3. appels internationaux

Le Prix pour la photographie

Appel à projet 

Musée du quai Branly-Jacques Chirac

17 mars 2022

//

Le Musée du quai Branly – Jacques Chirac à Paris lance un appel à candidatures pour les photographes.

En 2022, le programme des Résidences photographiques fait peau neuve et devient le Prix pour la Photographie du musée du quai Branly – Jacques Chirac ! Avec une dotation par projet lauréat portée à 30 000 € pour une sélection annuelle de 3 projets, après un large appel à candidature et un jury international, le musée réaffirme son soutien en faveur de la création photographique contemporaine extra-européenne.

Le Prix pour la Photographie du musée du quai Branly – Jacques Chirac est exclusivement ouvert aux artistes photographes originaires de l’un des quatre continents représentés dans
les collections du musée du quai Branly : Afrique, Asie, Amériques, Océanie (hors Europe). Les citoyens Européens détenteurs d’une double nationalité extra-européenne sont éligibles
au programme.

Pour en savoir plus

•••••

OPEN CALL: Flow • embody in site, 2022
Deadline date: March 8, 2022; Location: Chicago, USA; Source: Carron Little
 
Flow • embody in site, 2022
Online Public Performance Symposium in June 2022
 
Out of Site Chicago is inviting proposals from local, national, and international performance artists to present their work at Flow • embody in site, 2022. We invite people to submit concepts for performance lectures and/or artist presentations. Priority will be given to artists who have a public performance art practice but we are open to all thoughts and ideas.
 
We will select between eight and eleven artist/ artist collaborator presentations. Each session will last 90mins and each presenter will be allocated a facilitator that will support a dialogue with symposium participants. This will be part of a symposium with practice-based workshops, presentations by artists from around the world, a finale weekend of live public performance from around the world and a curated program.
 
To see the archive of Flow 2021 please visit: https://www.flowsymposium.org/
 
Submission Requirements:
–A short bio (300 words)
–A 500-word abstract describing the concept of the performance lecture/ artist presentation (printed on website and in post-symposium catalog)
–Two high res images of relevant work with photo credits
–Artist website address
–CV or resume
 
Deadline for Submissions: March 8, 2002 (midnight CST)
NO LATE ENTRIES WILL BE ACCEPTED
 
Ways to submit:
1. Use the submission form: https://forms.gle/dvr5gJwppUZxP8X17
2. Email all the info in one (1) pdf to outofsitechicago [arobas] gmail [point] com (subject line ‘Flow2022’)
 
ABOUT OUT OF SITE CHICAGO
Out of Site Chicago (OoS) has been curating unexpected encounters in public space since 2011. OoS has developed a methodology of working in urban space that supports diverse ideas and representations of artistic work. We have a trained steward team that supports the artist’s work and facilitates public engagement with the performance. In 2020, Out of Site partnered with Experimental Sound Studio to create live stream performances to support our performance community. In 2021, OoS organized Flow • embody in site, 2021 to foster international conversations about public performance practice.

•••••

Appel à participation 2022 : 35 Festival Les Instants Vidéo
Published on 15 décembre 2021 by Instants Vidéo

Manifestation dédiée à l’art vidéo et la poésie électronique, sous toutes ses formes (projections, installations, performances…)

Octobre / Novembre 2022
Marseille (et ailleurs)
Date limite : 15 mai 2022
 

De tout, il resta trois choses :
La certitude que tout était en train de commencer, la certitude qu’il fallait continuer,
la certitude que cela serait interrompu avant que d’être terminé.
Faire de l’interruption, un nouveau chemin,
faire de la chute, un pas de danse,
faire de la peur, un escalier,
du rêve, un pont,
de la recherche, une rencontre. Fernanda Sabino

Le Festival Les Instants Vidéo est une manifestation dédiée à l’art vidéo et la poésie électronique, sous toutes ses formes (projections, installations, performances…). Il se tient à Marseille et dans la Région, ainsi qu’à l’international.

De nos questionnements pour 2022, surgissent ces trois points. Et nous voulions les partager avec vous

Les iconoclastes voulaient détruire les images pour en détruire leur signification. Pour des raisons morales, religieuses ou politiques, on détruit les images par peur que le sens qui s’y cache ne déclenche la fronde, la remise en question, le doute. Aujourd’hui, sous l’apparence du contraire, nous faisons la même chose mais au lieu de détruire les images même, nous les accablons de significations !
Nous vivons dans un monde de créateur.rice.s, d’influenceur.rice.s et de commentateur.rice.s. Le discours, le buzz, prend le pas sur l’oeuvre : ce qu’on en dit a tendance à avoir plus d’importance que l’œuvre elle même. La légende devient plus importante que l’image même.
La distinction entre les formes d’art propres aux classes populaires et d’autres formes d’art propres aux élites cultivées reste assez générale dans nos sociétés stratifiées. 
  Pour s’inscrire, c’est ici: https://filmfreeway.com/instantsvideo
Courant septembre, chacun.e des artistes sera informé.e de la sélection du festival.
Sachez que nous regarderons votre travail avec attention, étant conscient.e.s que la poésie électronique est fragile et délicate : un frémissement.
Nous attendons vos œuvres avec impatience

L’équipe des Instants Vidéo

Manifestation internationale soutenue par le Ministère de la Culture (DRAC, PACA), le Conseil Régional (PACA), le Conseil Général des Bouches-du-Rhône, La Ville de Marseille.

Lien
 

4. résidences

5. art public

6. pour commissaires

Six Faculty Opportunities
NSCAD University, Halifax

Deadline: February 18, 2022 (or open until filled)

NSCAD University is pleased to announce a cohort hiring initiative of six faculty members who identify as Black, Indigenous or racialized. The new faculty will join NSCAD in the following areas: Art Education, Contemporary Ceramics, Contemporary Sculptural Practice, Expanded Media, Indigenous Art Histories & Photography and Lens-Based Practices.

Read more

•••••

Public Programs and Residency Coordinator

Griffin Art Projects

www.griffinartprojects.ca

1174 Welch Street, North Vancouver, BC

PTE: 2 days per week, 9:00-5:00PM (One Year Contract)

More info: https://www.griffinartprojects.ca/careers

Hourly wage: $23.00/hr

How to apply:

Please apply with a cover letter and resume before February 7, 2022, by email to
info [arobas] griffinartprojects [point] ca with the subject line « Public Programs and Residency
Coordinator ».

Public Programs and Residency Coordinator

Griffin Art Projects is seeking an innovative and dynamic
thinker who can help to build
audiences and excitement through the development and delivery of public programs
and residency programs that capture the publics imagination and expand the
experience of art and art galleries.

Griffin is a non-profit art gallery and residency located in North Vancouver. GRIFFIN is
a non-collecting institution that has quickly become a vibrant contributor to the North
Vancouver cultural landscape.

Griffin is offering a one-year contract that will assist in the coordination of its residency
and public program. The successful applicant will assist in the design of programs that
offer unique opportunities for visitors of all ages and levels of interest to engage with
art and culture at GRIFFIN. This position will assist both with the development of adult
public programming and youth engagement in order to encourage new audiences to
participate and to generate new knowledge and innovative thinking on contemporary
art and culture with the ambition of creating
dynamic learning opportunities for a wide
range of visitors whose familiarity with contemporary art may differ.

This role will engage with best practices in pedagogy and for the impact of learning and
public engagement and offer a unique opportunity to create a meaningful program that
integrates deeper learning and participation, involving high schools, higher education
institutions, the local, national and international arts community, and the general public,
and liaising with artists, thinkers, and innovators from various disciplines to support
GRIFFIN in producing innovative and impactful learning and public engagement.

Reporting to the Director, the Public Programs and Residency Coordinator will produce
a schedule of public programs, events and community outreach activities that animate,
complement, and enhance our exhibitions and residency program, and GRIFFINs
exploration of art collecting and collections practices and methodologies. During the
current moment, most public
programs are delivered digitally via Zoom.

Duties include: assisting with the conceptual development, administration and
implementation of adult and youth focused public programs including: artists talks and
tours, lectures, workshops, film series, symposia and performances. The Public
Programs and Residency Coordinator will also manage and prepare grants, assist with
the development and coordination of special community-based partnership and
education initiatives and related special projects.

It is a one year, part-time two day per week position, with scheduled work from Friday
to Saturday, 9:00 am to 5:00 pm. This position includes some evening hours, as
required to fulfill responsibilities and be on hand for gallery programs.

•••••

Assistant Preparator
The Kamloops Art Gallery is seeking an Assistant Preparator to assist with the creation of exhibitions that realize the artists’ visions. The Assistant Preparator works closely with the Kamloops Art Gallery Curator, Preparator, and exhibiting artists to plan and implement exhibitions in the Gallery. The ideal candidate has completed a Degree or Diploma in Fine Arts or Visual Arts. They must be a collaborative and enthusiastic individual, with a willingness to learn, a passion for art, experience with photography and audio-visual equipment, and excellent communication skills. Knowledge of contemporary art practices is an asset. Responsibilities include assisting with all aspects of exhibition planning, construction, installation and de-installation; assisting with the maintenance and organization of the packing and collection area and of the off-site public art collection; and taking the lead on audio visual-related installation tasks.

About the Kamloops Art Gallery

The Kamloops Art Gallery, with its focus on contemporary art, offers inspiring, provocative, and transformative art experiences of national calibre. Located in Secwepemcúlecw, it is the largest art gallery in the Interior of British Columbia and boasts a collection of over 3,000 works of art. With more than 12 exhibitions every year, the Gallery offers diverse, accessible, and affordable experiences, including talks, tours, and studio-based programming for people of all ages and abilities.

The Gallery is located right downtown, where you’ll find unlimited cultural, educational, and sports pursuits available on your doorstep. With more than 2,000 hours of sunshine annually and a unique mix of stunning landscapes, the region offers plentiful opportunities for outdoor recreation and is known for the quality of its hiking, mountain biking, skiing, and fishing.

The Kamloops Art Gallery is an equal opportunity employer and thanks all applicants for their interest in the Gallery. Women, people of colour, Indigenous persons, persons with disabilities and people in the LGBTQIA2S+ community, and people from other historically excluded communities are strongly encouraged to apply.

Please click here to link to the detailed job description or see below.

Salary: $20 to $24 an hour, depending on experience. The Gallery offers a competitive compensation package including health benefits and RSP top-up and flexible working arrangements and hours.

Employee status: Permanent, full-time employment: 35 hours per week

Application deadline: Monday, February 21, 2022

Please include a cover letter with your resume addressed to:
Catrina Crowe
Operations Manager
ccrowe [arobas] kag [point] bc [point] ca
Kamloops Art Gallery
101 – 465 Victoria Street
Kamloops, BC V2C 2A9

JOB DESCRIPTION
Assistant Preparator

Job Purpose
The Assistant Preparator assists the Preparator with the planning for and installation of exhibitions to realize the artists’ visions.

Primary Duties and Responsibilities

Develops deep knowledge of the Gallery’s exhibitions and artists through research, engagement in Program Team meetings, and collaborative planning with Program Team members.
Participates in pre-exhibition planning and construction.
Conducts research on the equipment and technical requirements for exhibitions, including staying up-to-date on current innovations, skills and knowledge in the contemporary art museum field as it relates to new media and exhibition installation
Prepares video files and equipment requirements for exhibitions.
Provides assistance with all aspects of exhibition de-installation and installation, including painting, construction, installing audio visual equipment, artwork, technical set-up and other duties as needed.
Takes and edits photos of the collection and exhibitions.
Maintains inventory of all a/v equipment (audio, projectors, media players, etc.)
Performs maintenance on all a/v equipment (firmware updates, projector lamp replacements, etc.)
Assists with the maintenance and organization of the packing and collection area.
Assists in the maintenance of the public art collection off-site.
Relationships
The Assistant Preparator is responsible for assisting with the realization of the artist’s vision by working closely with the Kamloops Art Gallery Curator and exhibiting artists to plan and implement exhibitions in the Gallery. The Assistant Preparator works professionally with artists, suppliers, contractors and other organizations.

The Assistant Preparator works closely with all KAG employees, but requires extensive collaboration with the Preparator, Curator, Assistant Curator, Registrar, Education and Public Programs Director and the Gallery Attendants.

The Assistant Preparator reports directly to the Head Preparator.

Requirements

Experience working in a contemporary art gallery.
Knowledge of contemporary art practices, particularly new media.
Must be detail oriented with a strong desire to ensure any finished product meets safety standards with particular attention to aesthetic details and artistic requirements.
Excellent communication skills with an ability to take direction as well as delegate tasks to contractors and employees.
Experience in an office environment, excellent administrative and communication skills.
Ability to be flexible and manage competing priorities with tight timelines.
Knowledge of the standard tools, practices and methods used in painting, rough and finish carpentry, cabinet work and the use of different materials used in construction.
Ability to perform carpentry and electrical tasks.
Experience with photography and videography of objects, spaces and people considered an asset.
Must be physically capable of climbing ladders and scaffolding, lifting up to 50lbs, standing for long periods of time and handling delicate objects.
Proficient with MS Office programs, Photoshop, Final Cut Pro or similar video editing software, Adobe Illustrator, BrightAuthor (media player software).
Completion of a Degree or Diploma in Fine Arts, Visual Arts or other related field of study considered an asset.
First Aid certification is an asset.
To protect the health and well-being of our employees, the Kamloops Art Gallery requires all employees be fully vaccinated as a condition of hire in accordance with the Gallery’s COVID-19 vaccination policy, which will be made available to those short listed for the position.
Competencies

Communication
Teamwork
Integrity
Results Oriented
Decisions Making & Judgement
Inclusivity
Efficiency

•••••

Collective City Arts  » Research and Development Coordinator
About Collective City Arts

Collective City traces the history of artist generated galleries and collectives that
operated as alternative exhibition venues in
Toronto from the late 1980s to the
present day. This project shows, over the course of several short videos and
transcripts, how a movement that started as a group of renegade artist collectives
exhibiting their work in temporary spaces eventually evolved into the sustainable
artist collective galleries we are familiar with today.

To find out more about Collective City please visit our website.

Position Overview

Job Title: Research & Development Coordinator
Role Type: Part Time Contract  » 20 hours per month  » flexible work schedule
Location: Work from own environment
Pay: $26.00 per hr.
Application Deadline: February 19, 2022

Roles and responsibilities:

Research contemporary visual art collectives working in and around Toronto. This
role would require investigation through peer contacts and word of mouth leads that
come from the arts community, the internet, and existing referrals that Collective City
leadership would help provide.
Build Collective Citys email database of artist
collectives for outreach and possible
future film projects.
Research and create database of art schools and institutions (examples: AGO,
MOCA, Power Plant, National Gallery of Canada plus university and college art
programs in and around Toronto). Identifying the correct contacts in these institutions
for donation of Collective City films and setting up speaking engagements.
Bi-monthly reports will be expected on research progress  » both on building artist
collective databases as well as film donations and speaking engagements.
Desired qualifications:

This candidate must have knowledge of the visual arts community in and around
Toronto.
Research and writing experience

To Apply:

To apply, please send a cover letter and resume to collectivecitytoronto [arobas] gmail [point] com
with the subject line Research & Development Coordinator by February 19, 2022.
Please indicate where you saw this posting. Only selected applicants will be
contacted for an interview.
http://https://www.collectivecity.ca/

•••••

Coordination de la programmation artistique et culturelle

Relevant de la Direction de la programmation artistique et culturelle, la Coordination culturelle et artistique appuie la direction avec la conceptualisation et le développement de la programmation annuelle et accomplit diverses tâches de coordination et de logistique reliées à cette programmation.
Veuillez faire parvenir votre demande (curriculum vitae, références et lettre d’accompagnement), avant le vendredi 4 février à :
Liliane Lavack, Directrice de la programmation artistique et culturelle

Courriel : llavack [arobas] ccfm [point] mb [point] ca

Objet : Poste Coordination de la programmation

•••••

OFFRE D’EMPLOI
DIRECTION GÉNÉRALE DE LA PLACE
DES ARTS DU GRAND SUDBURY
Poste initial de 5 ans

La Place des Arts du Grand Sudbury (PdA) est à la recherche d’un-e
gestionnaire chevronné-e et intègre prêt-e à prendre la barre dès maintenant
d’un lieu de diffusion qui ouvrira officiellement ses portes au printemps 2022.
La personne choisie aura l’occasion de se joindre à une équipe compétente et
fonctionnelle composée d’un conseil d’administration, d’un bureau de direction,
d’une direction administrative et finance, d’une direction technique et production et
d’entreprises sociales (bistro, billetterie et librairie-boutique).
La Place des Arts est un organisme sans but lucratif qui a pour vision de «
rendre possibles et accessibles des expériences culturelles et artistiques de
qualité qui marquent de façon durable la vie des citoyens et contribuent au
développement et au mieux-êtrede la communauté francophone et de la
communauté du Grand Sudbury. »

Elle a pour valeurs l’audace (être courageux ; aller au-delà de ce qui est
convenu ; proposer des solutions créatives, innover), la collaboration
(travailler ensemble ; s’associer pour atteindre des objectifs communs),
l’ouverture (être à l’écoute, inclusif ; accepter et respecter les différences ;
favoriser les rapprochements), la performance (chercher à toujours obtenir
les meilleurs résultats et à utiliser les ressources de façon optimale ; être
professionnel en tout temps et en toutes circonstances) et le respect de
l’environnement (être résolument engagé envers le développement durable,
tant pour la construction du centre que pour son exploitation).
Voici votre chance de vous joindre à une communauté et à un milieu artistique
dynamiques, tout en mettant vos énergies, votre savoir et vos habiletés au
service d’un projet en développement depuis des décennies.

Les personnes intéressées au poste devront posséder les qualités suivantes :
\ Capacité de travailler avec un conseil d’administration (CA), ses comités
et les membres fondateurs de la PdA, de répondre à leurs attentes et
de leur proposer des orientations stratégiques.
\ Capacité de recruter, de diriger et de motiver des cadres en instaurant un
climat propice à la collégialité.
\ Capacité à gérer un organisme de location et diffusion
\ Expérience à gérer un budget opérationnel d’environ 1,5 $ millions.
\ Avoir poursuivi des études postsecondaires en gestion des arts ou dans
un domaine comparable ou posséder des expériences professionnelles
équivalentes (minimum de 5 à 10 ans d’expériences pratiques en gestion
d’organismes culturels ou d’un lieu de diffusion voué aux arts et à la
culture).

\ Posséder des expériences antérieures pertinentes.
\ Familiarité avec le fonctionnement ou la gouvernance d’un organisme
sans but lucratif, de même qu’avec le domaine des arts et de la culture
dans un contexte linguistique minoritaire au Canada.
\ Démonstration d’habiletés supérieures en communications de langue
française (notamment en rédaction) et d’aptitudes à communiquer en
anglais.
\ Démonstration d’un sens des affaires et de leadership, d’une capacité de
rassembler les gens pour l’atteinte d’objectifs communs et d’établir un
climat de confiance avec ses interlocuteurs.
\ Être familière ou familier avec les bailleurs de fonds gouvernementaux
actifs dans le secteur des arts et de la culture en Ontario et au Canada.
\ Faire preuve d’autonomie, de rigueur, de diplomatie et d’engagement
envers la Place des Arts et les communautés qu’elle dessert.
\ Capacité d’écoute afin de proposer des solutions aux défis qui
surviendront.

TÂCHES DE LA DIRECTION GÉNÉRALE DE LA PdA
\ Est redevable au conseil d’administration de la PdA.
\ Travaille avec le conseil d’administration et les cadres à la définition
des orientations stratégiques de la PdA. Cette tâche peut comprendre
le développement et la mise en œuvre de planifications stratégiques qui
porteront, entre autres, sur le positionnement de la PdA sur son
territoire et la gestion d’un lieu de diffusion.
\ Travaille étroitement avec les membres fondateurs et les comités de la PdA.
\ Gère des communications efficaces entre le CA, les employés, les comités
et les bénévoles de la PdA.
\ Est responsable de la saine gestion administrative et financière de la PdA,
tâche qui comprend :
\ La définition des objectifs financiers de l’organisme
\ L’établissement ou la révision de budgets de fonctionnement annuels
\ Être à l’affut des programmes gouvernementaux qui pourraient être
utiles à la PdA
\ La préparation de demandes de subventions ou de financement
publiques et privées
\ La préparation des rapports qui leur sont rattachés
\ La planification et l’exécution d’initiatives d’autofinancement.

Ces tâches seront réalisées en collaboration avec la direction administrative
et les cadres de la PdA.
\ Prépare un plan de dotation et de gestion du personnel de la PdA qu’elle
sera appelée à superviser.
\ Démontre une expertise en développement et en gestion de projets qui
s’harmonisent avec la raison d’être et la vision de la PdA.
\ Supervise la préparation d’un plan d’entretien des immobilisations, des
installations et des équipements de la PdA.
\ Agit comme porte-parole de la PdA. Est appelée à maintenir des
relations avec les élus à tous les paliers gouvernementaux, notamment
la municipalité du Grand Sudbury, de même que les fonctionnaires, la
communauté artistique, les médias, les donateurs, les commanditaires,
les institutions d’enseignement, les bénévoles et le public de la PdA.
\ Développe des partenariats profitables à la PdA et des ententes avec
d’autres lieux de diffusion.

RÉMUNÉRATION ANNUELLE
À discuter, selon les compétences.
Toute personne qualifiée et intéressée doit acheminer les documents suivants
à la Place des Arts du Grand Sudbury :
\ Une lettre de présentation qui atteste de ses compétences et de ses
expériences antérieures pertinentes à la fonction (maximum de 3 pages).
\ Un curriculum vitæ.
Ces documents doivent être soumis en français au président du conseil
d’administration de la Place des Arts, Alain Richard, à l’adresse suivante:
Alain_Richard [arobas] bestech [point] com avant 17 h. le 11 février 2022. Pour tout
renseignement, contactez M. Richard au 249 878-0705, ou par courriel à
l’adresse mentionnée précédemment

•••••

L’Université de Moncton lance le concours suivant :

PROFESSEURE OU PROFESSEUR EN SCULPTURE (poste régulier pouvant mener à la permanence d’emploi)

La personne retenue aura une pratique professionnelle reconnue ainsi qu’une solide connaissance pratique des techniques et procédés traditionnels de la sculpture telle qu’avec le métal, le bois, la pierre et la céramique. Elle démontre également une compréhension approfondie des enjeux théoriques et critiques de son domaine et des formes contemporaines d’arts visuels de la sculpture. Elle sera enfin appelée à intervenir dans l’enseignement des disciplines de base en regard de la spécificité de sa pratique, tout en faisant montre d’une capacité à générer des liens avec les autres disciplines enseignées au Département des arts visuels. 

Fermeture du concours
Le 3 mars 2022

La description se trouve au lien suivant :

https://www.umoncton.ca/emploi/index.php?case=21&ID=19038&Type=2

•••••

Seeking director
Kunstfort bij Vijfhuizen

Application deadline: February 6, 2022

Kunstfort bij Vijfhuizen
Fortwachter 1
2141 EE Vijfhuizen (Haarlemmermeer)
The Netherlands


www.kunstfort.nl

Would you like to work at the intersection of visual arts, heritage, and nature? Does nurturing lasting international, multidisciplinary, and local collaborations excite you? Are you well-versed in the latest developments in contemporary art, and do you have a broad and individualized network in that sense? And are you capable of being a mentoring leader for a close-knit and diverse team? We are looking for someone like you!

Kunstfort bij Vijfhuizen, Island for Art and Heritage in the Netherlands is a unique art and heritage institution 20 kilometers from Amsterdam. In recent years, the Kunstfort has experienced a new blossoming period. Its artistic prominence has been honed and exhibitions and policy are of an international scope. In addition, the attention given to heritage, design, and architecture is more closely integrated with the visual arts programming. Likewise, embedding itself locally has become a key part of the Kunstfort’s activities. Its team has expanded and responsibilities within the organization have become more specialized. A Curator of Learning was recently appointed to further connect the program, heritage, education, and internal engagement as well as outreach.

Kunstfort is seeking an imaginative and amenable:

Director (24 hours)
The director carries the Kunstfort by formulating artistic and business policy, setting creative strategies in the areas of team management, programming, education, and communication, and acting as both its public face and the head of the entire fort island. The director acknowledges that the Kunstfort is an atypical place which thrives on original ideas and is a pleasant leader who allows colleagues to cultivate their personal qualities. The director takes the island’s ecology as a practical and thematic guideline, has a sense for different stakeholders and occupants, and is enthusiastic about the programmatic and organizational connection with both the art world and the field of heritage, in particular regarding the forts, polder, and water defenses. In line with the artistic vision, the director must demonstrate the skill of being a capable business manager and ensuring financial administration processes. The director formulates the program, writes the policy, leads the team, maintains internal and external (grant) relations, and handles funding applications. The director is interested in and has sufficient knowledge of working with national and local governments and will deepen their affinity with the politics, history, and (cultural) infrastructure of Haarlemmermeer and Haarlem.

The position can be filled by a director, curator, or other intermediary, but the committee is also open to applications from artists, creatives, and makers with relevant management experience. Although the current director held an individual appointment, applications from collectives with a structured internal organization are also welcome.

Profile
–You carry a sense of responsibility, are understanding, energetic, and conscientious.
–You have a suitable educational background and/or relevant work experience.
–You have leadership experience and are able to inspire colleagues.
–You are skilled in supporting and guiding artists in their process, and familiar with varied artist practices.
–You are committed to the societal dialogue on diversity and inclusion, and have clear views on decolonization and accessibility in the arts sector.
–You wish to actively participate in the networks of which the Kunstfort is a part (art, region, forts, sustainability).
–You have a basic command of written and spoken Dutch, and your English is good.
–You are willing to commit for a longer period of time.

Candidates with the following skills/characteristics are preferred:
–Well-acquainted with the arts and culture sector both internationally and in the Netherlands, including the funding landscape.
–Experience in working with volunteers.

What do we offer?
–A combined directorship and curatorship at an important arts platform in a large outdoor location within the Randstad which has growing (inter)national visibility and long-term subsidy agreements.
–A leadership position with plenty of room to flourish in an extraordinary environment with a flexible yet close-knit team.
–On an already existent basis, steering the further development of the Kunstfort and its collaborations and public reach.
–A salary of 2400 EUR gross is offered for a 24-hour workweek, in accordance with the Guideline for job and wage structure for presentation institutions for visual arts (April 2019, De Zaak Nu).

Accessibility: the fort and the ground floor of the Genieloods are wheelchair accessible, but the office and the island peninsula – which form an important part of the heritage – are less accessible for now.

Organization
Kunstfort bij Vijfhuizen includes the fort island and surrounding area of approximately seven hectares, which encompasses various partners: a restaurant, local residents, volunteers, tour guides, studio tenants, artists-in-residence, bee meadows, and (military) landscaping. The office consists of 10 employees, freelancers, interns, and the entire organization involves around 30 volunteers. The working structure is horizontally oriented. The staff makes efficient use of fluid working methods, collaboration, and digital resources.

The Kunstfort is actively involved in achieving a healthy sector and subscribes to the Fair Practice Code, the Cultural Governance Code, and the Diversity & Inclusion Code.

In the interest of a smooth transition, current director Zippora Elders will remain involved with the Kunstfort until Spring 2022. The main programming has been covered until the summertime and a general multi-year plan is in place. This includes budgeting proposals as well as organizational management and human resources, plus a new HR handbook with guidelines covering diversity and accessibility.

A longer version of the vacancy with specified information on the job description and procedure can be found here. We are aiming to begin the new directorship by May 1, 2022 at the latest.

Interested?
Please send a letter with your motivation (max. 2 pages) and CV no later than February 6, 2022, to sollicitatie [arobas] kunstfort [point] nl, citing « Application for Director. » Any questions may be addressed to irene [arobas] kunstfort [point] nl. Do you only partly see yourself in this job posting, or have doubts as to whether the position is right for you? Please contact us and we will gladly explain and assist you in your consideration.