3. appels internationaux

Submission deadline for Prix Ars Electronica and STARTS Prize extended
 
There is still time to submit projects until March 14, 2022 (23:59 CET). Participation is free of charge.

Prix Ars Electronica 2022
The categories of the world’s most traditional competition for media art are « Computer Animation », « Digital Communities », « Interactive Art + » and « u19-create your world ». Joining them this time are the Ars Electronica Award for Digital Humanity and the education award Klasse! Lernen. The winners will receive the prestigious Golden Nicas, prize money of up to 10,000 euros per category and appearances at the Ars Electronica Festival (September 7-11, 2022).
Learn more and submit!

STARTS Prize 2022
On behalf of the European Commission, the most promising collaborations and results in the field of creativity and innovation at the interface of science, technology and art are sought. The European Commission’s STARTS Prize is offered by Ars Electronica and the consortium partners BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence and the Frankfurt Book Fair. In addition to the prestigious STARTS Trophy, the winners will receive prize money of 20,000 euros each as well as appearances at the Ars Electronica Festival, BOZAR, Waag and other events organized by partner institutions.
Learn more and submit!

We look forward to receiving your submission and wish you great success!
Your Ars Electronica Team

 
 
Got a question about the submission? Send us an e-mail to
prix [arobas] ars [point] electronica [point] art or startsprize [arobas] ars [point] electronica [point] art.

•••••

Flow • embody in site, 2022
Online Public Performance Symposium in June 2022
 
Out of Site Chicago is inviting proposals from local, national, and international performance artists to present their work at Flow • embody in site, 2022. We invite people to submit concepts for performance lectures and/or artist presentations. Priority will be given to artists who have a public performance art practice but we are open to all thoughts and ideas.
 
We will select between eight and eleven artist/ artist collaborator presentations. Each session will last 90mins and each presenter will be allocated a facilitator that will support a dialogue with symposium participants. This will be part of a symposium with practice-based workshops, presentations by artists from around the world, a finale weekend of live public performance from around the world and a curated program.
 
Submission Requirements:
–A short bio (300 words)
–A 500-word abstract describing the concept of the performance lecture/ artist presentation (printed on website and in post-symposium catalog)
–Two high res images of relevant work with photo credits
–Artist website address
–CV or resume
 
Deadline for Submissions: Sunday March 8, 2022 (midnight CST)
NO LATE ENTRIES WILL BE ACCEPTED
Ways to submit:
1. Use the submission form: https://forms.gle/dvr5gJwppUZxP8X17
2. Email one (1) pdf to outofsitechicago [arobas] gmail [point] com (subject line ‘Flow2022’)
 
ABOUT OUT OF SITE CHICAGO
Out of Site Chicago (OoS) has been curating unexpected encounters in public space since 2011. OoS has developed a methodology of working in urban space that supports diverse ideas and representations of artistic work. We have a trained steward team that supports the artist’s work and facilitates public engagement with the performance. In 2020, Out of Site partnered with Experimental Sound Studio to create live stream performances to support our performance community. In 2021, OoS organized Flow • embody in site, 2021 to foster international conversations about public performance practice.

•••••

Arebyte: Open Screen Call For Disabled Artists Working in the Digital Realm
International

Open Screen 2022: Call out for disabled artists working in the digital realm

Developed in partnership with Shape Arts in 2021, Open Screen seeks proposals for existing works that respond to the theme of Sci-Fi.

arebyte welcomes work from artists who are working with technology to their advantage, as a way to overcome barriers, criticising matters of inclusivity within technology, and everything in between.

The selected work will be presented on arebyte on Screen, arebyte’s expanded and innovative online platform for digital animations, videos, web-based interactive experiences and curatorial interventions.⁠
⁠
The deadline for submissions is 11.49pm on 7 March 2022. For more information and how to apply, please visit the link below.Contact
email opencall [arobas] arebyte [point] com
website www.arebyte.com/open-screen

This is a paid opportunity.

•••••

Le Prix pour la photographie

Appel à projet 

Musée du quai Branly-Jacques Chirac

17 mars 2022

//

Le Musée du quai Branly – Jacques Chirac à Paris lance un appel à candidatures pour les photographes.

En 2022, le programme des Résidences photographiques fait peau neuve et devient le Prix pour la Photographie du musée du quai Branly – Jacques Chirac ! Avec une dotation par projet lauréat portée à 30 000 € pour une sélection annuelle de 3 projets, après un large appel à candidature et un jury international, le musée réaffirme son soutien en faveur de la création photographique contemporaine extra-européenne.

Le Prix pour la Photographie du musée du quai Branly – Jacques Chirac est exclusivement ouvert aux artistes photographes originaires de l’un des quatre continents représentés dans
les collections du musée du quai Branly : Afrique, Asie, Amériques, Océanie (hors Europe). Les citoyens Européens détenteurs d’une double nationalité extra-européenne sont éligibles
au programme.

Pour en savoir plus

•••••

OPEN CALL: Flow • embody in site, 2022
Deadline date: March 8, 2022; Location: Chicago, USA; Source: Carron Little
 
Flow • embody in site, 2022
Online Public Performance Symposium in June 2022
 
Out of Site Chicago is inviting proposals from local, national, and international performance artists to present their work at Flow • embody in site, 2022. We invite people to submit concepts for performance lectures and/or artist presentations. Priority will be given to artists who have a public performance art practice but we are open to all thoughts and ideas.
 
We will select between eight and eleven artist/ artist collaborator presentations. Each session will last 90mins and each presenter will be allocated a facilitator that will support a dialogue with symposium participants. This will be part of a symposium with practice-based workshops, presentations by artists from around the world, a finale weekend of live public performance from around the world and a curated program.
 
To see the archive of Flow 2021 please visit: https://www.flowsymposium.org/
 
Submission Requirements:
–A short bio (300 words)
–A 500-word abstract describing the concept of the performance lecture/ artist presentation (printed on website and in post-symposium catalog)
–Two high res images of relevant work with photo credits
–Artist website address
–CV or resume
 
Deadline for Submissions: March 8, 2002 (midnight CST)
NO LATE ENTRIES WILL BE ACCEPTED
 
Ways to submit:
1. Use the submission form: https://forms.gle/dvr5gJwppUZxP8X17
2. Email all the info in one (1) pdf to outofsitechicago [arobas] gmail [point] com (subject line ‘Flow2022’)
 
ABOUT OUT OF SITE CHICAGO
Out of Site Chicago (OoS) has been curating unexpected encounters in public space since 2011. OoS has developed a methodology of working in urban space that supports diverse ideas and representations of artistic work. We have a trained steward team that supports the artist’s work and facilitates public engagement with the performance. In 2020, Out of Site partnered with Experimental Sound Studio to create live stream performances to support our performance community. In 2021, OoS organized Flow • embody in site, 2021 to foster international conversations about public performance practice.

•••••

Appel à participation 2022 : 35 Festival Les Instants Vidéo

Manifestation dédiée à l’art vidéo et la poésie électronique, sous toutes ses formes (projections, installations, performances…)

Octobre / Novembre 2022
Marseille (et ailleurs)
Date limite : 15 mai 2022
 

De tout, il resta trois choses :
La certitude que tout était en train de commencer, la certitude qu’il fallait continuer,
la certitude que cela serait interrompu avant que d’être terminé.
Faire de l’interruption, un nouveau chemin,
faire de la chute, un pas de danse,
faire de la peur, un escalier,
du rêve, un pont,
de la recherche, une rencontre. Fernanda Sabino

Le Festival Les Instants Vidéo est une manifestation dédiée à l’art vidéo et la poésie électronique, sous toutes ses formes (projections, installations, performances…). Il se tient à Marseille et dans la Région, ainsi qu’à l’international.

De nos questionnements pour 2022, surgissent ces trois points. Et nous voulions les partager avec vous

Les iconoclastes voulaient détruire les images pour en détruire leur signification. Pour des raisons morales, religieuses ou politiques, on détruit les images par peur que le sens qui s’y cache ne déclenche la fronde, la remise en question, le doute. Aujourd’hui, sous l’apparence du contraire, nous faisons la même chose mais au lieu de détruire les images même, nous les accablons de significations !
Nous vivons dans un monde de créateur.rice.s, d’influenceur.rice.s et de commentateur.rice.s. Le discours, le buzz, prend le pas sur l’oeuvre : ce qu’on en dit a tendance à avoir plus d’importance que l’œuvre elle même. La légende devient plus importante que l’image même.
La distinction entre les formes d’art propres aux classes populaires et d’autres formes d’art propres aux élites cultivées reste assez générale dans nos sociétés stratifiées. 
  Pour s’inscrire, c’est ici: https://filmfreeway.com/instantsvideo
Courant septembre, chacun.e des artistes sera informé.e de la sélection du festival.
Sachez que nous regarderons votre travail avec attention, étant conscient.e.s que la poésie électronique est fragile et délicate : un frémissement.
Nous attendons vos œuvres avec impatience

L’équipe des Instants Vidéo

Manifestation internationale soutenue par le Ministère de la Culture (DRAC, PACA), le Conseil Régional (PACA), le Conseil Général des Bouches-du-Rhône, La Ville de Marseille.

Lien
 

4. résidences

5. art public

6. pour commissaires

APPEL DE CANDIDATURES : INCUBATEUR EN COMMISSARIAT
4e édition
Date de dépôt : Le mardi 24 mai 2022

_____
< appel de candidature pour l’année 2022 (PDF)

L’AGAVF a lancé un appel aux commissaires émergent.e.s pour participer à la 4e édition de l’Incubateur. Ce prochain atelier intensif de commissariat sera offert selon une formule hybride débutant avec un rassemblement des participant.e.s sur une période de dix jours, au mois d’août 2022, dans un lieu à déterminer, suivi d’une série de rencontres virtuelles à l’automne 2022. L’objectif de l’Incubateur est de soutenir les personnes souhaitant développer des projets de commissariat et de stimuler les initiatives d’expositions ou d’événements visant à mieux faire connaître les arts visuels et les artistes des communautés francophones du Canada.
 

<Pour en savoir davantage sur l’Incubateur en commissariat
< Pour un aperçu des éditions antérieures de l’incubateur

CANDIDATURES ADMISSIBLES

L’incubateur en commissariat s’adresse aux commissaires émergent.e.s des communautés francophones et acadiennes ayant déjà réalisé au moins un projet de commissariat ou présentant un fort intérêt pour la conceptualisation et l’organisation d’exposition, ou encore pour l’écriture sur l’art concernant notamment le travail d’artistes de ces communautés. Des candidatures seront pré-sélectionnées par un comité incluant la commissaire-mentore et trois candidatures seront retenues suite à des entretiens téléphoniques.

Pour plus d’information sur le dossier de candidature, le processus de sélection, les frais d’inscription et autres informations pratiques, consulter l’appel (PDF)

•••••

L’appel à projet commissariat pour l’exposition de fin de résidence de la Villa Belleville prévue début juin. Date limite d’envoi : 13 mars 2022
VOIR L’APPEL À PROJET COMMISSARIAT

•••••

Situated on the
shores of Lafarge Lake in Town Centre Park, Evergreen Cultural
Centre (ECC) and the Art Gallery at Evergreen (AGE) exist on the unceded, traditional
and ancestral core territory of the kik »m (Kwikwetlem) First Nation, which lies
within the shared territories of the sli »lwta tmx (Tsleil-Waututh), Slh Tmxw
(St:l), qiqyt (Qayqayt) and sq »c »iy »a tmx (Katzie), xmkwy »m (Musqueam)
and Swxw7mesh xwumixw (Squamish) nations in the region known today as the
Tri-Cities.

We are pleased to announce the second iteration of the Emerging Creators Incubator
from May »August, 2022. We will invite a group of six multidisciplinary emerging
creators between the ages of 18-30 to participate in a mentorship and residency
program that includes hands-on workshops and studio visits with professional artist
mentors including Rydel Cerezo and kimmortal, and a collaboration workshop with
guest artists.

Emerging creators will receive a $450 exhibition fee, ongoing support from Evergreen
staff, and access to our
facilities (including studio space, performing arts theatre, a kiln,
wood-working shop, etc.) to make work for a one-month group showcase in August.

Who is an Emerging Creator?

An emerging creator is defined as an artist who works in any discipline within the visual
and performing arts. They are between the ages of 18-30, in the early stages of their
professional career, and are committed to the development of their craft and practice.

We welcome and will prioritize applications from Black and Indigenous artists,
racialized people, disabled, neurodivergent, persons of
diverse sexual orientations, gender identities or expressions (LGBTQ2S+), migrants,
and any of these intersections. Please head to the application where you will find our
commitment to Justice, Equity, Inclusion and Anti-Racism to learn more about the
concrete action we are taking.

The Emerging Creators Incubator centers a multidisciplinary approach to the arts and
will prioritize local emerging artists from the
Tri-Cities area who engage in the
performing, written and visual arts. Applications are also open to emerging creators
from across the Vancouver Lower Mainland who are interested in engaging with the
ECC and AGE.

Application Deadline:
The written application deadline is March 13, 2022 at 11:59 p.m.; the interview deadline
is March 10, 2022 at 6:00 p.m.
All applicants will be notified about the success of their applications before April 29,
2022.

APPLY NOW: https://evergreenculturalcentre.ca/exhibit/revisions-emerging-creators-incubator/

•••••

Call for Papers: General Idea Symposium
4 June 2022
National Gallery of Canada, Ottawa

Three heads were better than one: AA Bronson, Felix Partz, Jorge Zontal. As
members of General Idea (1969″1994), this trio  » who thought of themselves more
like a rock band than as an artist collective  » have had a huge impact on the
international contemporary art world.

The conceptual apparatus of their flagship enterprise, The 1984 Miss General Idea
Pavillion, though destroyed, has left a large imprint on culture. General Idea were a
mirror of their times and a view on the future. They were cultural anthropologists, like
Claude Lvi-Strauss; semiologists, like Roland Barthes; media savants, like Marshall
McLuhan; and queer literary outsiders, like William Burroughs. They created a
complex system that functioned as myth. Fact and fiction always blended in their
work. So did irony and critique. They inhabited contemporary mass cultural and
media formats with witty sophistication: the beauty pageant, LIFE magazine,
television production. Their 1984 Miss General Idea Pageant was a parody of the
ritual elevation and demotion of art stars, figured within the dominatrix persona and
temporary reign of The Spirit of Miss General Idea. The Pavillion was an architecture
elevated through language, constructed purely as a performative fiction. They said it,
they did it. General Idea were social figures: artists with berets, businessmen with
plans. One moment they were architects designing and building the Pavillion, then
they were archaeologists sifting through its ruins. As cultural parasites they could
mutate with the times. Little did they know that eventually their viral methods would
be
mirrored in a real-world crisis: AIDS.

The forthcoming exhibition General Idea (3 June »20 November 2022) at the
National Gallery of Canada will cover the groups twenty-five years of collaboration.
It will include more than two hundred works, revealing the breadth of General Ideas
practice. The exhibition will be accompanied by a major publication  » the most
comprehensive source on the groups work to date.

In conjunction with the exhibition and the launch of the publication, the National
Gallery of Canada is organizing a symposium centred on General Ideas life and
work. We invite established and emerging scholars, art historians, curators, artists,
and architects to submit proposals for 20-30 minute presentations

Please send a 300-word abstract and CV to Philip Monk, Chair, and Adam Welch,
Associate Curator, National Gallery of Canada, at GIsymposium [arobas] gallery [point] ca. We
welcome abstracts and presentations in both English and French. Panelists will
receive a CAD 500 honorarium, round-trip
travel to Ottawa, two nights’
accommodation, and per diem.

The National Gallery of Canada is committed to collaborating with individuals who
reflect the diversity of Canadian society and welcomes proposals from all applicants.

Deadline for abstracts: 25 March 2022
Notification date: April 1, 2022
Deadline for complete papers from accepted participants: May 20, 2022

•••••

Call for Submissions: Curatorial Proposals for NAMARA Project Space

Call for Submissions:
Curatorial Proposals for NAMARA Project Space, Toronto
Located in the Dupont Arts Building, NAMARA Projects is a new venue for research,
deliberation, and presentation of curatorial work.

NAMARA works around the fluctuating borders of the traditional art world. The
explorations conducted in the Project Space inform both independent and
commissioned presentations. Through our work, we celebrate thoughtful work by
contemporary artists; challenge traditions, experimenting with untested methods;
and welcome new collaborators and audiences.

NAMARA operates at the intersection of art and business worlds, wavering into both
sides at different times, and always in an effort to see that the following occurs:

Art professionals receive fair pay for their work.
Art finds audiences by way of generative brand
partnerships; and engagement within
the traditional art community.
Brands enjoy the advantages of working with thoughtful art while maintaining best
practices and ethical standards.
Our projects include art professionals from under-represented and equity-seeking
groups.
There is no curation without art so the product of artistic labour is always the primary
focus.

We invite curators to respond to this open call for curatorial proposals. There is no
criteria nor deadline but we ask that your proposal is tailored to the space. Digital or
online components are also welcome. A maximum of four proposals per year will be
accepted.

SUBMISSION & INQUIRIES: INFO [arobas] NAMARA [point] CA
https://www.namara.ca/

•••••

Executive Director, Media Arts Network of Ontario

Call for Applications:
Executive Director, Media Arts Network of Ontario
Part-time 28 hours (3.5 days) per week
Compensation: $46,000 per year ($31.60 per hour)
Three weeks vacation per year plus two weeks annual December closure
Extended health benefits provided
Place of work is remote from anywhere in Ontario
Start date April 2022

Applications due: March 18, 2022

The Media Arts Network of Ontario is seeking applications for the position of Executive Director to lead the organization. Founded in 2009 MANO has evolved into a unique arts-service organization providing mentorship, advocacy, and transformative leadership within the media arts and artist-run communities across Ontario. Working with approximately 70 member groups in all regions of Ontario MANO prioritizes outreach and responsive support for a broad range of organizational models, which informs its policy analysis and advocacy.

MANO is focused on developing responsive, innovative, and proactive initiatives that create meaningful opportunities for media artists and organizations. MANO is informed by the belief that community engagement with independent artistic practices improves quality of life by promoting cultural understanding and respect at all levels of society.

The position of Executive Director is part time with the possibility to expand hours as resources allow. As the leader of a small organization with limited resources the Executive Director will develop creative solutions to sector wide challenges and lead consensus building in the community.

Responsibilities include:

Leading policy analysis, advocacy, and lobbying efforts to advance the media arts and artist-run sectors in Ontario;
Providing mentorship and support to cultural workers and develop programs to support organizations, collectives, and artists across Ontario;
Grant management for core and project funding including, writing, tracking and reporting, managing budgets and cash flow, developing strategic projects to support community needs;
Leading financial management of MANO and all associated projects;
Managing staff and contractors in a collaborative environment;
Working with members and the broader community to address challenges faced by the sector;
Leading outreach and partnerships to expand the network and build the sector, including travel to constituencies across the province as needed;
Continuing to spark new discourse, dialogue and collaboration among the network of Ontario media arts professionals; seek new opportunities for funding, programming and outreach; create new models for arts service delivery.
The successful candidate will have some or all of the following qualifications, please outline your experience (as applicable) in the cover letter of your application:

Extensive knowledge and experience of media art practices including film, video, sound art, digital media, video games, or related art forms;
Minimum three years experience in a leadership position in the media arts or artist-run sector, including collectives, non-profits, and other organizing models;
Strong grant writing and project development experience, with knowledge and record of success accessing public sector arts granting programs;
Interest and experience in advocacy, policy development, and government relations;
Experience in outreach and community organizing, and ability to work with and represent a diverse constituency across all regions of Ontario;
Experience providing mentorship and training, experience designing mentorship and training programs an asset;
Strong understanding of anti-oppression and equity frameworks;
Strong facilitation experience, both online and in person;
Financial management experience in a non-profit or related context;
Ability to self-direct and set ongoing goals and objectives;
Capable of collaboratively managing a team of staff and contractors;
Experience with conflict resolution and mediation;
Strong communication skills;
Multilingualism is an asset, English is the primary language of MANO’s work;
The Media Arts Network of Ontario (MANO) is Ontario’s arts service organization dedicated to furthering the work of media arts centred organizations, collectives, and the independent artists they represent. MANO is focused on developing responsive, innovative, and proactive initiatives that create meaningful opportunities for media artists and organizations.

MANO is an equal opportunity employer that encourages applications from members of equity seeking communities.

To apply please submit a cover letter and curriculum vitae as a single pdf attachment to jobs [arobas] mano-ramo [point] ca by Friday, March 18, 2022.

We thank all applicants for their interest, only those selected for an interview will be contacted.

MANO and its work are made possible by the support of the Canada Council for the Arts, the Department of Canadian Heritage, and the Ontario Arts Council.

Lien

•••••

ArtsPond / Étang d’Arts is hiring 12 equity-seeking curators and working leads for Together There, a new creative thought residency and exchange on digital justice in the arts in Canada from Spring 2022 to Spring 2023. Deadline to apply is March 1, 2022. Positions will remain open until filled.

Please take a look at these job opportunities if you have lived experience from one of four priority communities, including: Indigenous, Racialized (Black, Brown, and other people of colour), Outside the core (suburban, rural, remote), and Disability (D/deaf, blind, neurodiverse, and other disabled).

The opportunities and main responsibilities include:

Digital Justice Creative Thought Residency Curators
(4 positions, $10,625 flat fee each)

Co-design of a digital-first creative residency for 10 to 15 equity-seeking creators and producers from any artistic discipline in Canada from March to December 2022
Participant recruitment and mentorship
Knowledge stewardship and evaluation

Digital Justice Symposium Curators
(4 positions, $10,625 flat fee each)

Thematic and programmatic design for a digital-first symposium in Spring 2023 with approximately three dozen international guest speakers, pre-planning begins in Spring 2022
Guest speaker selection and support
Delegate outreach and project evaluation

Digital Justice Working Leads
(4 positions, $22,500 maximum at living wage of $28 to $38 per hour).

Creative knowledge seeking and stewardship of wisdom and insights from the Creative Thought Residency and Symposium from late Winter 2022 to Spring 2023
Participant liaising and support
Public outreach and general administration

About ArtsPond

Join our team and play a role in advancing equity and justice in Canada. ArtsPond is a caregiver and changemaker of a different sort. Our mandate is to nurture healthy ecosystems that bolster social, spatial, economic, ecological, digital, and accessibility justice in human, virtual, and natural life. We do so by fostering cooperative actions fusing the wisdom and values of social innovation and the arts.

Seeking accommodations as a person with a disability? Schedule an exploratory information session one-on-one with ArtsPond’s Founder, President & CEO Jessa Agilo prior to or in lieu of sending a formal application.

•••••

ImagineNative, Artistic Director

Location: Toronto, ON
Application Deadline: Open until filled
Employment Type: Full time
Salary/Rate: $70,000 – $80,000 + benefits

The Artistic Director reports to the Executive Director and is responsible for conceiving, developing and implementing the artistic vision and focus for imagineNATIVE’s Festival, year-round programming, and special artistic initiatives. The Artistic Director is responsible for securing and planning film, video, audio, digital, and other programming in keeping with imagineNATIVE’s mandate, artistic policy, and selection processes. This position requires someone who is enthusiastic, artist-first-minded, and is a team leader who works well through inter-departmental collaboration. Our ideal candidate would have a personal and professional knowledge of Indigenous communities (artistic, cultural, social), with experience working in an arts Festival environment and is passionate about Indigenous-made media arts.

Link: https://imaginenative.org/employment

•••••

Public Programs and Residency Coordinator

Griffin Art Projects

www.griffinartprojects.ca

1174 Welch Street, North Vancouver, BC

PTE: 2 days per week, 9:00-5:00PM (One Year Contract)

More info: https://www.griffinartprojects.ca/careers

Hourly wage: $23.00/hr

How to apply:

Please apply with a cover letter and resume before February 7, 2022, by email to
info [arobas] griffinartprojects [point] ca with the subject line « Public Programs and Residency
Coordinator ».

Public Programs and Residency Coordinator

Griffin Art Projects is seeking an innovative and dynamic
thinker who can help to build
audiences and excitement through the development and delivery of public programs
and residency programs that capture the publics imagination and expand the
experience of art and art galleries.

Griffin is a non-profit art gallery and residency located in North Vancouver. GRIFFIN is
a non-collecting institution that has quickly become a vibrant contributor to the North
Vancouver cultural landscape.

Griffin is offering a one-year contract that will assist in the coordination of its residency
and public program. The successful applicant will assist in the design of programs that
offer unique opportunities for visitors of all ages and levels of interest to engage with
art and culture at GRIFFIN. This position will assist both with the development of adult
public programming and youth engagement in order to encourage new audiences to
participate and to generate new knowledge and innovative thinking on contemporary
art and culture with the ambition of creating
dynamic learning opportunities for a wide
range of visitors whose familiarity with contemporary art may differ.

This role will engage with best practices in pedagogy and for the impact of learning and
public engagement and offer a unique opportunity to create a meaningful program that
integrates deeper learning and participation, involving high schools, higher education
institutions, the local, national and international arts community, and the general public,
and liaising with artists, thinkers, and innovators from various disciplines to support
GRIFFIN in producing innovative and impactful learning and public engagement.

Reporting to the Director, the Public Programs and Residency Coordinator will produce
a schedule of public programs, events and community outreach activities that animate,
complement, and enhance our exhibitions and residency program, and GRIFFINs
exploration of art collecting and collections practices and methodologies. During the
current moment, most public
programs are delivered digitally via Zoom.

Duties include: assisting with the conceptual development, administration and
implementation of adult and youth focused public programs including: artists talks and
tours, lectures, workshops, film series, symposia and performances. The Public
Programs and Residency Coordinator will also manage and prepare grants, assist with
the development and coordination of special community-based partnership and
education initiatives and related special projects.

It is a one year, part-time two day per week position, with scheduled work from Friday
to Saturday, 9:00 am to 5:00 pm. This position includes some evening hours, as
required to fulfill responsibilities and be on hand for gallery programs.