La Liste: 16 décembre 2016

2. appels en anglais du Canada

CALL FOR SUBMISSIONS
Eyelevel is now accepting submissions on a rolling deadline, to be reviewed on an ongoing basis throughout the year. Eyelevel is testing a seasonal programming model, in which projects will take place from June to November annually. Those who wish to be considered for the 2017 Program must submit by 15 January 2017.

Eyelevel Gallery invites local, national, and international artists to submit their projects for review for the 2017 season. Eyelevel Gallery programs in an itinerant model, and are looking for projects that are outside the scope of the traditional gallery space—proposals that are off-site, site-less, and site-specific in nature are encouraged. We welcome proposals for diverse artistic/curatorial projects, exhibitions, interventions, research-based practices, residencies, lectures, performances, publications, and workshops.

Committing to our history as an alternative centre, we support subversive, critical, playful, and disruptive projects that question accepted modes of presentation. We invite you to re-imagine your role as an artist within a specific community and context. Eyelevel prioritizes the development of artistic practice, as well as its presentation, therefore our selections process will give equal weight to proposals that lean on the integrity of the work, research, and process, as to those that propose exhibition of finished work.

Eyelevel Gallery is committed to paying CARFAC fees for artists. As a small artist-run centre with limited resources, we also aim to support the artist in execution of their project through material, travel and accommodation, childcare, shipping, and technical support, wherever possible. When needed, Eyelevel Gallery will work with selected artists to find appropriate spaces for their projects. Due to the nature of our programming model, proposals that are clear about their needs and flexible with their physical requirements are best suited.

SUBMISSION REQUIREMENTS:

A Letter of Intent which describes: The physical, aesthetic, and conceptual scope of your project
How your project is compatible with Eyelevel’s current programming approach
Your capacity to fulfill such a project, and any specific needs from Eyelevel in its execution, including physical or technical requirements
Please be sure to address how, where, who, and why (see prompts below)
Artist’s Statement
Curriculum Vitae and short bio
10 – 15 samples of recent work Images – JPEG file only, 72dpi, 1024 x 768 px
For video and audio files, please submit a URL to an online link – 5 minutes maximum
Detailed image list for support material
Submission must be sent as one zipped folder, by email, with subject line: CORE PROGRAM to director [arobas] eyelevelgallery [point] ca

Consider…
HOW is your project compatible with Eyelevel’s nomadic programming approach?
How do you see your work being supported by the alternative space it may be presented in?
How does your project impact the place in which it is presented?
Conversely, how might its location inform and impact your work?
How adaptable is your project?

WHERE will your project take place?
Where does it take place, what borders does it cross, whose territory does it occupy?
Does it rely on research—formal or experiential—conducted on site?
Does it require public or private space?

WHO is the intended audience for your project?
Who is included or excluded in your project? Will your project include populations not usually reached by artist run centres?
As an artist, are you a host or guest?
How does your project reach your audience—in person, online, in text, by oral transmission?

WHY are you working in this way?
Does your work disrupt, question, or reimagine the perceived neutrality of the traditional white cube?
Does your project create « space » in other non-physical terms—space for discussion, space for emotions to be experiences, space for voices to be heard, or perspectives to be seen?
Which boundaries does your project cross, breakdown, transgress or reaffirm?
Which structures does your project build, rely on, perpetuate, need?

About Eyelevel Gallery
Eyelevel Gallery is a not-for-profit charitable organization dedicated to the presentation, development and promotion of contemporary art. Through a range of programming initiatives such as exhibitions, performances, special projects, and workshops, Eyelevel Gallery has provided a forum for the discussion and education of contemporary visual art for 40 years. In 2013, Eyelevel Gallery made the move to an exhibition model that prioritizes offsite programs. Maintaining an office in the North End, including a Bookstore, Eyelevel now presents exhibitions and projects in alternative spaces, on a seasonal programming model.

Our mailing address is:

Eyelevel Gallery
Suite 101 – 5663 Cornwallis Street
Halifax, NS B3K 1B6 Canada

http://www.eyelevelgallery.ca/

•••••

Call for Submissions: Decoy Magazine
(Next Deadline: Words: February 15, 2017)

Decoy Magazine invites artists of all disciplines to submit proposals for temporary,
public, and event-based artworks to take place in Vancouver over the next year.
The selected works will be presented as a thematic series called Happenstance.

Email submissions to: projects [arobas] decoymagazine [point] ca
Themes & Deadlines: Shelters (Deadline: November 15, 2016), Words (Deadline:
February 15, 2017), Senses (Deadline: April 15, 2017).

For the full call for submissions and for more information see:
decoymagazine.ca/happenstance-call-for-submissions
http://decoymagazine.ca/happenstance-call-for-submissions

•••••

Nuit Blanche Toronto – Call For SubmissionsCalling all Toronto-based and Canadian-based artists!

Nuit Blanche Toronto is now accepting submissions to the Open Call
Project program for the event’s 12th edition, happening on September 30, 2017 from sunset to sunrise.

Open Call Projects

The Open Call Projects program is an opportunity for artists to be
guided and mentored by a Nuit Blanche Toronto curator and have a project produced and funded by the City of Toronto.

The impressive calibre and diversity of Open Call Projects featured at
the event over the years includes artists such as: Ame Henderson,
Brandy Leary/Anandam Dancetheatre, Eleanor King, Faith La Rocque,
Kelly Mark, Labspace Studio, Rhonda Weppler & Trevor Mahovsky,
VSVSVS and Workparty.

To mark Canada’s 150th anniversary of confederation, Nuit Blanche
Toronto has created an overarching theme for the entire 2017 event
focusing on this major milestone in Canada’s history as a nation,
entitled Nuit Blanche 2017: Many Possible Futures. All participating
Nuit Blanche Toronto 2017 curators have been encouraged to look
forward to the many possible futures of Canada in their curatorial
visions, working with artists to address notions of Identity and
Nationhood. Possible perspectives include Migration, Displacement,
Colonialism, Power and Privilege, Settlement, the Natural Landscape,
Distance, Exploration, Adaptation, and Reconciliation.

This year the Open Call Projects will give up to four artists the
opportunity to be part of two City-produced exhibitions.

The two exhibitions accepting Open Call submissions for 2017 are:

Taking to the Streets – For a Possible Future
Curator: Barbara Fischer

Streets are complex sites where pedestrian life meets car culture,
where public and private intermingle, and where commerce and
consumption, ostentation and privation are in daily exchange, if not
confrontation. Taking to the Streets – For a Possible Future looks at the
ways in which the ‘street’ as a medium has served the manifestation of
social action and interrogation by artists, from graffiti to protest,
conceptual interventions to public disruptions.

Barbara Fischer is the executive director/chief curator of the Justina M.
Barnicke Gallery at Hart House and interim director of the University of
Toronto Art Centre. She is also senior lecturer of Curatorial Studies in
the Department of Art at the University of Toronto. She has curated
numerous major exhibitions of contemporary art and its histories in
galleries and museums across Canada and internationally. She was
awarded the 2008 Hnatyshyn Award for Curatorial Excellence and was
the commissioner of the Canadian Pavilion for the 53rd Venice
Biennale in 2009.

Dream Time: We All Have Stories
Curator: Karen Alexander

Dream Time: We All Have Stories focuses on the challenges and
consequences of individuals and communities sharing urban spaces
and places, together. Exploring themes of migration, memory, hybridity
and transformation, the exhibition looks forward not toward a future
which throws everything together into a magical multicultural melting
pot, but rather one that sharply focuses on progressive ideas of
nationality and inclusion through a series of interventions,
investigations and explorations.

Karen Alexander is an independent film and moving image curator,
advisor and researcher and has worked with and for the Royal College
of Art, and the British Film Institute. She has acted as a consultant and
programmer for a wide range of festivals institutions and galleries,
including Film London, the Watershed Bristol, Tate, Birkbeck, Iniva, the
Serpentine Gallery, The British Library and the ICA London. Her areas
of expertise are UK artists’ film and video, feminist and post-colonial
politics of representation, gender and sexuality. Karen was appointed
Associate Fellow at Warwick University in the Film and Television
Studies department in 2015 and has been a trustee of the London-
based arts commissioning body Artangel since 2004.

Each curator will select one or two Open Call Projects for their
exhibition in consultation with the City of Toronto. Funding and
production support is provided by the City of Toronto.

The Open Call submission deadline by email is 11:59 p.m. on Monday,
December 19, 2016.

Applications are now being accepted. Further details, guidelines and
the Open Call application form can be found at
http://www.toronto.ca/nuitblanche.

Contact for Open Call Project Submissions: ocs [arobas] toronto [point] ca.

Independent Projects

Each year Nuit Blanche Toronto features self-funded installations under
the Independent Projects program. These are created by galleries,
schools, neighbourhoods, community organizations and individual
artists.

The Independent Projects submission deadline by email is 11:59 p.m.
on Monday, February 6, 2017.

Applications and guidelines for Independent Projects will be available
beginning Monday, November 14 at http://www.toronto.ca/nuitblanche.

Contact for Independent Project Submissions: ips [arobas] toronto [point] ca.

About Nuit Blanche Toronto
Nuit Blanche Toronto is the city’s annual all-night celebration of
contemporary art, produced by the City of Toronto in collaboration with
Toronto’s arts community. The event brings together the exceptional
talents of artists, curators, galleries, museums, cultural and educational
institutions, and neighbourhoods in a collaborative undertaking to
transform the city.

Nuit Blanche Toronto 2017 is the event’s 12th edition, and will be held
in Toronto from Saturday, September 30 to Sunday, October 1, 2017
(sunset to sunrise). The arts community will come together to offer both
uninitiated and devoted art lovers an accessible and exciting night of
contemporary art. This is an opportunity to celebrate and showcase
Toronto’s arts community and the City’s commitment to contemporary
art, bringing this experience to both Torontonians and out-of-town
visitors.

www.nuitblancheto.com

•••••

Call for Exhibition Proposals: Western Front, Vancouver, ongoing

Submissions are accepted on an ongoing basis and are reviewed by program curators. Artists/Musicians of all levels of experience are encouraged to apply, as are those from diverse backgrounds. Applications from artists from other disciplines who wish to expand their creative practices are welcome.

Please be aware that programming is often determined one to two years in advance. We will contact you if we feel that your proposal is suitable to the current programming at the Western Front.

Submissions should include:
1. Project Outline/Artist Statement (max 300 words)
2. Curriculum vitae / biography
3. Support material (digital images/text, CD, DVD)
4. Support material description with media, title and year of production

We accept links to online press kits and websites.

Please note: Submissions will not be returned. Please do not send originals or masters.more info: http://front.bc.ca/submissions/–

3. appels internationaux

empty pr(oe)misesSubmission deadline: March 1, 2017

museumofcontemporarycuts.org

How does one inhabit emptiness? There is a tension and struggle between the will of the space in preserving its void and the will of the forces that wish to occupy it. This conflict became the subject matter of conversation between the Director of EMST (National Museum of Contemporary Art, Athens), Katerina Koskina, and curator Lanfranco Aceti after they shared their concerns for the realization of any exhibition starting from zero. These concerns are only magnified in the case of the opening of a new museum, as is the current situation of the EMST.

empty pr(oe)mises is a project conceived and curated by Lanfranco Aceti and Katerina Koskina for which artists are invited to visualize and localize the struggle between the promise of a future idea and the process of realization in the empty premise—the temporary exhibition space of the National Museum of Contemporary Art, Athens (EMST). Details on the call for submissions, the curatorial statement and the exhibition space can be found here.

Artworks « in fieri » will be selected for an online exhibition with the Museum of Contemporary Cuts (MoCC) by a committee consisting of Lanfranco Aceti, Bart De Baere, Katerina Koskina, Barbara London and Monika Szewczyk. The art projects will also be considered for future physical exhibitions at EMST. The most exceptional project proposals will be included in a highly illustrated catalogue published by the Leonardo Electronic Almanac – MIT Press.

•••••

Open call for Ireland’s Biennial 2018

Deadline: January 31, 2017

EVA International – Ireland’s Biennial
Limerick City
Ireland

www.opencall.eva.ie
www.eva.ie

EVA International – Ireland’s Biennial is pleased to announce the Open Call for artists’ proposals for the 38th edition in 2018, curated by Inti Guerrero (Bogotá/Hong Kong). Since its inception in 1977, EVA has maintained, expanded and reformulated its Open Call as a tool for curatorial research, democratizing the biennial spectrum for art practices across media, generations and locations.

For EVA 2018, the revision and selection process of the Open Call is a call to respond to « the current state. » This could be a reflection on the current state of your work, the current state of government, the current state of your family, the current state of art history, the current state of ideology, the current state of your illness, the current state of religion, or a reflection on how the state of today reminds you of the state of yesterday.

Rather than a monolithic thematic exhibition, EVA 2018 wishes to establish a cosmology of exhibitions; a kaleidoscopic ecology of intertwining group shows with essayistic, retinal and bodily narratives. The 38th edition of EVA International will be open to the public from April 14 to July 8, 2018, across various locations, institutions and public spaces in Limerick City.

The online application process is now open and closes at 12pm (GMT) on Tuesday, January 31, 2017. Selected artists will receive artist fees and production budgets as appropriate. For further information please visit www.eva.ie.

•••••

Charlottenborg Spring Exhibition (Charlottenborg Forårsudstilling) is one of the most important open submission exhibitions in Europe, and has been held annually in Copenhagen since 1857. It originated as an exhibition showing new works by Danish artists and now features participants from many countries. Over the years it has included early works by such renowned international figures as Alvar Aalto, Per Kirkeby, Olafur Eliasson, Superflex and many others. The exhibition is organised by Charlottenborg Fonden.

Submissions
Submissions to the Charlottenborg Spring Exhibition 2017 can be made by artists of any nationality and country of residence, aged over 18 years. Submitted artworks may fall into a wide range of genres associated with art, architecture and design—including painting, drawing, sculpture, installation, photography, video, film, performance, design, craft, animation, sound and new media. Submissions are made digitally in the period December 1–22, 2016.

Jury
The jury of the Charlottenborg Spring Exhibition is made up of artists and other art and design professionals from the Nordic countries and beyond. It is intended that the Charlottenborg Spring Exhibition 2017 will include a broad range of competencies from the fields of art, architecture and design, and the jurors have been selected accordingly. In 2017 the jury will be Alex da Corte (artist, US), Torben Ribe (artist, Denmark) Stig L. Andersson (architect, Denmark), Hanna Nilsson/Byggstudio (designer, Sweden) and Line Clausen (curator, Denmark). For further information: www.springexhibition.com

Jury award
As well as selecting the works, the jury also nominates five artists for one special jury award: The Solo Award. The award recognizes overall artistic quality and present-day relevance, and is granted on the opening day of the exhibition. The Solo Award is accompanied by an invitation to exhibit at the following Charlottenborg Spring Exhibition 2018.

Exhibition
The exhibition is held at Kunsthal Charlottenborg in Copenhagen, one of the largest and most beautiful spaces for contemporary art in Europe, and the dates of the next exhibition are February 2–March 11, 2017. The exhibition allows a considerable number of artists to participate in a major international project and has over the years provided the first significant platform for many emerging artists, while also presenting important new pieces by more established figures. Charlottenborg Fonden publishes a richly illustrated catalog that includes all exhibiting artists.

Further information
Read more about the Charlottenborg Spring Exhibition here: www.springexhibition.com

For additional information please contact:

Mette Skov, Exhibition Coordinator
Charlottenborg Fonden
T +45 4028 2941 / mette [arobas] charlottenborg-fonden [point] dk

4. résidences

Open call for participants: IdeasCity Arles

Application deadline: January 31, 2017

ideas-city.org

The New Museum, LUMA Arles, and the LUMA Foundation announce an open call for participants in the residency program for IdeasCity Arles—the next edition of the New Museum’s platform that explores the future of cities with arts and culture as driving forces—which will take place May 22–27, 2017. The weeklong residency program, led by Joseph Grima, IdeasCity Director, invites emerging practitioners working at the intersection of art, activism, design, technology, and urbanism.

IdeasCity Arles will culminate in a high-profile public conference on May 27, 2017, featuring conversations, critiques, artist talks, and presentations by the Fellows and an array of critically-acclaimed speakers whose work interrogates the cultural forces that define our cities.

Building on discussions initiated in Detroit and Athens, IdeasCity will continue in Arles by inviting international Fellows to participate in its immersive and collaborative residency program, where they will create and nourish provocative cultural strategies for practical implementation. Participation in the residency program is determined by an open submission process, and 40 to 50 applicants will be selected as Fellows by an international panel of artists and curators.

IdeasCity Arles will work in partnership with both public and private local and regional contributors and Atelier LUMA, developed by LUMA Arles, to address the opportunities and challenges of urban reconstruction. The weeklong residency program will be structured around workshops, site visits, lectures, and discussions with experts, including artists, designers, policymakers, and community members. As in Detroit and Athens, Fellows will live and work together on-site, providing an opportunity for intense collaboration, creativity, and learning. Arles, a UNESCO World Heritage Site set within a natural wetland reserve, is the largest rural commune in France. In Arles, IdeasCity will seed the development of strategies and projects designed to tackle key issues distinct to the region—from industrial production to transportation to the local food economy. IdeasCity Arles will collaborate with Salon International du Patrimoine du Pays D’Arles, an exhibition and conference focusing on international heritage restoration and preservation.

Applications will be accepted until January 31, 2017; candidates will be informed of their application status in February 2017. IdeasCity Arles will require a full-time commitment from May 22–27, 2017, in exchange for which each Fellow will receive an honorarium. IdeasCity Arles will provide housing and food.

For submission guidelines or to apply, please visit ideas-city.org.
To learn more about past IdeasCity Fellows, please view the profiles of our Athens Fellows here.

About IdeasCity
IdeasCity is a collaborative, civic, and creative platform that investigates key issues, proposes solutions, and seeds concrete actions. Starting from the premise that art and culture are essential to the future vitality of cities, this international initiative provides a forum for designers, artists, technologists, and policymakers to exchange ideas, identify challenges, and engage the public’s participation. IdeasCity brings together thinkers and practitioners from the fields of art, architecture, urban planning, technology, education, and civic government, and fosters collaborations between them. The initiative was cofounded by Lisa Phillips, Toby Devan Lewis Director, the New Museum, and Karen Wong, Deputy Director, the New Museum, in 2011.

IdeasCity has held global conferences and events in cities around the world, including São Paulo, Istanbul, Detroit, Athens, and New York.

Upcoming IdeasCity programs
IdeasCity Arles: May 22–27, 2017, presented by the New Museum, LUMA Arles, and the LUMA Foundation
IdeasCity New York: Fall 2017

For more information, please visit ideas-city.org.

•••••

La Villa Kujoyama est l’unique résidence française de recherche et de création en Asie.

La Villa Kujoyama, construite en 1992 par l’architecte Kunio Kato sur la montagne d’Higashiyama à Kyoto, accueille des créateurs dans toutes les disciplines déjà inscrits dans une démarche professionnelle. Outil d’échanges interdisciplinaires, la Villa Kujoyama a pour vocation de renforcer le dialogue interculturel entre la France et le Japon.

Les résidents français sont appelés à nouer des relations de travail avec les milieux artistiques, universitaires et culturels de la région du Kansaï et de l’ensemble de l’archipel, s’appuyant sur l’équipe de la villa et les établissements du réseau culturel français au Japon (4 instituts, 4 Alliances françaises et un institut de recherche), dont la Villa fait partie.La Villa Kujoyama : un accueil en résidence de créateurs français et japonais, dans toutes les disciplines à travers deux programmes.Date de clôture des inscriptions : 23 janvier 2017

Plus d’infos sur le site villakujoyama.jp

•••••

Chaque année depuis 1991, l’École nationale supérieure d’art de Bourges reçoit de jeunes artistes en résidence, avec le soutien financier de la Direction Régionale des Affaires Culturelles et du Conseil Régional du Centre-Val de Loire.Ces résidences ont pour but de permettre à de jeunes artistes français ou étrangers de réaliser un projet de recherche personnelle en lien avec l’école, ses enseignements, ses étudiants ou tout autre partenaire extérieur. Les candidatures sont sélectionnées par un jury composé d’un représentant de la Direction Régionale des Affaires Culturelles du Centre, du Conseil Régional Centre-Val de Loire, du Fonds Régional d’Art Contemporain Centre, de trois enseignants de l’école, du directeur de l’école, de l’équipe de La Box et d’une personnalité du monde de l’art.Détails, modalités et fiche de candidature télécharger en pdfhttp://www.ensa-bourges.fr/images/stories/box/Appelacandidature17-18F.pdfLe dossier doit impérativement être envoyé par voie postale
avant le 15 mars 2017 à :La Box
École nationale supérieure d’art de Bourges
Chloé Nicolas
Candidature Résidences
9 rue Édouard Branly
BP 297
18006 Bourges cedex
France

http://www.ensa-bourges.fr/index.php/fr/la-box/la-box-appel-candidatures/2771-appel-a-residences-la-box-2016-2017

•••••

Residencies at WSW

Residency grants provide artists with a weekly stipend, materials budget, and travel reimbursement, in addition to on-campus housing and 24/7 studio access. Artists can also receive technical advice and training on new equipment, techniques, and materials.

Workspace residencies provide artists with the gift of time, an uninterrupted period to live and work away from the stresses of daily life. For these opportunities, artists pay a subsidized studio rate for each week of their residency, plus the cost of materials, in exchange for on-campus housing and 24/7 studio access. Residents receive a thorough studio orientation, but should be able to work independently in their chosen discipline.

Studio Residency Grant
Work in any of WSW’s disciplines for 6-8 weeks
Deadline: February 1

Chili Bowl Workspace Residency
Work in ceramics for 4-6 weeks
Deadline: February 15

Studio Workspace Residency
Work in any WSW discipline for 4-6 weeks
Deadline: February 15

Art-in-Education Workspace Residency
Work in any of WSW’s disciplines for 4-6 weeks
Deadline: February 15

Women’s Studio Workshop · 722 Binnewater Lane · Kingston, NY 12401 · USA

détails

•••••

Appel à candidature résidence d’artiste à l’Ecole Municipale des Beaux-Arts de Châteauroux

chateauroux_appel_residence_2017

Appel à projets pour les résidences d’artistes 2017-2018

Le Studio XX lance un appel à projets afin de recueillir des soumissions de dossiers pour son programme de résidences 2017-2018 en recherche et création.

DATE LIMITE : 15 JANVIER 2017

Les résidences du Studio XX offrent aux artistes la possibilité d’expérimenter et de créer de nouvelles œuvres. Nous répondons à leurs besoins techniques, créatifs et théoriques en les référant à notre réseau communautaire d’expert-e- s (la décision de s’y impliquer revient à l’artiste).

Les artistes en résidence ont accès à un espace de travail (partagé avec l’équipe du Studio), à un ordinateur réservé et aux équipements du Studio XX pendant six semaines. Il-elle- s profitent d’un soutien technique ainsi que d’un cachet d’artiste. Leur travail est présenté dans le cadre de nos activités de diffusion. Trois résidences ouvertes sont offertes annuellement. Le Studio XX souhaite offrir un espace de création privilégié aux artistes qui recherchent un lieu d’échange et d’encadrement où il-elle- s peuvent définir leurs projets autour de leurs préoccupations et de leur démarche personnelle.

INFORMATIONS PRATIQUES

Toute proposition est examinée par un comité de sélection. Les projets sont choisis selon les conditions suivantes :
● œuvres créées ou dirigées par des artistes s’identifiant comme femmes, transgenres ou dissident-e- s ;
● œuvres d’art web, d’art-réseau, numérique ou audionumérique, installation ou performance multimédia, innovatrices autant au point de vue du contenu que de la forme ;
●œuvres qui peuvent être réalisées avec les ressources matérielles disponibles au Studio XX (équipements, connaissances techniques, ressources financières).

De plus, la sélection du projet d’un-e candidat-e devra aussi répondre à au moins 2 des critères suivants :
● contribuer de manière significative au développement de la pratique d’un-e artiste en arts médiatiques ;
● s’inscrire dans une volonté d’expérimentation technique ;
● exprimer d’une manière pertinente et captivante un engagement théorique, politique, féministe et/ou social.

Pour les projets acceptés, le Studio XX offre :
● un espace réservé à l’artiste et à ses instructeur-rice- s pendant 6 semaines
● un cachet de 1 000 $
● un soutien technique*
● un accès à l’équipement du centre
● la possibilité d’assister à certains ateliers du Studio XX
● la possibilité de diffuser le projet à travers la programmation et les plateformes de diffusion du Studio XX

* À définir en fonction de chaque projet et selon les ressources disponibles.

Les résidences n’incluent pas le coût des déplacements, de l’hébergement ni les per diem ; l’artiste est responsable de trouver un arrangement pour son séjour à Montréal (pour les artistes internationaux-ales). Le Studio XX peut fournir des lettres de soutien et/ou d’engagement pour des applications à des programmes de bourses de voyage pour un projet sélectionné.

Les candidat-e- s devront envoyer leur document complet à : programmation(at)studioxx.org
* À noter que les dossiers incomplets ou reçus après la date limite ne seront pas considérés.

Objet du courriel : Résidences d’artistes 2017-2018
Date de soumission : 15 janvier 2017

https://studioxx.org/res/appel-%C3%A0-projets-pour-les-r%C3%A9sidences-d%E2%80%99artistes-2017-2018

•••••

SPARK BOX NATIONAL RESIDENCY AWARD + $1,000 DAWSON BURSARY

Imagine one full month to get a new project off the ground. One full month to think only about creating your work. One full month without distractions. This is what Spark Box Studio is offering to artists living and working in Canada: one full month at the Spark Box Studio Residency where you will be given a studio space and living space for FREE. In addition the selected artist will receive a $1,000 bursary which Spark Box Studio owners Chrissy and Kyle are offering in memory of their dear friend and artist Donald Dawson.

This residency opportunity is a unique way for established and emerging artists to cultivate new ideas, access a rich library of arts resources, and focus on their career.

Open to emerging, mid-career, or established Canadian artists. Open to visual artists, printmakers, photographers, performance artists, and filmmakers.

Deadline: February 1, 2017

For more information and the online application visit our website: http://sparkboxstudio.com/nationalaward/

Contact: 613-476-0337

•••••

Vous êtes un artiste ou un professionnel étranger de la culture et séjournez à Paris dans le cadre de votre travail ? Vous pouvez déposer une demande de logement à la Cité internationale universitaire de Paris en ligne : http://workflow.ciup.fr/citeu/site/login.php

Certains logements sont spécifiquement adaptés à l’activité artistique : la Cité internationale dispose de deux ateliers-logements pour artistes plasticiens et six studios avec cabine insonorisée pour les musiciens. Les différentes maisons de la Cité internationale peuvent également accueillir des artistes et professionnels de la culture en fonction de la disponibilité de leurs logements (sans espace de travail). Le tarif des logements varient selon le type, le confort et la durée du séjour.

 Si votre nationalité est représentée par une maison de la Cité internationale, renseignez-vous auprès d’elle pour connaître la démarche à suivre. Cf. http://www.ciup.fr/> “les maisons”.

Si cette maison représentant votre nationalité n’a pas de disponibilité, votre demande pourra être transmise aux autres maisons de la CIUP, sous réserve de la validation de la demande par la CIUP.

Les statuts de la cité prévoient en effet que pour y être admis, la venue de l’artiste doit s’inscrire dans le cadre d’un projet précis soutenu institutionnellement (venue sur invitation d’une structure culturelle française, ou sur envoi d’une structure culturelle du pays de résidence de l’artiste, pour une réalisation spécifique). Cette institution doit soutenir financièrement le projet, et donc le séjour de l’artiste à Paris.

D’autre part, la cité prévoit dans ses statuts que les artistes soient étrangers ou en mobilité internationale.

sans date limite

•••••

Artist Residencies

The White Water Gallery accepts proposals for “micro” residencies from 1 -3 weeks in length. These residencies are open to Canadian and International artists or groups interested in engaging our Northern Ontario community. Artist fees and travel are negotiated on a case by case basis and special funding may need to be secured in order to accommodate some projects.

Artists interested in applying for a micro-residency are asked to submit a detailed proposal to the White Water Gallery’s Programming Committee. Priority will be given to proposals that compliment the Gallery’s mandate and involve partnerships and collaboration through art creation, incubators, workshops and research.

All proposals must include:

• Artist’s CV
• One page Artist or Curatorial Statement
• One page Project Description, outlining the scope of the project and any specific requirements (spatial, technical, time of year, etc)
• Support material: max. 10-20 jpegs on CD and/or max. one VHS or DVD
• Descriptive list for visual material (title, date, dimensions, medium)
• SASE (Self addressed stamped envelope)*

White Water Gallery is not responsible for lost or damaged submissions. Do not send slides, photographs, original artwork or master tapes. E-mailed submissions will not be accepted without prior consent from the Gallery.

*Materials will not be returned unless an SASE is provided.

Please send proposals to:
White Water Gallery
Attn: Residency Program
P.O. Box 1491
North Bay, Ontario
P1B 8K6

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Atelier Topaz – résidence 
Opasatika, Ontario, Canada