, whether e-mailed or submitted on CD or DVD.
Text is to be in Word documents.
Selected artist(s) will be presented in an exhibition in the Main Space in September, 2013.
Each submission must include:
a/ A brief description of the specific proposal (thesis, relation to your art practice, etc.)
b/ A list of support material, which may refer to website pages, private/unlisted you tube pages or DVD format, etc.*
c/ A list of equipment, software, etc., involved (equipment will be supplied by the artist, but Centre3 will facilitate as much as reasonably possible)
d/ A brief (40-word) biography of the artist
e/ The artist’s CV including contact information (name, e-mail address, full mailing address and telephone contact).
* CD and DVD support material will be returned only if an appropriately-sized SASE (Self Addressed Stamped Envelope) is provided. Otherwise it will be destroyed after a decision is made.
CARFAC fees will be paid to the artist(s) selected to be exhibited.
Send submission to:
submissions [arobas] centre3 [point] com (Subject line: New Media submission)
or, if in CD or DVD format, to:
NEW MEDIA SUBMISSION
c/o Centre3 for Print and Media Arts
173 James St. N.
Hamilton, ON
L8R 2K9
Enquiries to: submissions [arobas] centre3 [point] com (Subject line: New Media)
Contact: Jim Riley, 905.979.9583
•••••
La Bande Vidéo: Call to Media/Video Artists (Québec, QC), Deadline January 8
LA BANDE VIDÉO
CALL FOR PROPOSALS
Exhibition // Production Residency // Exhibition Residency
SUBMISSION DEADLINE : JANUARY 08, 2013
La Bande Vidéo supports the production and presentation of media art to stimulate the circulation of information, ideas and video images.
Exhibition
La Bande Vidéo is inviting artists working in media arts to submit an exhibition proposal. La Bande Vidéo seeks practices evolving throughout an original video language interested of subverting the medium at its core. Experimental or stop-motion animation, 2D screenings or installative works, the center supports the exhibition of independent creations that seeks to renew presentation rules.
La Bande Video offers exhibition rights in accordance to the CARFAC recommendations. Our center also accommodates freely the artist for the preview night.
Production Residency and Exhibition Residency
La Bande Vidéo is inviting artists working in media arts (or artists seeking to experiment with videographic media) to submit proposals for production residencies. The artist-in-residence program is available to artists working in Canada and abroad. La Bande Vidéo supports work by artists who are interested in moving the discipline forward. The center hopes to receive research projects that explore permeability among different medias. The selection committee might also put an hold on some residency projects for a month-long exhibition in the center’s gallery.
Artists chosen for residencies will receive free access to the center’s production studios and equipment for a period spread of around two weeks to one month. La Bande Vidéo ensures technical support and accommodates the artist if required. A complete array of HD equipment is available: digital cameras, shooting material, accessories, production rooms (two editing suites, a sound studio and a trial studio for installations), and projection equipment.
Our center also accommodates freely the artist for the whole duration of his residency (or residency-exhibit) while giving to the artist a small amount for transportation for those who happen to live farther than 50 km of La Bande Vidéo. We will as well give to the artist a sustainment allowance for the whole time for a simple residency. Otherwise, in case of a residency leading to an exhibition the center would only give exhibition rights in accordance to the CARFAC recommendations. Note that, in any case (residency or residency-exhibit) the artist has an obligation to pay his production membership amount for one year (50$ CAD / taxes included).
Submissions
All submissions must include:
– A project description
– Technical requirements (if applicable)
– A résumé of the artist
– Ten to twenty visual documents of recent work
– Photos (in jpeg)
If the proposal is submitted by mail : in .jpeg format on a Mac-compatible DC or DVD
– Or videos (by Vimeo***)
If the proposal is submitted by mail : in .mov format on a Mac-compatible DC or DVD
– Any other relevant documentation
*** If you want to use Vimeo, you have to create a Vimeo account. Privacy options allow you to upload videos and choose who can see them. To access the privacy settings of your video, click the « Settings » button under your video on the video page, then click the « Privacy » tab. Please use this password : Appel2013. Click here for more information. Don’t forget to include your Vimeo’s links.
To submit your proposal by email (before January 08, 2013).
At :
info [arobas] labandevideo [point] com
E-mail subject : Proposals 2013-2014
Proposals can also be submitted by mail (before January 08, 2013). Please include a prepaid pre-addressed return envelope.
To :
Call for proposals
La Bande Vidéo
541, Saint-Vallier Est, B.P. 2
Québec, Québec, G1K 3P9
Projects selected will be included in the 2013-2014 program of La Bande Vidéo. Please contact us if further information is required.
La Bande Vidéo
1-418-522-5561 // info@labandevideo
•••••
Fort McMurray: Call to Artists, Public Artwork, (Fort McMurray, AB) Deadline December 17
FORT MCMURRAY AIRPORT
TWO CALLS TO CANADIAN ARTISTS:
(1) TWO-DIMENSIONAL ARTWORK FOR FLOOR MEDALLION
(2) HOLD ROOM SUSPENDED SCULPTURE
The Fort McMurray Airport Authority is searching for Canadian artists for two public art opportunities that will be incorporated into the airport’s new terminal, which is scheduled to open in April, 2014.
(1) Two Dimensional Artwork for Floor Medallion. An artist-deigned cut terrazzo and/or stone medallion will be incorporated into floor of the airport’s arrivals hall. The selected artist will develop a design and work with a fabricator identified by the airport to translate the design into terrazzo and/or stone. The design fee (excluding fabrication and installation) for this project is $10,000.
(2) Hold Room Suspended Sculpture. An artist will be commissioned to create an artwork to be suspended from the ceiling of the north end of the airside hold room / gate area. The total budget (inclusive of design, fabrication and installation) for this project is $125,000.
The deadline for receipt of qualifications material is December 17, 2012, at 2 p.m. Mountain Time. Selections will be made based on qualifications. To download the Calls to Artists, visit the Fort McMurray Airport web site, http://flyfortmac.ca/Postings/RequestforProposal.aspx
•••••
The University of Alberta/Li Ka Shing Foundation Public Art Commission
Deadline: December 17, 2012, 5:00 pm
The Li Ka Shing (Canada) Foundation and the University of Alberta have announced a $200,000 commission for a work of public art to be situated on the university’s campus in Edmonton, Alberta, Canada.
In 2010, the University of Alberta was the recipient of a generous gift of $28 million from the Li Ka Shing (Canada) Foundation. Along with funding from the Government of Alberta, the donation—the largest cash gift in the university’s history—led to the establishment of the Li Ka Shing Institute of Virology, housed within the Li Ka Shing Centre for Health Research Innovation.
The University of Alberta/Li Ka Shing Foundation Public Art Commission will result in the creation of a major work of public art to enhance the Li Ka Shing Centre for Health Research Innovation. The building, located at the corner of 87 Ave. and 112 St., is designed as a flexible space that supports current and future research and teaching needs.
Stage One of the $200,000 commission project is an international call to artists to submit a Request for Qualifications (RFQ). The deadline for RFQ submissions is December 17, 2012. Up to five finalists will be short-listed based on qualifications for Stage Two, the Request for Proposals. The commission will be managed by University of Alberta Museums, in accordance with the University of Alberta Museums and Collections Policy.
Click here to download the complete application package (includes RFQ, photographs of site, application form, and personal consent form).
http://www.museums.ualberta.ca/LiKaShingArtCommission
•••••
UNDER NEW MANAGEMENT
CALL FOR SUBMISSIONS
Seeking video work for a curated project by Suzanne Carte & Su-Ying Lee (Under New Management) taking place in March 2013 at ODD Gallery at the Klondike Institute of Art and Culture (KIAC) in Dawson City, Yukon. The exhibition will take the form of a video rental store that carries artists’ videos. The project employs the characteristics of the retail environment to connect to the local community while, challenging the gallery’s role as an intermediary that delimits the viewer’s direct access to art. “Customers” are asked to pay what they wish, which can be interpreted as cash, a non-monetary exchange, critique, or no remuneration. This facet is in place as an experimental form of engagement, where artists have the opportunity to receive responses directly from viewers. In turn, the viewer has an uncommon channel to the artist. In addition to payment, rental and return are also on an honour-system basis therefore removing barriers that exist due to membership, deposit, and return policies at commercial ventures.
Background
This is the second iteration of the Under New Management video “rental” store. As part of a larger exhibition/project, the first store took place in Toronto from August 3-14, 2010. This method of disseminating video art to the general public was exceptionally popular during its short run.
For information about the project visit: http://www.mediafieldsjournal.org/storage/issue1/Hogan/Media-Fields-1-Hogan.pdf
http://www.thestar.com/entertainment/article/839799–queen-west-has-a-surprise-in-store
Terms
Your DVD will be loaned to anyone who wishes to borrow it. Customers will pay whatever they wish and any fee collected for your work will be sent to you. The video will be archived in the Video Store Rental collection for future exhibitions.
Submissions
We are accepting work on DVD immediately. Feel free to send several titles.
-Any duration, style and genre
-Package your submission in a 191 x 135 mm DVD case
-Front of case: label image, artist’s name and title
-Back of case: synopsis and duration and any other info you wish to include i.e. short bio, website
-Work will be loaned to the general public. It is crucial that you note if your title contains any explicit language, nudity, sex or violence. This will not prevent your title from being selected for inclusion. This information will be used to make our « customers » aware of content
**Fill out and return the agreement form with your submission
Deadline February 7, 2013
Mail submissions to:
Under New Management
3 Sheridan Avenue
Toronto, Ontario M6K 2G5
Canada
Inquiries can be directed to suzannecarte [arobas] gmail [point] com OR suying [point] lee [arobas] utoronto [point] ca
•••••
Blank Canvas: 351 Indoor Art Commission
Commissioned art installation for 351 Water Street, the first new office building in downtown St. John’s in more than 25 years.
East Port Properties is commissioning a piece of artwork for an indoor public art installation to be permanently displayed at 351 Water Street. This artwork will help establish a lasting legacy, celebrating the arts, culture, and heritage of Newfoundland and Labrador.
The commission, valued at $100,000, is open to all artists who demonstrate a significant affiliation to the province. It is not limited to those currently residing in Newfoundland and Labrador.
The proposal and details regarding an upcoming Information Session on Saturday, October 20th, 2012 are available at www.threefiftyone.ca.
Proposals are due on or before Friday, November 16th, 2012 at 3:00 p.m. NST.
Please email info [arobas] threefiftyone [point] ca for more information.
About 351:
Slated to open in 2014, 351 will be the first new office building in downtown St. John’s in more than 25 years. It is currently being developed by East Port Properties and designed by Stantec Architecture (formally PHB Group). Inspired by its surroundings, 351 will use natural tide technology, and respect our natural environment. It will be the first sea-water heated and cooled building in Newfoundland and Labrador.
www.threefiftyone.ca
About East Port Properties:
East Port is the leading development company for workplace real estate in Atlantic Canada. Since 1981, East Port has developed millions of square feet of office, commercial, research, industrial warehouse, parkade, and recreational facilities, primarily in Metro Halifax and St. John’s.
www.eastportproperties.ca
•••••
Call for entries Deadline: 10 December 2012
Open Call for Submissions:
Vector Film and Video Program
Vector Game + Art Convergence is a four day Game Art Festival and symposium centred around games as the tool and inspiration for contemporary art making.
Vector (http://www.vectorgameartfest.tumblr.com), Canada’s first ever festival focusing on video game art, invites you to submit to its inaugural edition taking place February 21-24, 2013 in Toronto, Ontario, Canada.
Machinima is a recent moving image art form that involves re-purposing the computer graphics found in video games in order to create new cinematic productions. Although early machinima was gamer oriented it has since been used to create a new form of video art that combines hacker aesthetics with found footage practices. In addition, machinima has been used by artists to as to critique and comment upon video game culture, alienation of contemporary culture, death and many other themes.
We are looking for work that experiments with the concept of machinima to produce engaging films and videos. In other words, the work should make use of video game footage or video game engines in some capacity. Narrative work will be considered, but the work should push the boundaries of traditional/classical Hollywood narrative cinema in some capacity. Due to programming restrictions we are looking for work under 20 minutes, however, please contact us if you have made a longer work and and feel that it fits fits our mandate.
We are seeking works from artists in all stages of their creative careers from emerging to established.
How to Submit: ** All submissions must include an attached copy of the Vector Submission Form, as well as samples of the work being submitted. (http://vectorgameartfest.tumblr.com/callforsubmissions) ** Links to samples of the work are acceptable. ** All submissions must be sent to vectorgameartfest [arobas] gmail [point] com, with the subject heading “VECTOR SUBMISSION – Film and Video Program”. ** Please consolidate all files into a .zip folder titled Vector Submission. ** Works may also be mailed to: Vector c/o Skot Deeming/ 531 Quebec Ave/ Toronto/ Ontario/ Canada/ M6P 2V6. ** All submissions must be received before 5pm on December 10th, 2012. ** Final Programming announcements and acceptance letters will be sent out on January 1st, 2013. ** Vector is committed to paying artist fees to all works exhibited at the festival.
•••••
The Art Gallery of Regina’s Curatorial Objectives are:
To show the very best contemporary art currently being produced in this province in the broadest range possible in terms of genres and styles.
To present interesting and provocative exhibitions from outside the province that inspire the creation of new work and provide a context for Saskatchewan art.
To provoke an investigation into the deeper issues underlying contemporary art to generate public interest and facilitate dialogue among artists and audiences.
Submissions
The Gallery invites exhibition proposals from artists and independent curators. Priority is given to Saskatchewan artists although all Canadian artists will be considered. Submissions should include: 20 slides or digital images, C.V., artist’s statement, installation and equipment requirements, and self-addressed stamped envelope. Submission deadlines are:
January 15 and June 15
Send to:
Karen Schoonover, Director/Curator
Art Gallery of Regina
Neil Balkwill Civic Arts Centre, PO Box 1790
Regina, Saskatchewan
S4P 3C8
No email submissions please.
http://www.artgalleryofregina.ca/Submissions.html
•••••
Art Gallery of Southwestern Manitoba
Artists interested in exhibiting in the Main Gallery or the Community Gallery are invited to submit proposals to the curator. Proposals should include the following:
• Curriculum vitae
• Artist statement
• Minimum of twenty slides and/or video documentation
• Support material –catalogues, articles, publications, etc.
Proposal Packages should be addressed to:
Curator of Contemporary and Aboriginal Art
Art Gallery of Southwestern Manitoba
710 Rosser Avenue, Unit 2
Brandon, Manitoba
R7A 0K9
http://agsm.ca
•••••
Call for Submissions: Harcourt House Artist Run Centre – 2013/2014 Gallery Exhibition Programming
DEADLINE: November 30, 2012.
Harcourt House Artist Run Centre is currently accepting submissions for our 2013/ 2014 gallery exhibition programming for the Main Gallery and Front Room Gallery exhibition spaces. For proposals to be considered submission packages must be postmarked by November 30th, 2012.
Harcourt House’s exhibition programming seeks both emerging and established contemporary artists whom look to present experimental and challenging work that aim to engage the diverse Edmonton community and surround. The centre actively promotes work that does not conform to the restrictions inherent in both the commercial or other public gallery systems.
Calls for submission are open to all art disciplines, individual and collaborative projects, curators, artist co-op’s and organizations (includes all visual art disciplines). Exhibitions are selected by an independent jury comprised of professional artists, educators and arts administrators.
The Front Room Gallery is programmed for emerging artists that look to present experimental work, timely works, projects in progress, and topics that provoke viewer engagement. Proposals for the Front Room are ongoing. Proposals will be reviewed semiannually at the time of the Main Gallery Submissions.
The Main Gallery supports eight exhibitions annually in this space and is programmed for established artists; individual or collaborative. Established artist must possess the following: completed his/her basic training (or the equivalent), produced an independent body of work, presented their work in a professional context, maintained an independent professional practice for at least one year. Work must have been produced within the past two years at the time of application. Proposals will be reviewed semiannually: June 30 and November 30.
……………………………………………………………………..
As of September 27, 2012, Harcourt House will accept DIGITAL FORMATS ONLY. Images and written support must be burned to a SINGLE CD. All written support should be sent as a SINGLE PDF, WORD, or OPEN OFFICE FILE. This includes: project description, curriculum vitae (C.V.), artist statement, and slide list.
Images must be in JPEG FORMAT. Please do not send any paper documents, printed images, or return envelopes as submissions will not be returned.
All files must be Mac compatible.
SUBMISSIONS REQUIREMENTS:
• Project description/proposal (including gallery space you are applying for)
• Curriculum Vitae (3 page max.)
• Artist’s/ Curatorial statement (1 page max.)
• 10 – 15 good quality digital images of proposed or recent work (JPEG’s ONLY)
• Submit a resolution of 96 dpi files ONLY
• Image list including: title, dimensions, medium, and date
• Press clippings (3 page max.)
• Contact information (mailing address, phone number and email)
• Website (if applicable)
• Include your name on all files and images submitted
Incomplete proposal packages will NOT be considered.
For full submission details and more about Harcourt House visit www.harcourthouse.ab.ca
Please mail submissions postmarked by November 30, 2012 to:
Main Gallery Submission
or Front Room Gallery Submission
Harcourt House Artist Run Centre
3rd Floor, 10215 – 112 Street
Edmonton, Alberta
T5K 1M7, Canada
For inquiries regarding the submission process to: harcourtexhibit [arobas] shaw [point] ca or call 780.426.4180
3. appels internationaux
ANX.ARS
The ANX.ARS project takes place on the relatively un-monitored bandwith of the internet, and like the internet, exists and thrives in a relatively fluid state. Hosted via Pratt Institutes internet radio service, the program is as an open platform consisting of primarily crowdsourced material; selected by myself as host, and curated into specific hour long selections which will be recorded and archived at http://iancswanson.com/anxdotars.html
It is an opportunity to provide a platform for what are otherwise often seen as non-concrete artistic practices while simultaneously creating a new cumulative and aggregate audio work. The programs operation depends upon the material provided via digital submissions.
As host I facilitate new contexts through networked interdependence.
You can submit proposals or ideas to iancswanson [arobas] gmail [point] com
•••••
Deadline Fri 23 November
Sprint and Starting Blocks 2013 – call for submissions
Submissions are now invited to take part in Camden People’s Theatre’s SPRINT FESTIVAL 2013. Sprint is an annual festival of unusual and adventurous theatre and live art from the most exciting new artists and companies in the UK and worldwide.
Applications are now open for our 2013 festival, to be held March 1 to 24 (tbc). Ideally, proposals will be for work that is finished by March 2013, but we will also consider works-in-progress, ‘scratch’ performances and on-site artist development (see Starting Blocks). Work can take place inside and outside CPT, in the streets, on the waterways and byways beyond the theatre’s doors – as long as the company/artist has a realistic idea of how such a project might be achieved. Work can also happen in the virtual world and in the audience’s imagination. The work can be a piece for a large audience, or a one-to-one performance – or anything in between. We are particularly keen to receive submissions for off-site work.
Sprint Festival runs for three weeks in March (please check website for schedule updates or join CPT mailing list). Last year’s Sprint programme featured 124 performances from 36 artists/companies, including NIE, Kazuko Hohki, Dancing Brick, Curious Directive – and many more. Click HERE for full details. Since its inception in 1997 as a showcase for ‘physical, visual and unusual theatre’, Sprint has continued to grow in scope and reputation. Companies who found early success at Sprint include Unlimited Theatre, Cartoon de Salvo, Metro-Boulot-Dodo, Fevered Sleep, Shunt, and more recently, Idle Motion, Plasticine Men, Mamoru Iriguchi, Paper Birds, Stoke Newington International Airport and Search Party.
Click here for Sprint application form.
STARTING BLOCKS Applications are also invited for Starting Blocks 2013, a creative community for developing new theatre work that runs alongside Sprint. Starting Blocks offers the opportunity to develop new theatre work with the support of Camden People’s Theatre, as part of a peer support network that encourages collaboration and engagement between participating artists. Over ten weeks, the selected artists will meet weekly to share practice, ideas and their developing works. They will also be given space to develop their particular project and practice. The scheme runs from January to March 2013, allowing time for the participants to develop work, or work-in-progress, to be shown at CPT’s prestigious Sprint festival in March.
We are particularly keen to receive applications from solo artists. Applicants can apply with just an idea, or with an idea that has received early-stage development, and now needs space, structure, and peer support to help bring it to life. Projects that have already been developed at another organisation, or with the financial support of a funding body, will not be considered. The scheme will be overseen by CPT director Brian Logan, who alongside CPT staff will select participants by application form and interview from an open call for submissions.
Click here for Starting Blocks application form.
The deadline for Sprint and Starting Blocks applications is Fri 23 November
•••••
Appel à projets – Call for proposals
La durée de l’appel à projets du PRIX VICTOR VASARELY DE L’ART DANS L’ESPACE PUBLIC est ouverte aux candidatures de la présélection durant la période du 15 octobre 2012 au 17 décembre 2012.
Télécharger le dossier d’appel à projet:
http://www.fondationvasarely.fr/pdfactualites/appel_a_projet_prix_vasarely.pdf
•••••
Horizons: Arts Nature, Sancy, France
L’appel à candidature pour l’édition 2013 est lancé.
The english version of the application form 2013 is online (+more informations)
Vous pouvez consulter ci-dessous le règlement ainsi que les fiches descriptives des sites.
Veuillez consulter le document ‘Appel à candidature’ (voir dossier ci-dessous) et nous retourner la fiche de candidature complétée avec les pièces demandées.
Date limite de candidatures : lundi 17 décembre 2012 à 17h00.
http://www.horizons-sancy.com/actu/appel-candidature2013
•••••
switch – Call for entries of artists working with film, lens based work and moving image,
Theme – ‘movements’.
Deadline: 07 December, 2012
Application fee: none
switch is now issuing an open call to artists working with film, lens based work and moving image to submit work responding to the theme of ‘movements’.
http://www.s-w-i-t-c-h.org
switch is an event that promotes and shows contemporary works of moving image in a public context
switch has to date shown the artworks of 31 international artists who have through the project invited the public into their practice, ideas and viewpoints.
switch locates itself outside of the big city and applies itself to the rhythm of smaller places.
The event itself will be accompanied by a publication & a website.
An artist fee of Euro 250 [incl. VAT] will be paid per selected artist.
There is no entry fee for submissions.
You may enter one work per applicant.
An artists fee of 250 euro [or relevant currency equivalent] will be paid per selected artist for the showing of their work. VAT is applicable..
Selection: A selection panel will consider each submitted film, and may do additional selection by invitation, up until the selection announcement date. The panels decision is final.
Your submission should be a complete screening version, without titles, endcredits and audio. Switch shows moving image works without audio.
You will only be notified if your film has been accepted.
The final selection will be announced on 15th December 2012 on our website: www.s-w-i-t-c-h.org
We regret that we cannot return any submitted DVDs.
The event itself will be accompanied by a publication and a website.
if you are selected…. 1. We will require a statement about your work or your practice for the publication and website. 2. Your work will be shown In Nenagh during switch and also on the switch website. 3. In making an application, you agree to the terms of participation. 4. The organisers reserve the right to use the selected works for the purpose of supporting and promoting the switch project.
switch
c/o North Tipperary Arts Office, Civic Offices
Triona Ryan, Limerick Road
Nenagh, Co Tipperary, Ireland
tel: +353(87)7777234, 0044 (75) 40418651
switch [point] submissions [arobas] gmail [point] com
•••••
Call for entries: KINO DER KUNST, Munich
April 24–28, 2013 in Munich
Deadline: December 15, 2012
Application fee: none
Online entries for the International Competition now open at http://www.kinoderkunst.de/.
KINO DER KUNST, a new and worldwide unique combination of film festival and art exhibition, will hold its first edition from April 24 to 28, 2013. Movie theatres and museums all over Munich will present an International Competition, retrospectives, special focuses, talks and multi-channel installations. KINO DER KUNST investigates the relationship between visual art and cinema, the programmatic focus being the current approach of filming artists to fiction and narration.
We invite visual artists from all over the world to submit their recent works to the International Competition. All entries must reveal an innovative approach to the various narrative forms of cinema on a high technical level. They must have been produced after January 1, 2011. An international jury featuring, among others, New York artist Cindy Sherman, artist and filmmaker Isaac Julien from London and Jean de Loisy, director of Palais de Tokyo in Paris, will award two main prizes totalling 20,000 USD.
Single-channel works of any length or format, made by visual artists, are accepted. All films are to be submitted online, and exclusively online, on ttp://www.kinoderkunst.de. After entering your data (address, film title, credits, director’s biography, synopsis, technical details) you receive a registration number which you need to send, along with a DVD, to the indicated Munich address of KINO DER KUNST. Submission deadline is December 15, 2012.
Film entry for the International Competition and Further information http://www.kinoderkunst.de For questions please contact info [arobas] kinoderkunst [point] de or +49 (0) 89 130 14 30 40
KINO DER KUNST is partnered with the Bavarian State Ministry of Sciences, Research and the Arts, the German Federal Cultural Foundation, the Allianz Cultural Foundation, BMW and the Goetz Collection, in collaboration with the University of Television and Film Munich, the Academy of Fine Arts, Pinakothek der Moderne / Schaustelle, Museum Brandhorst and ARRI.
KINO DER KUNST represented by EIKON Süd GmbH
Birkerstrasse 22, D-80636 München, T +49 (0) 89 130 14 30 10
Artistic director: Heinz Peter Schwerfel; Managing director: Dr. Ernst Ludwig Ganzert
•••••
Beers.Lambert Award for Emerging Art
7th June 2012 – 31st December 2012
Beers.Lambert Contemporary announces a new award for emerging artists worldwide: the First Annual Beers.Lambert Award for Emerging Art is a prize awarded to up to 8 emerging, contemporary artists working in all disciplines and open to artists internationally.
As one of its primary operating initiatives, Beers.Lambert’s artist-support program has always believed in nurturing emerging artists and celebrating excellence in emerging contemporary art. Now, our newest initiative coincides with our gallery relocation to its brand new space on Baldwin Street at Old Street in the heart of the East London. The Beers.Lambert Award for Emerging Artwas born and devised as a method to recognize outstanding achievement and/or promise in the arts and to present emerging artists with a unique exhibition opportunity in London, and offer international exposure to under-represented artists to help them succeed.
The award is fully intended to acknowledge and celebrate an outstanding group of artists in each of the primary artistic disciplines by offering (monetary and non-monetary) recognition for international emerging artists who can be seen as shaping the direction of contemporary art through commitment and dedication to their artistic practice. The purpose of the award is to recognize progression, innovation, excellence and ‘general talent’ in 4 predominating artistic fields: painting and drawing; photography and 2D; sculpture, installation and 3d; as well as a final multidisciplinary category that acknowledges video art, performance, new-media, and other formsthat may defy classification. By way of open call and juried selection, the award will be given to two artists working within each discipline – one primary and one secondary recipient will be awarded in each category to a total of 8 awarded artists – who not only meet, but excel within the given criteria. The 4 primary award recipients will each receive $1,000USD and the 4 secondary award recipients will each receive $250USD. Furthermore, all 8 of the awarded artists (primary and secondary) works will be exhibited at Beers.Lambert Contemporary in 2013, and their work will be featured extensively on our website and other such promotional material. One or more of the awarded artists will be offered a solo exhibition with the gallery in the Fall 2013 exhibition programme. * To get involved in the futures of promising emerging artists and become a sponsor or donor for this award, please contact info [arobas] beerslambert [point] com
http://beerslambert.com/projects/award
•••••
Appel à candidature : Fondation François Schneider
Ce concours est ouvert aux candidats de toutes nationalités, de tous âges, et dans les six disciplines des arts plastiques suivantes : peinture, dessin, sculpture, installation, photographie et vidéo.
Dans les catégories « installation » et « sculpture », Les artistes ont la possibilité de présenter soit des œuvres existantes soit des projets. Pour les quatre autres disciplines, seules des œuvres existantes peuvent être présentées.
Chaque année, la Fondation François Schneider consacre pour les « Talents Contemporains » une enveloppe globale maximale de 300 000 € qui se décompose en deux parties :
Une enveloppe de 150 000 € pour l’acquisition de sept œuvres.
Parmi les candidats, seront choisis :
d’une part les bénéficiaires des « Talents Contemporains », un lauréat par discipline, donc au total six artistes qui bénéficient chacun de 20 000 euros pour l’acquisition de leur œuvre, et d’autre part une œuvre dans l’une des 6 disciplines, considérée par le grand Jury International comme la plus prometteuse, sera élue « Talent d’Eau ». Son créateur recevra 30 000 euros pour l’acquisition de son œuvre.
Date: 15 décembre 2012
•••••
Beam Camp Seeks Proposals for Spectacular Projects
Worldwide call seeks ideas from Engineers, Architects, Designers, Sculptors, Builders, Agriculturists, Videographers, Technologists, Artists and Makers of all kinds
Past Project Images: http://flic.kr/s/aHsj5LFz65
Proposal Submission Info and Form: http://www.beamcamp.com/project-proposal/
Beam Camp, the summer camp for the fine and manual arts, technology and collaboration, today opens its annual international search to find its 2013 Beam Projects. The large-scale collaborative projects are realized by Beam campers, aged 7-17, and staff at the camp’s 106-acre facility in Strafford, New Hampshire.
Projects are budgeted at $10,000. Winning designers receive a $2,500 honorarium and are invited to visit camp during the project’s production.
Proposals can be submitted on the Beam Camp website until Friday, January 11, 2013 with Semi-finalists announced on January 18, 2013. (submission page: http://www.beamcamp.com/project-proposal/).
Beam offers these prompts for proposals:
– Project should be big and ambitious and result in a unique and spectacular product.
– Project Master should have experience in executing the kind of idea proposed.
– Projects should take advantage of Beam’s outdoor space and rural location, but need not be about camp, children or nature.
Beam Camp Co-Director Danny Kahn says of the Project, “it’s a chance for kids to walk around inside the mind of a designer of big things and systems. The kids get to learn project-specific making skills and practice the tools of collaboration, and more importantly see how to bring to life a passionately held and expertly developed idea.”
The Beam Projects for summer 2012 reflected Beam’s core emphasis on cultivating creative thinking and applied collaborative work. In “Creature Quake,” Beam Project 2012.1, landscape architects Rachel Kunreuther and Douglas Stookey’s proposal, Beam campers and staff constructed enormous creatures in earth, sky and lake. In “Navigating Dreams,” Beam Project 2012.2, proposed by Matthew Springett Associates, Beam campers and staff created a night sky of LED constellations controlled and navigated by a boat-machine.
Previous winners include Caitlin Berrigan’s “Macro/Micro Domes,” Steve Gerberich and Nathaniel Lieb’s “Beam Fleet,” Jan Drojarski and Jon Bocksel’s “Jungletopia,” Christine Baumgartner and Manuel Kretzer’s “Float With The Flowers,” the solar-powered film “A Trip to the Sun” by Daniela Kostova and Mike DeSeve, WIgnall & Moore’s “The Stories of Machines That Never Flew” and “The Habitats of Parker Mountain” by pragmatopia and architecture students of the University of Kassel, Germany.
ABOUT BEAM CAMP Beam Camp offers two 4 week summer sessions for kids aged 7-17 in Strafford, New Hampshire. Campers cultivate hands-on skills while exploring innovative thinking, design and the creative process. They swim, hike, play games and enjoy 750 acres of mountain, forests and lakes, while transforming ideas into artifacts and personal achievement into community success.
•••••
re:MMX is currently seeking video work for their Public Video Box. We are looking for videos that deal with dwellings, environments, metropolis, urban sprawl, private and public spaces of living and in general work that reacts to construction sites and city developments throughout the world.
MMX was 2010 and re:MMX is 2012, a remix of the old project but with an emphasis on public art. We left our location 2 years ago but have now been invited back to react to the development and construction site that was our former art space. Seeking provocative video work that even address gentrification and/or the negativity of global expansion.
The Video Box is in its second month and will continue for four more months. A new video work is shown each week for 7 days from 2pm-10pm. The Video Box is located right in the middle of Berlin on a popular commercial art street with high foot traffic.
All videos are shown with a HD-ready projector, rear projection, directional speakers and played from a high-end media player.
Videos should be in the time range of 30 seconds to approx. 20 minutes in length. We show work with sound but have to take in consideration the neighbors so volume levels are kept in a normal range.
All videos that are shown get PR, future inclusion in the project’s publication and a modest honorarium. To see the works we have shown in the past please go to www.mmx.mx/re/VideoBox/
SUBMISSIONS:
Please email us a link to view the video work and a short synopsis about why your work would fit into the above mention themes.
DEADLINE for submission is November 30,2012.
In the Subject line of your email please type VIDEO SUBMISSION
Email us at submissions [arobas] mmx [point] mx
•••••
Concours création vidéo autour de l’architecture proposé par le CAUE 31
APPEL A PROJETS
A l’occasion de la première édition du concours Archi’Court, le CAUE 31 lance un appel à projets pour des créations vidéos autour de l’architecture.
Le concours Archi’Court a pour objectif la valorisation de la culture architecturale, de l’urbanisme et du paysage au travers du regard de jeunes créateurs vidéos.
L’appel à candidature s’adresse à des créateurs de tous bords, cinéphiles, architectes, documentaristes, vidéastes, étudiants, qu’ils soient amateurs ou proféssionnels, désireux d’exprimer l’architecture, l’urbanisme ou le paysage au travers de la vidéo. La création est libre mais doit suivre le fil conducteur d’une thématique donnée.
Nous avons choisi pour cette première édition du projet une thématique large et ouverte, qui invite à la création et où les points de fuite ouvrent une multiplicité de choix.
Les lauréats et les vidéos sélectionnées seront diffusées durant le deuxième semestre 2013 au sein de l’espace vidéo du CMAV ainsi que sur son site internet.
THEMATIQUE 2013 :
Renversant
PRIX A LA CREATION :
Premier prix : 750 euros
Deux mentions : 250 euros
Prix à la diffusion pour vidéos sélectionnées : 150 euros (10 vidéos pourraient être sélectionnées pour cette rubrique)
DATE LIMITE D’ENVOI :
Vos créations doivent être envoyées au plus tard le 5 avril 2013.
Une préinscription est souhaitée avant cette date à l’aide du formulaire en bas de page.
FORMAT :
Les vidéos doivent être envoyées par courrier en format Blu-ray.
Durée min. : 5 minutes
•••••
Call for entries
Deadline: 15 December 2012
15th WRO International Media Art Biennale
We are now accepting submissions to PIONEERING VALUES: The 15th WRO Media Art Biennale, whose opening events will be held in Wroclaw from May 8th-11th 2013.
Pioneering Values
http://www.wro2013.wrocenter.pl/entry/rules.php
Please make sure to submit your work along with your entry form early enough to meet the December 15th deadline. The works that will be shown during the Biennale will be chosen by the WRO 2013 Biennale team.
The WRO 2013 program is open to various forms of creative artistic expression and communication made using electronic and/or digital media and completed after January 1st, 2011.
Works can be submitted by the artists/creators, or by producers or distributors who holds the rights to them.
There is no entry fee for the WRO 2013 Biennale, and none of the materials sent to the organizers will be returned.
The organizers will provide the artists/creators of the selected works (or their representatives) with free accommodations in Wrocław during the main WRO 2013 events, scheduled for May 8th – 11th 2013.
All entrants submitting works to the WRO 2013 Biennale agree to audio-video recordings being made of their performances, interviews, concerts, installations and/or events, and to the use of these recordings for promotional, educational and/or research purposes.
The following prizes will be awarded during the WRO 2013 Biennale to works chosen from among those selected for presentation:
- The WRO Biennale Award;
- The Critics & Alternative Art Publishers´ Award; and
- The WRO Audience Award.
Application form
Deadline: 15/12/12 – postmark
Contact:
WRO ART CENTER
ul. Widok 7
50-052 Wroclaw
Poland
phone: +48 71 343 32 40
biennale [arobas] wrocenter [point] pl
http://www.wro2013.wrocenter.pl/entry/
•••••
OPEN CALL
film, video, new media, & moving image performances
for now what
presented by Microscope Gallery
at our neighbors, Running Rebel Studios
Deadline Midnight, December 10th, 2012
MICROSCOPE Gallery is seeking film, video, and new media submissions of all types and formats as wells as live expanded cinema or film/video performances for one-day event of programs. Works under 15 minutes (screening) or 30 minutes (performance) and completed during the past year are preferred.
To submit, please visit http://www.microscopegallery.com/?page_id=8541
Now What will take place January 7, 2013 at our neighbors, Running Rebel Studio at 6 Charles Place Brooklyn, NY 11221.
Submission deadline is December 10 at Midnight EST.
Selected works will be announced by December 21.
Up to two works may be submitted by each artist or group for this call.
For questions or more information contact Microscope Gallery at microscopegallery [arobas] gmail [point] com
•••••
International Call for Artists
Three Commissioned Pieces
St. Louis Missouri, USA
Budgets: $50K-60K USD
Deadline: November 26, 2012
Metro’s Arts in Transit program is actively in search of artists or artist- led teams to design, fabricate and install artwork in three separate transportation hubs in the region’s transit system. Budgets for the three projects range from $50,000 to $60,000. Qualified artists are asked to submit their applications no later than 5 p.m. on November 26, 2012. The applications do not call for actual design proposals, but rather are intended to gather the information necessary to determine the qualifications of the responding artists relative to the requirements for each individual project.
All three projects involve the creation of public art pieces that need to be extremely durable and require as little upkeep as possible. The proposed pieces will be displayed prominently at local public transit sites, including the future Downtown Transit Center, the Riverview-Hall Transit Center and the Forest Park-DeBaliviere MetroLink Station.
1. Metro is planning an expansion of its existing Civic Center Transit Center at 14th and Spruce. Room for additional bus bays and a new climate controlled facility will be located adjacent to it. The selected artist will coordinate with the architect/engineer during the development of the Transit Center design. The artist contribution to the project could be additive in nature, such as designs on vertical surfaces like the shelters, windscreens, railings and screens, or integrated into horizontal surfaces such as sidewalks or platform waiting areas. Free standing or self-contained artwork compatible with an outdoor transit environment is an opportunity that could be explored as well. The proposed budget for the art project is $60,000 for this location.
2. The Riverview-Hall Transit Center is an existing facility serving northern St. Louis. The location is home to a an existing tower structure constructed in 2007 designed to accommodate panels on four sides from ground level up to a height of approximately 20′. Metal flanges have been incorporated into the tower structure to attach and secure the artwork. This project, while situated on a three dimensional structure, lends itself not only to sculptors, but to artists working in two dimensional formats as well. Water, laser, plasma, and/or torch cutting methods could be employed to create designs or imagery along with combining with other materials to create a landmark work for the facility and neighborhood. Given the many possible approaches that can be considered, Arts in Transit will be available to assist the selected artist in developing the best design and combination of materials for the project within the $50,000 budget.
3. The Forest Park-DeBaliviere MetroLink Station is located adjacent to an established residential neighborhood with historic turn of the twentieth-century homes and the Missouri History Museum, located within Forest Park. Because of both the historic and residential environment of the station, Metro seeks to engage a team willing to engage with the St. Louis community during the development of the artwork – from design through to its execution. The site, which is ideal for a mural, is a concrete retaining wall immediately adjacent to the east bound tracks and fully visible from the station platform. The wall area is approximately 150′ in length by approximately 12′ in height. The mural need not fill the entire wall but should provide a significant visual impact for transit users waiting at the station. While the existing retaining wall is appropriate for a large scale two-dimensional mural, other artistic approaches, such as bas-relief, mixed media, combined object, etc., may be proposed for the $50,000 project. This will be a challenging project due to the site’s proximity site to the light rail tracks and overhead power source. Proposers are encouraged to contact Arts in Transit for guidance.
For more information about guidelines, specific requirements for each of the proposals and links to the actual applications, visit www.artsintransit.org<http://www.artsintransit.org> or call David Allen, Director of Arts in Transit at (314) 982-1412.
4. résidences
Appel à designer : Résidence à Buenos Aires
Les Ateliers de Paris lancent un appel à candidature auprès des designers de moins de cinq ans d’activités, pour une résidence de six mois à Buenos Aires à partir de mai 2013. Le lauréat sera accueilli sur place au Centre Métropolitain du Design, pépinière d’entreprises gérée par la Ville de Buenos Aires www.cmd.gov.ar
A l’issue de sa résidence il participera au Festival international du Design qui a lieu tous les ans en octobre. Il bénéficiera d’une bourse de 5000 € (+ prise en charge du billet d’avion).
Les candidats intéressés peuvent adresser la fiche de candidature et une lettre d’intention sur leur projet de résidence avant le 26 novembre aux Ateliers de Paris, 30 rue du Fbg Saint-Antoine. 75012 Paris.
Contact candidature : Annick Zecca – 01 71 18 75 70 – annick [point] zecca [arobas] paris [point] fr
•••••
Oxygen Art Centre Exhibition & Residency Program Nelson, Canada (Ongoing)
Location: Nelson, Canada
Deadline: ongoing
Duration: 4 weeks
Eligibility: See Guidelines
Cost: A Residency fee is paid pending funding and we help find accommodations with in the community. Travel costs are not covered by our program. “Call for submissions
Description:
Oxygen Art Centre is an artist-run multidisciplinary centre in Nelson, BC that provides space and programming for artists and the public to engage in the creation, study, exhibition and performance of contemporary art in all disciplines. The goals of Oxygen Art Centre are to stimulate the creation, exhibition and discussion of contemporary art in all disciplines, to stimulate rural cultural development and professional practices in rural artists, to engage in community development through art-based projects, to achieve diversity in all programming and to pay nationally recognized fees and professional rates to all artists.
Oxygen Art Centre is particularly interested in work with regional relevance, cross-discipline work and work that engages audiences in participatory processes. The Oxygen residency and exhibition program is both by invitation and submissions from professional artists. Proposals are accepted on an ongoing basis and are reviewed once or twice a year in December and June when necessary. Residencies and exhibitions are typically planned two years in advance.
Please consult the Oxygen Art Centre website for specific submission guidelines. www.oxygenartcentre.org
www.oxygenartcentre.org/exhibitions-residencies/submissions/
•••••
Australia Indigenous Arts Residency Exchange 2013
Call for Applications
In 2011, an annual residency and exchange partnership began between the Royal Melbourne Institute of Technology’s (RMIT) International Artist in Residency Program (iAIR) and the Gushul Studio Residency Program at the University of Lethbridge in Canada. This project was developed to connect and illuminate Indigenous culture and expand ideas of Indigeneity.
The successful candidate will be required to undertake the residency for a minimum of 6 weeks between May13 – June 30, 2013.
RMIT, School of Art Melbourne, Australia Through an outstanding education in art practice and theory, RMIT’s School of Art has established a reputation as Victoria’s number one art school of choice. The school is committed to fostering a collaborative culture where students, artists, writers, academics, communities and arts organizations from around the world join to explore and lead this evolving and interdisciplinary field. International Artists in Residence (iAIR) program The iAIR program facilitates residencies in Australia for international artists and sends Australian artists overseas. The program was formed to contribute to the international focus within the School and to build links with innovative global networks enhancing RMIT’s role in contemporary art discourses.
The residency provides a residence, a stipend, a private studio, personal support, access to office facilities (computer, internet and printer) and access to various RMIT studio areas and facilities. The residency will provide the successful applicant with an exhibition in the RMIT Project Space gallery. Should you wish your application to be considered without an exhibition component to the residency, please note so in your cover letter. In addition to the exhibition, the successful applicant will be expected to deliver 1 to 3 presentations on their work to the University, and assist by providing feedback at 2 to 4 student tutorials. The artist residency is generously supported by the RMIT with a AUD$2000.00 stipend. Assistance for airfare is not provided and all freight costs and insurance are the responsibility of the artist. Please note that this exchange will support applications to other funding and grant bodies.
Applications
Applications are due by November 16, 2012. All applications MUST include the following:
• Cover letter
Please include your full name, telephone number, email and mailing address.
• Curriculum Vitae
A Curriculum Vitae detailing your professional practice.
• Proposal Statement
A one-page statement that outlines what you hope to achieve during your residency period.
This project/exhibition rationale should link your current research/practice to the Australian residency.
• Examples of recent work
No more than 10 images. Images should be digitally compressed to web-resolution JPG format to ensure a small file size. Please label each image file name with a sequential number, your initials and date the works was completed (i.e. 01-JD-2012.jpg, 02-JD-2012.jpg, 03-JD-2012.jpg, …). AND/OR No more than 4 minutes (total) of video and sound. All material should be digitally compressed to web-resolution to ensure a small file size. Digital video should be in QuickTime format, and sound works in mp3 format. Please label each file name with a sequential number, your initials and date the works was completed (i.e. 04-JD-2012.mov, 05-JD-2012.mov, 06-JD-2012.mp3, …).
• List of Works
Image list or video list that corresponds to jpegs submitted. Please include the filename (as above), the work’s title, medium, duration/dimensions and dates. If the work is an excerpt from a larger or longer work, please note it here.
• Support documentation (Optional)
• Include any examples of current catalogues, writing or reviews that may detail or discuss your practice. Please do not submit originals, as they will not be returned.
Applications that do not include video or sound should be no larger than 5MB in total. Applications which include video or sound should be no larger than 50MB in total. If posted or delivered, applications should be burned onto Mac and PC readable CD or DVD. Applications material must all be digital and may be submitted via email or on CD via post or courier:
Mail or Courier
University of Lethbridge/ RMIT Aboriginal iAIR Exchange Studio Residency
Department of Art- Administrative Support
University of Lethbridge
4401 University Drive
Lethbridge, Alberta
T1K 3M4
Email
To: sarah [point] hilliard [arobas] uleth [point] ca
Subject: University of Lethbridge/RMIT Aboriginal iAIR Exchange
Please note that:
• Applications must arrive (not be postmarked) by the due date.
• The University of Lethbridge will short-list 2-3 candidates.
• The applications of the short-listed candidates will be forwarded to the RMIT iAIR Residency Program for final selection.
• The RMIT iAIR Residency Program Residency Program will select the successful candidate and notify the University of Lethbridge.
• Application materials will not be returned to the applicant.
Links University of Lethbridge Faculty of Fine Arts- http://www.uleth.ca/finearts/ University of Lethbridge Gushul Studios – http://www.uleth.ca/finearts/departments/art/gushul-history RMIT iAIR – http://www.rmit.edu.au/art/iair/overseasresidencies Inquiries Sarah Hilliard Ph. (403) 329-3997 Email: sarah [point] hilliard [arobas] uleth [point] ca
•••••
Gyeonggi Creation Center, Residency Program 2013 – Gyeonggi-do, Korea (Deadline: Dec 14th, 2012)
Call for applications:
Residency Program 2013
Application period: November 12 to December 14, 2012 at 6pm
Gyeonggi Creation Center
101-19 Seongam-ro Danwon-gu Ansan-si
Gyeonggi-do 425-886 Korea
T +82 (0) 32 890 4825/4823
gcc [point] apply2013 [arobas] gmail [point] com
www.gyeonggicreationcenter.org
Application Fields
Creation residency program:
Visual arts: painting, sculpture, film/video, new media, architecture, design, photo
Performing arts: dance, music, performance
Literature
Applicants are allowed to apply for mixed media and other genres not shown above.
Research residency program:
Curator, performing arts presenter, critic, researcher of other areas
Residency scope and period
Creation residency program: 30 persons/teams, approximately
Korean: one year (March 2013–February 2014), six months (March to August 2013, September 2013 to February 2014)
Foreign: three months (March to May 2013, June to August 2013, September to November 2013, December 2013 to February 2014)
Research residency Program: four persons/teams approximately
Korean: six months (March to August 2013, September 2013 to February 2014)
Foreign: three months (March to May 2013, June to August 2013, September to November 2013, December 2013 to February 2014)
Select one from one of the above programs.
Support details
Support on space
Provision of individual studio (one room for each person/team)
Provision of joint creation space (media lab, carpentry room, seminar room, archive)
Support on program
Provision of partial support for production cost for exhibition and project
Provision of opportunities to participate in residency programs (exhibition, community art, workshop, mentoring, training program, etc.)
Provision of opportunities to participate in international exchange programs
Other support
Return flight ticket (economy seat)
Accident insurance
Advertisement in Korea and abroad
Those chosen as candidates will discuss details with the curatorial team of GCC.
Qualification and restrictions
No restrictions on nationality, age, and media
Compliance with user rules and actively participate in GCC programs
Use of the studio for more than four days a week
Candidates are permitted to reside with one companion (required to notify GCC beforehand)
No pets or babies are allowed
How to apply
Application period: November 12–December 14, 2012
Application method: by email to gcc [point] apply2013 [arobas] gmail [point] com
Materials for application
Application form for residency—prescribed form (downloadable from GCC website)
CV or resume (less than one A4 page)
A copy of passport for international artists
Residency activity plan (less than one A4 page)
Portfolio (see below)
In principle, all documents will be digitalized and submitted by email. All documents submitted will not be returned.
Materials for portfolio
Visual arts
Image file of less than 20 pieces (less than 1MB per piece)
Video file of less than 5 minutes (total file size limited to 700MB. Video file is only applicable to media artists)
Performing arts
Video file of less than 5 minutes (total file size limited to 700MB)
Evidentiary documents for the past three years—catalogue, photo, video, promotional material, etc.
Literature
Verses, including poems, etc.—more than 20 pieces
Novels, plays, fairy stories, proses, etc.—more than three short stories, two medium-length stories, one full-length story
Research, investigation, critique, etc.—more than ten pieces
Research residence (curator, critic, theorist)
More than 10 pieces of catalogue, research, or critique
Image file extensions should be *.jpg or *.ppt.
Video file extensions should be *.avi, *.mov or *.wmv.
Selection procedure
Document screening: first private screening by experts
Announcement of first experts’ results
Second public interview screening for candidates who have passed first review
Final announcement of successful applicants
Schedule of announcement of successful applicants
First announcement of qualifiers expected at the end of January 2013
Second public interview screening expected in early February 2013; international applicants are exempt from the interview
Final announcement of successful applicants expected in mid-February 2013
Successful applicants will be notified individually by email and on our homepage.
Schedule is subject to change.
•••••
Appel à candidature
Rencontres de la jeune photographie internationale Niort-France
/ La résidence, du 29 mars au 14 avril 2013
La résidence des Rencontres de la jeune photographie internationale, depuis son origine, se déroule à Niort, ville de 60000 habitants située aux portes du Marais Poitevin et à 60 kilomètres de la côte Atlantique. Elle accueille tous les ans huit jeunes créateurs internationaux sélectionnés sur dossier qui, cette année seront accompagnés durant leur séjour par Denis Dailleux. Ils seront soutenus techniquement par l’équipe du Centre d’art contemporain photographique-Villa Pérochon (association Pour l’Instant). Un pôle technique, équipé de matériel professionnel comprenant un laboratoire argentique noir et blanc et un atelier numérique leur est réservé.
Ainsi entourés, les jeunes artistes sont invités à créer et expérimenter. C’est une véritable carte blanche offerte, stimulée par les rencontres, les échanges d’expériences et les parcours très différents de chaque participant.
C’est une expérience artistique unique !
/ Conditions de la résidence du 29 mars au 13 avril 2013 (inclus) : La prise en charge pendant la résidence comprend :
– Les fournitures nécessaires à la création.
- L’hébergement, les petits-déjeuners et dîners du 29 mars au 13 avril 2013 (inclus).
- La prise en charge du trajet sur le territoire Français, pour les étrangers de la ville d’arrivée en France à Niort,
(par exemple : Paris-Niort).
- La réalisation d’un catalogue «Carte Blanche» présentant les artistes invités et les œuvres réalisées durant la
résidence.
- 2 expositions :
– 1ère exposition :
Les œuvres correspondant au dossier de candidature seront exposées du 25 février au 10 avril. Les lauréats s’engagent à nous faire parvenir ces œuvres début février 2013 à l’adresse :
CACP-Villa Pérochon, BP 59135 – 79061 NIORT CEDEX 9 – FRANCE.
L’association prendra en charge le transport des œuvres et remboursera l’expéditeur sur présentation de la facture, lors de la résidence.
– 2ème exposition :
Durant la résidence, les lauréats s’engagent à produire une exposition. Les œuvres créées seront exposées du 13 avril au 31 mai. Les œuvres présentées rejoindront le fonds d’œuvres du CACP-
Villa Pérochon de l’association Pour l’Instant constitué au fil des ans. Les négatifs et fichiers numériques originaux restent la propriété de l’auteur. Les photographies constituant le fonds d’œuvres pourront être exposées ou reproduites uniquement pour le catalogue Carte Blanche, pour la promotion ou le service pédagogique du Centre d’art contemporain photographique-Villa Pérochon et pour la communication des Rencontres de la jeune photographie internationale.
– L’inscription implique, au candidat, l’acceptation des conditions énoncées sur l’appel à candidature.
/ Dossier de candidature :
Il doit être composé de :
- la fiche d’inscription signée ci-jointe,
- un CV, un texte présentant la démarche,
- une sélection de travaux représentatifs récents,
- enfin, sans obligation, la présentation d’une intention ou d’un projet pour cette résidence.
– Pour les dossiers français impérativement :
Les dossiers seront présentés sur support papier (argentique ou numérique), le format et le nombre sont libres. Les œuvres multimédia seront présentées sur CD ou DVD.
– Pour les dossiers en provenance de l’étranger :
Outre la forme précédente il est possible de présenter le travail sur :
– CD ou DVD (fichiers basse résolution, compatibles Mac / PC et sans qu’aucun téléchargement ne soit nécessaire) le nombre d’œuvres est limité à 25 par série et 2 séries maximum.
- Par e-mail avec les mêmes contraintes que pour les supports CD et DVD adresse : accueil [arobas] cacp-villaperochon [point] com
/ Date limite de réception des dossiers à Niort : le 31 décembre 2012 à 12h00.
Seuls les dossiers accompagnés d’une enveloppe adaptée, libellée et affranchie au tarif en vigueur en France ou billets internationaux seront retournés.
Adresse postale : CACP – Villa Pérochon, BP 59135 – 79061 NIORT CEDEX 9 – FRANCE. Adresse e-mail : accueil [arobas] cacp-villaperochon [point] com
/ Jury :
Présidé par Denis Dailleux, il sera composé de personnalités de la photographie et des arts plastiques ainsi que des membres de l’association. Les résultats seront connus à partir du 14 janvier.
www.cacp-villaperochon.com
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International call for proposals for 2013 residency on Andrea Zittel’s Indy Island Deadline: Friday, January 11, 2013 Indianapolis Museum of Art 4000 Michigan Road Indianapolis, IN 46208 www.imamuseum.org/islandresidency Twitter
The Indianapolis Museum of Art is issuing a call for proposals for a six-week summer 2013 residency on Andrea Zittel’s Indy Island within the IMA’s 100 Acres: The Virginia B. Fairbanks Art and Nature Park. Graduate and undergraduate students and professionals in the fields of art, design, architecture and performing arts are encouraged to apply to customize and reside on Indy Island. Anchored in the 35-acre lake within 100 Acres, Indy Island is a habitable, « off-the-grid » structure accessible by rowboat. At about 20 feet in diameter, the island serves as an experimental living structure that examines our daily needs. Residents collaborate with Zittel by adapting and modifying the island’s structure according to their individual needs. Despite Indy Island’s inherent limitations, the structure and residency are relatively open-ended. The aims of past projects were diverse, including: • In 2010, Herron School of Art and Design (Indianapolis) students Jessica Dunn and Michael Runge activated the installation through a series of visitor interactions based on a system of exchange with their project titled Give and Take.
• The 2011 island resident was Katherine Ball, a student of Portland State University’s Art + Social Practice MFA program (Portland, Oregon). Over the course of her residency, titled No Swimming, Ball initiated a series of ecologically remedial interventions in the Park’s lake and engaged a local audience through a series of public programs centered on the topic of water.
• For his 2012 residency titled INDIGENOUS: Into the Wild with A. Bitterman, Kansas City-based artist A. Bitterman created a series of sculptural interventions throughout the Park that prompted visitors to question their relationship with « the wild. » To further this inquiry, Bitterman acted as an element of nature himself, and relied on visitors for food and refrained from verbal communication.
It’s important that the 2013 residency addresses concerns not previously explored. There must be a strong rationalization for why the proposed project must take place on Indy Island. Proposals that don’t specifically relate to the island or 100 Acres will not be considered. To apply: Apply for the residency at www.imamuseum.org/islandresidency. There, applicants can find photos and renderings of Indy Island, as well as further details about the selection process. Proposals are due Friday, January 11, 2013, and should include a brief written statement and renderings of the proposed project. The residency must last six weeks or longer and be conducted between May and September 2013.
•••••
Open call for applications 2013: Unesco-Aschberg bursaries for Artists Programme: further information
deadline: 18 novembre 2012
UNIDEE – University of Ideas is Cittadellarte’s international pole of formation and exchange between knowledge and diverse problematics, open to a varied and multidisciplined group of creatives, professional people and students.
Here art abandons the conventional canons and instead places itself to integrate with society and with other disciplines: communication, production, economics, politic, architecture, design, literature, music, spirituality, ecology and nourishment.
UNIDEE in Residence runs for four months – from June to October – to explore the rapport between art and society and to investigate methodologies of creative interventions able to activate projects for a socially responsible change in society.
Unidee in residence forms a new professional skill: that of “activator” of projects for a Responsible Transformation of Society, which reunites the characteristics and skills of the artist, curator, cultural enterpreneur and social-projects manager.
At Cittadellarte the residents acquire a professional creative dimension that is productive and socially relevant, capable of responsibly confronting the problematics of real society and that offers innovative proposals to companies and administrations in different contexts.
The UNIDEE programme develops in direct synergy with the activities of Cittadellarte, interacting with the exhibitions, research and projects of the Uffizi in the areas of ecological architecture (Architecture Office), sustainable design (Production Office), of economic alternatives (Economics Office), of intercultural dialogue (Politics Office and Love Difference Project), of the relation between ecology and creativity (Ecology Office and ReMida Project), of sustainable fashion (Fashion Office), of creative communication (Communication Office), of art and social change (Art Office) and of the spirituality of art (Spirituality Office). The residents in this way have the opportunity to enter into contact and collaborate with the diverse realities of the territory and with the businesses and institutional partners of Cittadellarte. Numerous meetings, lectures and workshops are organised with experts from the creative world, business and art, who share with the residents their experience and knowledge.
PROGRAM
The major points of the programme are: • Conceptualization, development, and discussion for the activation of a project of Responsible Social Transformation. During UNIDEE the residents will have the possibility to concentrate on their idea, discuss their projects, receive feedback, […]
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HOW TO APPLY
Applicants are invited to submit the UNIDEE in Residence application form together with the following material and any supplementary information they consider pertinent in an assessment such as this: A completed and hand signed application form (download here: PDF format) Please […]
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OPEN CALL for UNIDEE 2013: FULL financial support
The following institutions cover all the costs outlined in the « expenses covered by the program » in the « PROGRAM » section. Please note, each institution has slightly different requirements for applicants and costs they are willing to cover, please bear this in mind when deciding […]
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OPEN CALL for UNIDEE 2013: PARTIAL financial support
The selected participants for this support will only have to pay €6.000 towards the cost of the program, while the rest is covered by Cittadellarte. However, they will still be required to pay for everything listed above in the « paid by the resident » list in the « PROGRAM » […]
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Open call UNESCO-Aschberg Unidee 2013
UNIDEE in Residence and UNESCO-Aschberg UNIDEE in Residence 2013 12 June – 12 October 2013 Cittadellarte-Pistoletto Foundation in partnership with the UNESCO-Aschberg Bursaries for Artists Programme offers a fully supported residency for a young committed visual/ video artists, […]
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THE NETWORK OF UNIDEE IN THE WORLD
UNIDEE has built a large network of partnerships and collaborations in Italy and abroad: A.M. QATTAN FOUNDATION based in Ramallah, it’s one of the most longstanding partner of Cittadellarte, they provide a UNIDEE grant for Palestinian Artist since 2002 AS_TIDE NETWORKS supported by the […]
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FACILITIES
Working / living facilities Available to UNIDEE residents is a common studio space (a 700 square meter loft), a room for meetings and seminars, library and an auditorium. A number of computers are also available to the residents who are not able to bring their own. These are equipped with […]
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LOCATION
Cittadellarte-Fondazione Pistoletto is located in the city of Biella, a provincial capital located in the northern Italian region of Piedmont, situated in the foothills of the Alps. The province of Biella is known for its beautiful landscapes as well as its important role in the history of the […]
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HOW TO GET TO UNIDEE
The closest airports to Biella are Torino (Caselle airport) and Milano (Malpensa and Linate airports). Low cost airlines also fly to Bergamo, Milano (Orio al Serio airport). The closest train station to Cittadellarte is Biella S. Paolo. Cittadellarte is a twenty minute walk from the station, or […]
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FAQs
1) What do I have to submit for applying for UNIDEE? Applicants must submit (via email or post) to UNIDEE the following material: A completed and hand signed application form (download here: PDF format) Please note that if you are applying for full financial support you must submit […]
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MANYDEE
Manydee is a virtual platform to which UNIDEE residents are automatically registered in order to communicate ideas and information, to cooperate, to propose and discuss projects. UNIDEE 2012 Ayman Alazraq (Palestine) […]
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staff
CONTACTS:
Linda Mercandino
Coordination UNIDEE – Università delle Idee
UNIDEE in Residence
Cittadellarte-Fondazione Pistoletto
Via Serralunga, 27
13900 Biella – Italy
Tel. +39 015 0991 462
unidee [arobas] cittadellarte [point] it
http://cittadellarte.it/attivita.php?att=27
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Tokyo Wonder Site – Institutional Recommendation Program – Tokyo, Japan (Deadline: Nov. 20th, 2012)
Tokyo Wonder Site – Institutional Recommendation Program
Location; Tokyo, Japan
Deadline: 11/20/2012
Duration: About 1 – 2 months from the beginning of April 2013 to the end of March 2014 (subject to change)
Eligibility: Please check the application outline.
Description:
Tokyo Wonder Site is calling for both international and local creators who are planning to undergo cultural study or research based in Tokyo. If you were interested in participating in the Institutional Recommendation Program for 2013, please find more information about each program at TWS website pages.
www.tokyo-ws.org/english/application/2012/09/open-call-for-the-institutional-recommendation-program-2012.shtml
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Call for entries
Deadline: 10 December 2012
PACT Zollverein
Residencies PACT Zollverein
PACT Zollverein has been supporting residencies for the development of artistic projects and productions since 2002. The Residency Programme is open to professional artists from home and abroad who work in the areas of dance, performance, media arts or sound art. The recipients are offered a work space and local accommodation, and according to individual need, they can take advantage of various kinds of production support, such as dramaturgy, technical assistance, project management as well as press and publicity.
Call for Entries
http://www.pact-zollverein.de/en/artists-centre
PACT Zollverein has been supporting residencies for the development of artistic projects and productions since 2002. The Residency Programme is open to professional artists from home and abroad who work in the areas of dance, performance, media arts or sound art. The recipients are offered a work space and local accommodation, and according to individual need, they can take advantage of various kinds of production support, such as dramaturgy, technical assistance, project management as well as press and publicity.
Thanks to the support of the Ministry for Families, Children, Youth, Culture and Sports of the State of North Rhine-Westphalia, residency recipients are able to receive a grant to cover their living expenses and travel costs.
Residences are awarded twice a year by an international jury.
A RESIDENCY CAN INCORPORATE THE FOLLOWING:
Studio space (from 63 to 173 sq.m.)
Local accommodation (maximum 6 people)
Weekly grant allowance for all of the residency project participants (maximum group of 6 people)
Travel costs covering one journey only per participant to and from PACT Zollverein (subject to prior agreement)
Technical equipment (by arrangement and subject to availability)
Stage rehearsals with professional technical supervision and support (by arrangement and subject to availability)
Daily professional open class
Professional advice in: project funding, project management, press and public relations
A residency project will not necessarily have a public showing.
APPLICATIONS MUST INCLUDE (ONLINE APPLICATION SERVICE AVAILABLE FROM 01.11.2012):
the completed application form a short letter of motivation a project description a 10 line summary of your project description curriculum vitae for everyone involved in the project 1 DVD/CD-ROM of your own work
Contact: PACT Zollverein Residenzen Katharina Charpey Bullmannaue 20a D-45327 Essen Germany phone: +49 (0)201.289 47 12 fax: +49 (0)201.289 47 01 residenz [arobas] pact-zollverein [point] de www.pact-zollverein.de
•••••
Henry Moore Institute, Research Fellowships – Leeds, UK (Deadline: Jan 14th, 2013)
How to apply
The Henry Moore Institute invites applications for the following fellowship programmes:
Research Fellowships are intended for artists, scholars and curators, working on historic and contemporary sculpture using the Institute’s library, archive of sculptors’ papers and the collection of Leeds Art Gallery. Up to 4 fellows will be given the opportunity to spend a month in Leeds to develop their own research. With access to our resources and an on-going dialogue with the Institute staff, fellows are free to pursue their own interests in a supportive and stimulating environment.
Senior Fellowships are intended to give established scholars (working on any aspect of sculpture) time and space to develop a research project free from their usual work commitments. Up to 2 senior fellowships, for periods of between 4 to 6 weeks will be offered.
Both fellowships provide accommodation, travel expenses and a per diem. The Institute offers the possibility of presenting finished research in published form, as a seminar, or as a small exhibition. The fellowships are an integral part of the research programme, presenting fresh perspectives on the Institute’s collections, opening up new collaborative possibilities and furthering research into sculpture.
For further information or to apply for a fellowship please contact:
Kirstie Gregory – Research Programme Assistant
Henry Moore Institute, The Headrow, Leeds LS1 3AH.
T: + 44 (0) 113 246 7467
E: kirstie [arobas] henry-moore [point] org
To apply for the 2013-14 fellowships please send a letter of application stating how you heard about the fellowships, a proposal (1000 words max.) and a CV by 14 January 2013 to: Kirstie Gregory, Henry Moore Institute, 74 The Headrow, Leeds LS1 3AH.
More info can be found here: www.henry-moore.org/hmi/research/hmi-research-fellowships1/how-to-apply
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Call to Artists: Acadia National Park Artist Residency, Maine
Deadline: January 7th, 2013
The Acadia National Park Artist-In-Residence Program provides professionals the opportunity to become part of a long-established tradition of artists in our national parks.
Mount Desert Island Artists: A Long Tradition In the mid-1800s, landscape painters, including Thomas Cole and Frederic Church, came to Mount Desert Island and captured its beauty on canvas. Their work inspired writers, composers, naturalists, and folks from away to seek the natural splendor of the island.
Those who followed were known as rusticators because they ate and lived with local fishermen and farmers during their summer stay. The rusticators returned each summer to delight in the tranquillity of Mount Desert Island, and for some, to practice their craft. Villagers cottages and fishermen’s huts soon overflowed, and by 1880, 30 hotels competed for vacationers’ dollars. Ballet, opera, musical festivals, and readings flourished each summer on Mount Desert Island.
Over the years the accommodations and number of visitors have increased, but the heart of what first drew people here remains as Acadia National Park. The park, with its dramatic cliffs stretching to the sea, balsam-scented forests, and spring warbler serenades, offers artists a perfect setting to practice and pursue their craft.
Artist-In-Residence Program at Acadia
The Artist-in-Residence Program at Acadia National Park offers professional writers, composers, and all visual and performing artists the opportunity to pursue their particular art form while surrounded by the inspiring landscape of the park. In the spring and fall, the park provides housing to participants for two-week to four-week periods. No additional stipend is available.
In return, participating artists are asked to donate to the park collection a piece of work representative of their style and their stay. These creative works will be displayed on a rotating schedule or shared with the public through other appropriate means during the upcoming seasons. Artists are also asked to participate in one public program per week of their residency such as demonstrations, talks, exploratory hikes, or performances. In the fall, artists will be working with fifth and sixth grade students. Programs can be tailored to your medium, interests, and experiences, and only consume a few hours of your stay.
How to Apply
Applications for the program are accepted beginning October 1 and must be received by January 7 for consideration for the following season. Notification will be made by late March. There is a $25 non-refundable application fee for applying to the residency. Make checks payable to the National Park Service. Materials sent as part of the application packet will not be returned.
Any medium that involves collecting or altering park resources would be in conflict with national park preservation goals and would be deemed inappropriate for a residency.
To apply, please send:
• Application Cover Sheet (pdf)
• For visual artists: Six different digital images in jpg or tiff format on one CD, or, if sending slides, one set of six different images, plus the following materials.
• For all other mediums: An appropriate sample of your recent work (e.g., six copies of a brief manuscript excerpt, short story, article, poetry, etc. – maximum of six pages – from writers and poets; one 1/2″ VHS tape or DVD from dancers and other performing artists), plus the following materials.
• Six copies of:
◦ One- to two-page résumé and summary of creative works.
◦ One-page statement about what you hope to accomplish and achieve during a term as an artist-in-residence at Acadia National Park.
◦ Description of public/school presentation.
◦ Names and contact information of two references who know your work.
• For additional information or to mail your application, please contact:
Artist-In-Residence Program Coordinator
Acadia National Park
P.O. Box 177
Bar Harbor, ME 04609
207-288-3338 – “0″ for operator
Selection Process
A panel composed of professionals from various related disciplines and a park representative will choose the finalists for the upcoming season. Selections are made solely on the basis of submitted material.
Frequently Asked Questions
How many artists are selected each year? Between four and six artists, plus two alternates, are selected each year.
Do I need to have a car? Yes. There is no public transportation to the park or towns during the residency period.
What are the housing arrangements? Artists are housed in a fully furnished, one-bedroom apartment with a full kitchen outfitted with pots, pans, dishes, and silverware. The park supplies linens and bedding. There is a laundry facility in the apartment complex. Occupants supply personal items such as clocks and audiovisual equipment. Occupants are responsible for cleaning the apartment prior to their departure. Pets and smoking are not allowed. Wheelchair-accessible housing is available.
Can I bring my family or pet? Family members may join the artist for the residency as long as the number of occupants does not exceed the occupancy limits of the apartment. Pets are not permitted.
You may also download an Artist-In-Residence brochure (pdf – 309kb) with this information.
http://www.nps.gov/acad/supportyourpark/artistinresidence.htm
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Atelier Topaz – résidence
Opasatika, Ontario, Canada
Le lieu
Situés au cœur de la forêt boréale, les Ateliers Topaz sont à la fois un lieu de retraite et un centre de création pour artistes, toutes disciplines confondues. L’endroit parfait pour la réflexion, l’évasion. Le groupement d’édifices fait 900 mètres carrés et repose sur 14 hectares face à la route Transcanadienne. Il donne sur un étang de deux hectares. Topaz c’est la « Route 66 » dans le nord de l’Ontario. L’endroit, modeste et nostalgique, rappelle aussi les grandes épopées de la colonisation francophone de l’Ontario. Ces studios de création ou cette résidence d’artistes, endroit idéal pour les arts visuels, sont situés au centre du Canada, à mi-chemin entre l’Atlantique et le Pacifique, là où les étoiles deviennent les topazes de la nuit.
Ce qu’on offre
D’abord l’espace et, l’espace de travail déterminés selon les besoins de l’artiste. Les espaces polyvalents permettent d’y faire de la peinture, de la sculpture, de l’installation, etc. L’atelier de menuiserie, le Bar à clou, est équipé des outils de base. Un magasin d’objets trouvés est disponible autant pour l’inspiration que pour l’utilisation dans une œuvre. Le peintre apporte ses pinceaux, le musicien son instrument et l’écrivain son ordi.
Les personnes qui séjournent aux Ateliers Topaz jouissent de l’accès à la cuisine et sont responsables de préparer leurs repas. Toutefois Laurent peut aussi leur cuisiner de petits plats typiquement canadiens-français aux besoins ou aux désirs.
Topaz possède deux suites avec lit double et une chambre avec lit simple. Chacune possède sa salle de toilette avec douche. Ces installations évoquent admirablement le style des années 1960.
Pour la baignade, le Lac des Cœurs se situe à deux kilomètres à l’est. Pour le canotage ou la pèche, la rivière Opasatika est deux kilomètres à l’ouest. Pour se déplacer, il y a de vieux vélos ou la marche. Pour un frais très raisonnable, votre hôte peut aussi vous conduire ou organiser un déplacement vers Kapuskasing à l’est ou vers Hearst à l’ouest.
Les matériaux d’artistes ne sont pas disponibles dans la région. Il est donc important de faire vos achats avant votre séjour, à moins que vous travailliez avec des matériaux que l’on peut se procurer dans des magasins ordinaires ou même en nature.
www.atelierstopaz.ca/
•••••
International Helen M. Salzbert Artist in Residence Program, Book Arts, Florida
Deadline: January 22, 2013 (RECEIVE) or (HAND DELIVERY)
Stipend of $5000
Helen M. Salzberg Artist in Residence Program
Jaffe Center for Book Arts
Wimberly Library
Florida Atlantic University
Boca Raton, FL
Fall 2013
The Helen M. Salzberg Artist in Residence Program funds two working residencies for artists each academic year at the Jaffe Center for Book Arts, in the fall and spring semesters. Artists working in the book arts (and other media, too, as long as the creative project can be thought of as book arts related) are encouraged to apply for this prestigious and competitive award. We accept applications from artists from all over the world.
Poet and artist Helen M. Salzberg established the Salzberg AIR Program in 2011. Income from this endowed fund enables artists working in the book arts to come to the Jaffe Center on a semester basis to work and teach at the center. While here, the artist will produce a creative project using JCBA studios and also teach a workshop for FAU students and the general public and mentor FAU students as his or her schedule allows. The Salzberg AIR Program gives our students the opportunity to work alongside highly talented and creative book artists.
Two residencies will be awarded each academic year: one in the fall semester and one in the spring semester. The Artist in Residence (AIR) selected each semester will get his or her own office at JCBA and full use of the JCBA studios (papermaking, letterpress and book studios). The artist’s residency will last for 12 weeks, though shorter or longer residencies may be accommodated as needed. In the application process, if an artist has a particularly ambitious creative project in mind, the artist may apply for a residency that would encompass two semesters. Should the two-semester residency be awarded in this case, the artist would be expected to teach one workshop in each semester.
The AIR receives a stipend of $5,000 for the semester. The artist is responsible for transportation, housing, parking, meals and materials for his or her creative project. JCBA will provide materials for workshops.
APPLICATION
Artists who wish to compete for consideration for this prestigious opportunity must submit their application and support materials for review by a JCBA panel comprised of book artists and book arts enthusiasts. Your application packet must be submitted via post or delivered in person to JCBA and should include the following:
1. Completed application, or suitable cover letter that supplies the same information requested on the application.
2. Brief narrative of the creative project you envision.
3. Brief narrative of the workshop you would like to teach.
4. Current resume.
5. Any support materials you care to include: we welcome images of your work, sketches for the creative project, video… be creative and have fun.
All applications will be weighed equally by our panel.
Download Application: www.library.fau.edu/AIR_Application
Visit website for complete details: www.library.fau.edu/JaffeCenter/AIR
The Arthur & Mata Jaffe Center for Book Arts
Wimberly Library, Room 350/ 3rd floor east
Florida Atlantic University
777 Glades Road
Boca Raton, Florida 33431 USA
Tel: 561.297.0226
•••••
Brucebo Scholarships for Canadian Artists, Gotland, Sweden (Deadline: Jan.31st, 2013)
Location: Gotland, Sweden.
Duration: 3 months.
Elegibility: Canadian artists.
Deadline: January 31st, 2013
To commemorate the very special Swedish-Canadian link of Caroline and William’s marriage and artistic life, two Fine Art Scholarships for Canadians were established: the Brucebo Fine Art Summer Scholarship and the William Blair Bruce European Fine Art Travel Scholarship.
The Brucebo Summer Residency Scholarship provides funding for a three-month’s work stay at the Brucebo studio cottage, at Sjalso fishing village, 7 km. North of the Hanseatic and medieval City of Visby. The scholarship covers transport expenses, Canada-Visby/Gotland (return), free use of the studio cottage, plus a food stipend. The total value of the scholarship amounts to SEK 30,000 (plus)
The William Blair Bruce Travel Scholarship finances a systematic Fine Art European reserach/travel grant, to be undertaken either during the fall or winter. The scholarship can be part of a fine art related research project or of a thematic fine art study tour to various countries. Scholarship amount SEK 30,000 (Plus).
As of Fall 2002 the scholarship program is administered by the Concordia University Faculty of Fine Art, Associate Dean’s Office, Montréal.
For more detailed information about the scholarships please contact Dr. Jan O. Lundgren, Brucebo Foundation Liaison Officer in Canada, Geography Dpt., McGill University, 805 Sherbrooke Street West, Montreal, Quebec H3A 2K6.
Email: jan [point] lundgren [arobas] mcgill [point] ca
For Application: bruceboscholarships.com/index.php/application
•••••
RESÒ
International Art Residency Program
New open call December 2012
From the beginning of December, the international platform RESÒ residency program is pleased to announce the new open call for its third edition. The six mid-term residencies will run in 2013 in Piedmont (Italy) and San Paulo (Brazil), New Delhi (India) and Cairo (Egypt). Born in 2010 from a collaboration between the leading Piedmontes institutions for contemporary art and education, the platform RESÒ is supported and promoted by the Foundation for Modern and Contemporary Art CRT. RESÒ is spelled phonetically from the French word reseau, meaning network, and it is used in order to focus on the territory’s resources, cultural as well as social and artistic: a network of support for creative production in and with the region of Piedmont. In fact, RESÒ grows from a collaboration that, for the first time, brings together many of the major contemporary art institutions in Piedmont, then adds the support and participation of foreign institutions Capacete, Khoj and Townhouse Gallery. With the participation of these many institutions, RESÒ calls for the creation of IN and OUT, an ongoing program of international residencies to promote the overall mobility of artists. The goal is to establish places for theoretical reflection and creative growth through which the presence of the artist will also become a stimulus for the surrounding community. Any region that hosts international residencies will reap cultural and social benefits.
RESÒ_1 (2010–2011) saw the start of the six residencies that form the IN and OUT programs. The IN program, clearly focused on activities within the Piedmont region, begins with residencies developed specifically by Unidee Cittadellarte (Magdi Mostafa from Cairo), Spinola Banna Foundation for Art (the Egyptian Amsterdam-based Dina Danish) and the PAV-Parco Arte Vivente (Amilcar Packer from Brazil). The OUT program, on the other hand, focuses on the three residencies developed separately by Townhouse Gallery (in Cairo with Alessandro Quaranta) and Capacete (in Rio de Janeiro with Irene Pittatore and Francesca Macrì; in San Paulo with Paola Anzichè).
RESÒ_2 (2011–2012) involves six international artists in residency at Unidee Cittadellarte (Sunil Vallu from New Delhi), CeSAC (Jasmina Metwaly from Cairo), Eco e Narciso (Beto Shwafaty from Rio de Janeiro), Khoj International Artists Association (Ottavia Castellina from Turin and London), Townhouse Gallery (the Italian Rotterdam-based Eva Frapiccini), and Capacete (the young but well-known couple Massimiliano and Gianluca De Serio).
Each artist is selected by a committee representing the institutions involved. During the six/nine weeks-long residency, the artists take part in meetings, panels, workshops and studio visits. Finally, the RESÒ resident artists are encouraged to produce artworks that reflect on the current definitions of learning, of knowledge and of community and practice, giving back his/her personal sight on the territory and the residency experience. All the outcomes are collected, year by year, in the RESÒ traveling box, a suitcase inspired by Duchamp’s Boîte-en-valise, a sort of archive of memories and traces that, with the instruction booklet, becomes an itinerant « do it yourself » exhibition (shown at Artissima_18 and 19 International Fair).
Info and applications are available on www.reso-network.net.
5. Divers
BRAVO-Sud mène un sondage auprès des artistes visuels en Ontario français
Une invitation à participer au sondage mené par le Regroupement des artistes visuels de l’Ontario (BRAVO) sur les besoins et les aspirations des artistes visuels francophones en Ontario. Nous remercions tous ceux et celles qui ont déjà répondu au sondage, et nous demandons à ceux et celles qui n’ont pas encore répondu de prendre quelques minutes pour vous faire entendre. Votre collaboration est importante.
Voici le lien pour le sondage :
https://www.surveymonkey.com/s/bravo_sud
Merci de votre participation !
