La Liste présente les événements des membres de l’Association des groupes en arts visuels francophones (AGAVF), soit quinze centres d’artistes et galeries à travers le Canada, et compile les appels de dossiers en arts visuels, arts médiatiques, performance, art public, résidences qui s’adressent aux artistes et aux commissaires.

 

Œuvre de Frédéric Gayer présentée par l’atelier d’estampe Imago (Moncton)

 

Nouvelle de l’AGAVF

Conversations, langue et propagande

La langue est un outil; la langue est une arme: Fausses nouvelles, désinformation, rectitude politique, théories du complot, endoctrinement, propagande… Les organisateurs du projet Jérôme Baco et Michèle Smolkin, membres du Collectif des artistes en arts visuels de la Colombie-Britannique, ont invité 4 auteurs (Colin Browne, Laurent Sagalovitsch, Sara Snow et Michèle Smolkin) à échanger avec 4 artistes visuels (Sonny Assu, Jérôme Baco, Marie-Pier Malouin et Annie Briard) sur cette thématique des plus actuelles. Pour commander Conversations, langue et propagande, ouvrage bilingue de 84 pages: https://thepublishingeye.com/conversations.html

 

Programmation des membres de l’AGAVF

Atelier d’estampe Imago (Moncton)

Frédéric Gayer – W.W.?
du 22 janvier au 19 février 2021
140, rue Botsford, rez-de-chaussée du Centre culturel Aberdeen
Moncton, Nouveau-Brunswick
www.atelierimago.com

 

Maison des artistes visuels francophones (Saint-Boniface)

Amanda Ochulenko – Composition
du 14 janvier au 6 février 2021

Colette Balcaen, Réal Bérard, Shaneela Boodoo, Brigitte Dion, Danielle Koslowsky Fontaine, Roger Lafrenière, Chanelle Lajoie, Janine-Annette Littmann, Chase Martin, Xavier Mutshipayi, Dominique Rey, Melanie Rocan, Michel St-Hilaire, Janelle Tougas – En conversation
Commissaires: Lou-Anne Bourdeau et Alexandra Keim
vidéos
jusqu’au 3 avril 2021
101-219, boulevard Provencher
Saint-Boniface, Manitoba
www.maisondesartistes.mb.ca

 

Centre d’artistes Voix Visuelle (Ottawa)

J. Aird-Bélanger, A. Asselin, R. Aubin, M. Barti, J. Bertrand, B. Bogart, C. Boucher, Csaba, R. Chevalier, C. Cooper, L. Daigle, C. Dallaire, M. Des Aulniers, A. Dworzak-Subocz, L. Finet, P. Franzini, C. Gendron, D. Gérin, V. Goddard, O. Golub, F. Ikonomidou, R. Kempen, I. Kobayashi, D. Krasi, D. Lamontagne, M. Le Bohec, D. Leclerc, M. Manu, M. Márquez, E. Montenegro, J. Muscat, A. Paquin, M. Périat, O. Petca, Y. Porlier, H. Pouillon, R. Robesco,  N. Ross, S. Rossen, S. Swinimer, V. Tytor, G. Vallée, J. M. Van Hees, P. Walty – L’intelligence artificielle
depuis novembre 2020
67, avenue Beechwood
Vanier, Ontario
www.voixvisuelle.ca

 

Galerie SAW Gallery (Ottawa)

recoil performance group – as i collapse
le samedi 23 janvier 2021
67, rue Nicolas
Ottawa, Ontario
www.galeriesawgallery.com

 

Constellation bleue-Galerie Bernard-Jean (Caraquet)

Suzanne Albert – Vignettes en janvier et février
du13 janvier au 13 février 2021
220, boul. Saint-Pierre Ouest
Caraquet, Nouveau-Brunswick
www.constellationbleue.com

 

Le Trécarré (Pointe-de-l’Église)

Nadine Belliveau, Nadine Blinn, Zita Boudreau, Angélina Comeau, Annette Comeau, Denise Comeau, Noella DeMille, Alain Philippe Gérard, Jay LeBlanc, Mona McDonald, Diane Nadon, Isao Sanami-Murrill, Dany Sheehy, Dianne Surette, Jan Swaren, Claude Edwin Theriault – Isolement
jusqu’en février 2021
Université Sainte-Anne, Nouvelle-Écosse
www.rendezvousdelabaie.ca/galerie-dart

 

Galerie Sans Nom (Moncton)

Caitlin Wilson – Finding Trees
JD Cool – Sans titre
jusqu’au 19 février 2021
140, rue Botsford, local 16
Moncton, Nouveau-Brunswick
www.galeriesansnom.org

 

Le Labo (Toronto)

“Court de rattrapage” avec nos 6 membres sélectionnés à CinéFranco :
Valérie Lecomte – https://bit.ly/courtderattrapageValérieLecomte
Julie Lassonde – https://bit.ly/CourtdeRattrapageJulieL
Nicole Blundell – https://bit.ly/CourtderattrappageNicoleBlundell
Quitterie Hervouet – https://bit.ly/CourtdeRattrapageQuitterie
Jean Marc Larivière – https://bit.ly/CourtdeRattrapageJeanMarc

Conversation avec Joseph Bitamba sur le film “Petit Pays” d’Éric Barbier :
https://vimeo.com/481767101

Le Labo est de nouveau recommandataire de l’aide aux expositions du CAO.
Vous avez un projet d’exposition à financer ?
Soumettez votre projet : Aide aux expositions, programme ouvert (2020-2021)

www.lelabo.ca  

 

Galerie du Nouvel-Ontario (Sudbury)

Michael Fernandes – Avant et après la voiture électrique
résidence à domicile et sur Sur Instagram @beforeandaftertheelectriccar
du 14 janvier jusqu’en février 2021

Claude Wittmann – Roues/politique/panique
Projet jusqu’en juin 2021
54, rue Elgin
Sudbury, Ontario
www.gn-o.org  

 

COVID-19

Plus de détails.

 

 

 

 

Appels de dossiers

1. appels en français du Canada

Mutek – Montréal – 15 février
Galerie Jean-Letarte – Boucherville – 15 mars
Centre d’arts visuels de l’Albert (CAVA) – Edmonton – 13 février
Festival Phénomena – Montréal – 1er mars
Ada X – Montréal – 1er mars
Vertical centre d’artiste – Laval – 1er avril
Panache art actuel – Sept-Iles – 19 février
Centre Bang – Chicoutimi – évaluation en février
Les p’tites vues – Culture Trois-Rivières – 1er avril

2. appels en anglais du Canada

FADO Performance Art Centre – Toronto – 15 février
Alternator Centre for Contemporary Art – Kelowna – 21 mars
Canadian Clay & Glass Gallery – Waterloo – 2 avril
VIFF – Vancouver – 23 avril
Video Out Call for Submissions : Inter- Multi- Trans – 28 février
SPAO Centre Gallery – Ottawa – 15 février
Craft Ontario – Toronto – 7 juin
Video Outs – Vancouver – 28 février
BIPOC Artist Instagram Project – en cours
AKA Artist-run Centre – Saskatoon – en cours
Southern Alberta Art Gallery – Lethbridge – en cours

3. appels internationaux

Prix Ars Electronica – 3 mars
apexart – New York, États-Unis – 1er mars
Prix COAL – 1er mars
Emergenyc – New York, États-Unis – 8 février

4. résidences

Onassis AiR – Athène – 26 février
Cité internationale des Arts – Pariss – 28 février
Moving Image Lab – Meech Lake – 24 mars
VU – Québec – 1er février

5. art public

école Arc-en-Ciel – Oromocto – 12 mars
Mississauga’s Meadowvale Theatre – 1er mars
Meadowvale Bridges – Mississauga – 8 mars
Programme d’art mural – Montréal – 12 mars
The Rooster of Barcelos Project – Toronto – 14 février

6. pour commissaires

Prix Sobey pour les arts – 5 mars
Galerie La Box – Bourges – 31 mars
Festival sight & sound – 15 février
Cosmis Bulletin – 1er mai
Impakt Full Spectrum Curatorship programme – Pays-Bas – 1er mars
Contour Biennale – Mechelen, Belgique – 28 février
Performance Research – On protest – 8 mars
Esse art + opinion – sportification – 1er avril
À l’est de vos empires – Québec – en cours
Revue de Paris – appel à contributeurs – en cours

 

1. appels en français du Canada

Programmation 2021 / PANACHE art actuel
19 février 2021
 
/ Sept-Îles (Québec)
 
PANACHE art actuel invite les artistes et les collectifs à soumettre un projet de résidence de recherche/création et diffusion pour sa programmation 2021. Depuis 2014, PANACHE est fier de soutenir les démarches artistiques d’artistes d’ici et d’ailleurs en offrant le territoire nord-côtier aux créateurs. Le mandat de nos résidences est de permettre un moment d’exploration et de création afin de produire une exposition nomade qui pourra être présentée dans notre réseau à travers le projet de diffusion La Virée de la culture.​

Direction artistique

PANACHE art actuel s’intéresse à la mise en valeur des singularités nord-côtières telles que les notions de rapprochement/éloignement et d’espace/temps. Il soutient la recherche reliée à des thématiques qui découlent directement des caractéristiques particulières de la région (distance, éloignement, environnement, espace, territoire, ressources, isolement, etc.).

PANACHE art actuel se définit également, dans ses activités, comme une plate-forme de dialogue entre l’artiste et la population. Lors de votre résidence, une conférence, un atelier ou une performance en lien avec votre travail sera initié par le centre pour atteindre cet objectif.​

Le territoire

L’immense territoire de la Côte-Nord, allant de Tadoussac à Blanc-Sablon, en passant par Fermont et l’île d’Anticosti est un territoire grandiose bordé par le fleuve et le golfe Saint-Laurent. Que ce soit pour le dépaysement ou pour découvrir sa diversité, la Côte-Nord est une destination unique pour la recherche et la création artistique.

Comme un grand terrain de jeux créatif, nous vous offrons la Côte-Nord et ses ressources comme lieu de création flexible. Nous recherchons des projets originaux en pertinence avec la destination que vous choisirez dans la région.

Projets de résidences

Description de la démarche artistique (250 mots);
Description du projet de résidence, des besoins spécifiques et du choix de la destination sur le territoire* (650 mots);
Curriculum vitae (3 pages max.)
Dossier visuel comprenant 10 images et liste descriptive des œuvres;
S’il y a lieu, document de presse (3 pages) et vidéographie (5 minutes);
Échéancier (2 semaines de résidence minimum);
Budget (PANACHE offre un cachet de résidence, détails sur demande).

Nous offrons deux plages horaires, soit à l’été 2021 ou à l’automne 2021. Merci de préciser quelles seraient vos dates de préférence.

Date limite : 19 février 2021

Envoi des dossiers par courriel uniquement à :  info [arobas] panacheartactuel [point] com

Les dossiers doivent être compressés lors de l’envoi (fichier ZIP, WeTransfer, Dropbox). La sélection des projets se fera par un jury de pairs et nous ferons parvenir un accusé de réception et l’avis du jury à chaque personne nous ayant envoyé un dossier.

Le centre respecte la loi sur le statut de l’artiste et verse des droits d’exposition aux artistes en plus d’assumer la promotion, les frais de transport, ainsi qu’une aide aux déplacements sur le territoire de la Côte-Nord.

*PANACHE n’a pas de lieu fixe pour l’accueil en résidence, notre équipe offre un soutien pour les différents aspects liés à la réalisation de la résidence (lieu de production, hébergement, équipement de production, etc.). Nous pourrons vous guider en fonction de vos besoins.

En savoir plus

PANACHE art actuel
410, av. Évangéline, Local RC05,
Sept-Îles (Québec) G4R 2N5
Cell. : 418 806-3632

+1 418. 961-2675
direction_panache [arobas] lavireedelaculture [point] com
http://lavireedelaculture.com/fr/accueil

•••••

L’appel de dossiers
Nous n’acceptons plus de dossiers par courriel, toutes les demandes doivent être soumises par le biais de du formulaire en ligne sur notre site web. 

Pour être invité(e)(s) par le centre Bang, veuillez lire la section ARTISTES de notre site web qui comprendre les sous sections suivantes:  Foire aux questions (FAQ), Soutien et ressources pour les artistes, Exemples de projets admissibles, Processus d’évaluation, Critères d’évaluation. Remplissez ensuite le Formulaire d’inscription qui est composé de trois courtes questions dont les réponses environnent 500 mots chacune. Nous évaluerons les dossiers deux fois par année et vous pouvez soumettre votre formulaire d’inscription en tout temps. Si votre candidature est retenue, le Comité d’évaluation de Bang vous contactera pour échanger de vive voix et engager le processus de collaboration avec vous.

Détails

•••••

LES P’TITES VUES :
APPEL DE FILMS 2021-2022
Culture Trois-Rivières invite les cinéastes et vidéastes professionnels et de la relève à soumettre leur court métrage en vue de la programmation automne 2021 – hiver 2022 de la série Les P’tites vues présentée à l’Espace Pauline-Julien.

Les projections Les P’tites vues ont comme objectif de présenter des films professionnels qui sauront surprendre et émouvoir le public tout en leur faisant découvrir des créateurs talentueux.

Les œuvres devront respecter les conditions suivantes afin d’être admissibles :
Durée qui varie entre 2 et 30 minutes;
Avoir été produites après le 1er janvier 2016;
De langue française ou sous-titrées en français;
Appartenant aux catégories : fiction, documentaire, animation ou film de genre;
N’ayant jamais été présentées dans notre série Les P’tites vues.
Les œuvres à caractère haineux, présentant des images dégradantes ou sexuellement explicites seront automatiquement rejetées.
Le dossier doit inclure :Un synopsis court (3 à 5 lignes);
Une courte biographie du cinéaste/vidéaste (3 à 5 lignes);
Une image tirée du court métrage et le crédit s’y rattachant;
Un lien de visionnement protégé par mot de passe;
Un dossier de presse ou tout autre matériel promotionnel jugé pertinent (facultatif).
Les dossiers sont jugés selon la qualité du court métrage et son potentiel à rejoindre les différentes clientèles de l’Espace Pauline-Julien (enfants et adultes). Les cinéastes/vidéastes sélectionnés reçoivent des redevances conformes aux barèmes de diffusion du CQAM (Conseil québécois des arts médiatiques).
 

Lieu de diffusion dédié aux arts médiatiques, le mandat de l’Espace Pauline-Julien est d’offrir une programmation d’exposition en arts visuels et numériques, des installations immersives ainsi que des projections de courts métrages.
 
DATE LIMITE : 1ER AVRIL 2021
 
Pour information ou pour soumettre un dossier :
 
Catherine Thériault
Responsable du développement en arts médiatiques
819 372-4614, poste 1721
ctheriault [arobas] v3r [point] net *

*Pour les dossiers de plus de 8 MO, nous vous recommandons d’utiliser We Transfer.

 

 

 

 

 

 

 

 

 

2. appels en anglais du Canada

FADO Performance Art Centre is seeking proposals for Performance Resolution(s), our at-home residency series for winter/spring 2021. Performance Resolution(s) invites performance-based project proposals that engage with the theme of ‘resolution.’ 

Resolution:
a firm decision to do or not to do something.
the quality of being determined or resolute.
the action of solving a problem.
the process of reducing or separately something into its components.
the smallest interval measurable by an optical instrument.
the conversion of something abstract into another form.
 
It goes without saying that 2020 changed everything and the world is a different place. (We resolve never to say, “it goes without saying” again.) For artists working in live art and performance, events were cancelled and festivals postponed. What happens to embodied practice when the bodies can’t be together irl? With dizzying speed, we were compelled to bring performance to the tiny back-lit screen as an alternative. Sometimes that worked. Without being able to gather in large groups, sometimes we leaned on old tricks (what performance artist doesn’t know what it’s like to perform in a half-empty theatre?) to shoehorn our work into the current context. More often than not, to keep moving, we stuck with the script—over producing and addicted to presentation.
 
But thankfully the new year brings with it fresh starts, new directions and an opportunity to reflect. We make promises in the form of new year’s resolutions—a private or public personal commitment to change. Most resolutions dissolve by the end of March, or sooner. If 2020 taught us anything, it showed us that transformation comes slowly. The real breakthroughs are still in the (social) distance, but a seed has been planted.
 
FADO is seeking proposals for Performance Resolution(s), our at-home residency series for winter/spring 2021. Performance Resolution(s) invites performance-based project proposals that engage with the theme of ‘resolution.’ Our inspirations for Performance Resolution(s) are the hope for a better 2021 for all, and a profound performance exercise designed by Marilyn Arsem that we think about from time to time. Read Marilyn’s exercise HERE.
 
FADO’s goal is to support up to 15 proposals. Artists will receive between $1,000 to $2,500 depending on the project scale and the number of applications received.
 
WHAT WE ARE LOOKING FOR
We are interested in proposals that are process-, research- and practice-based; that are open-ended and investigative. We are interested in conceptual one-offs and elaborately dreamed up performance journeys, in equal measure. We are interested in radical ephemerality, experimentation, and performances that are not really performances—think furtively (but are still deeply engaged with time, material, site, context). We are less interested in the outcome, and more curious about your resolve.
 
WHO SHOULD APPLY
We are only accepting proposals from performance artists living in Canada. Applications from international artists will not be considered at this time. Artists at all levels in their careers are encouraged to apply, as are artists who are new to FADO’s platform.
 
Please submit your proposal via the GOOGLE FORM.
Please refer to the google form for the questions in full.

YOUR PROPOSAL includes:
–contact information
–description of your performance proposal/project (500 words)
–description of process/resolution/goals (250 words)
–bio/statement, CV, documentation (please see form for specifics)
 
If you don’t have a google account, or would feel more comfortable submitting your proposal in a different way, please email us info [arobas] performanceart [point] ca and we will make the necessary accommodations.

Submissions will be reviewed and artists will be notified by the end of February.
DEADLINE: February 15, 2021

Submit

•••••

Alternator Centre for Contemporary Art – Main Gallery and Project Gallery
Deadline: March 21, 2021

The Alternator Centre for Contemporary Art is now accepting exhibition proposals from
artists and curators for the 2022 programming of the Main Gallery and Project
Gallery.
The Alternator Centre for Contemporary Art is an artist-run centre located on unceded
syilx territory, in what is now called Kelowna, BC. Since 1989 the Alternator has shown
the work of emerging Canadian and international artists with an experimental
approach, particularly those engaged in social and cultural issues.
Works will be selected by our Programming Committee based on the following criteria:

Compatibility with the Alternator’s mandate

Quality of the artwork (with an emphasis on experimental approach)
Clarity of the written proposal
Production cost and availability

Further, the Programming Committee seeks diversity of perspective, medium and
theme when establishing our annual exhibition calendar.

We welcome submissions from under-represented artists of all backgrounds including,
but not limited to, Indigenous, Black, and racialized persons; refugee, newcomer and
immigrant persons; two-spirit, LGBTQ+ and gender non-binary persons, persons with
diverse abilities,
and those on low-incomes or living in poverty. We are committed to
ensuring equitable access to our submissions process. Please contact us if you require
any accommodations to participate.
We are committed to fostering artists’ professional autonomy and are proud to pay
successful applicants CAR/FAC fees. The deadline for applications will be March 21,
2021 (Midnight).
To see the full description of submission requirements for both the Main and Project
Galleries please visit

www.alternatorcentre.com/submit

•••••

submissions from Canadian clay, glass and copper enamel artists for Confined, a national group exhibition.

In March 2020, Covid-19 brought all of us to a standstill. Many artists didn’t even have access to their studios. As Covid-19 continues to affect us all in our daily life, we invite clay, glass, and copper enamel artists to express in their art what the imposed confinement meant for them.

Mental health issues, anxiety, financial burden for some, but also time to reflect, conceptualise, create for others, the conflict and diversification of personal and professional life are possible themes…and more.

Multi-media works and those that incorporate new media within the use of clay, glass, and copper enamelling will be considered.

The selected works will be presented in the exhibition starting in January 2022. A publication will also be produced. The Gallery will provide an artist fee (as set out by CARFAC) to the selected artists and cover the costs of shipping and insurance for the duration of the exhibition.

We welcome submissions from all qualified applicants and encourage submissions from groups that are typically underrepresented in institutional spaces, including racialized and Indigenous individuals, LGBTQ2S+ identifying individuals, francophone individuals, Deaf persons, and persons with disabilities. If you require any accommodations during the submissions process, please contact assistant [arobas] theclayandglass [point] ca or 519-746-1882 ext: 235.

SUBMISSION DEADLINE
All materials must be emailed to assistant [arobas] theclayandglass [point] ca with the subject line “Confined” by Friday April 2, 2021. Notification of the results will be sent by June 2021.

SUBMISSION MATERIALS
In a single document, emailed to assistant [arobas] theclayandglass [point] ca, with the subject line “Confined”, please submit:

A written statement describing the work that you propose for the exhibition as well as its significance to the theme (50-100 words). Works in-progress and concepts for works to be completed will also be considered.
Up to 5 images of your work, including titles and dimensions of works. Provide sketches for works that have not yet been completed.
An artist statement describing your practice, interests, and what the concept of confinement means to you (up to 250 words).
A CV that includes, at minimum, your education as well as any relevant exhibition, publication, and installation history (maximum 3 pages).

ABOUT THE GALLERY
Located in Waterloo, Ontario, the Canadian Clay & Glass Gallery is Canada’s only gallery dedicated to the exhibition and collecting of contemporary Canadian clay, glass, and copper enamelling. Through exhibition programs, publications, clay and glass studios, and an archival centre and library, the Gallery supports research and creation by emerging, mid-career, and established artists. The Gallery is accessible, with the exception of exhibitions and events held in the John A. Pollock Family Courtyard, which is not fully accessible to visitors with particular mobility aids at this time.

We acknowledge that we live and work on the traditional territory of the Attawandaron, Anishinaabe and Haudenosaunee peoples. The Canadian Clay & Glass Gallery is situated on the Haldimand Tract, the land promised to the Six Nations that includes ten kilometers on each side of the Grand River.

For more information please contact:
assistant [arobas] theclayandglass [point] ca
519-746-1882 ext: 235

Follow us!
Instagram: @cdnclayandglass
Facebook: @theclayandglass
Twitter: @cdnclayandglass
YouTube: /TheClayAndGlass

The Canadian Clay & Glass Gallery
25 Caroline St. N.
Waterloo, ON
N2L 2Y5
www.theclayandglass.ca
519-746-1882

•••••

VIFF ANNOUNCES 2021 FESTIVAL DATES & CALL FOR SUBMISSIONS

The Vancouver International Film Festival (VIFF) announced today that its 40th edition
will take place from September 30 – October 10, 2021. The landmark edition will
feature both in-cinema and online screenings, with approximately 100
features and 100
shorts to be screened in a showcase of exceptional films from around
the world. The scope of VIFF’s brick-and-mortar events will be determined in the
coming months as the organization continues to closely monitor the COVID-19
situation.

Submissions for the 2021 Festival are now open via FilmFreeway
www.filmfreeway.com/VIFF – for features, documentaries and short films, as well as
narrative-lead virtual and immersive content.

Featuring an extensive and diverse collection of contemporary Canadian cinema, VIFF
invites exciting new voices to share the spotlight with national treasures and fosters
enlightening dialogue. VIFF’s 2020 edition featured 65 Canadian features and shorts
playing in competition. 52% of those selections were by female filmmakers and 45%
were by BIPOC filmmakers. Likewise, it included international work from 65 countries,
including narratives that demonstrate originality, documentaries that change the way
we see the world, and short films that push
the form to its limits.

“The adversity presented by the pandemic hasnt just forced us to adapt our approach
to programming and presentation, its demanded that we re-envision how we
meaningfully engage with creators and connect audiences with vital work,” said Curtis
Woloschuk, VIFFs Associate Director of Programming. “We cant wait to bring our
collective inspiration to bear as we once again reinvent ourselves for our 40th edition.”

The 2021 VIFF will once again expand the frame to include conferences, talks,
workshops and other unique events that celebrate innovations in cinematic storytelling.
At VIFFs 2020 edition, these events included talks with the likes of Charlie Kaufman
(Im Thinking of Ending Things), Garrett Bradley (Time) and Eliza Hittman (Never
Rarely Sometimes Always), the VIFF Immersed Exhibition of narrative-driven VR
experiences, VIFF Labs, the VIFF AMP Music in Film Summit, and an evening of music
and conversation with Beverly Glenn-Copeland (Keyboard Fantasies).

Furthermore, VIFF is inviting immersive storytellers from British Columbia and around
the world to submit their narrative-driven Virtual and Augmented Reality (XR) content
to the International VIFF Immersed Competition. Finalists will be showcased at the
VIFF Immersed Exhibition during this year’s Festival. In 2020, the VIFF Immersed
Exhibition was hosted across six online channels ” making it the most widely
accessible festival platform for story-driven XR content.

Submissions are now open for all sections of the Festival:
features, documentaries, short films, and VIFF Immersed. More info can be found at
http://goviff.org/submissions. Projects can be submitted via FilmFreeway at
https://filmfreeway.com/VIFF.

Submissions Deadlines
Canadian and International Features, Documentaries, and Shorts, and VIFF Immersed
Early Deadline: April 23, 2021
Regular Deadline: May 28, 2021
Late Deadline: June 11, 2021

•••••

Video Out Call for Submissions: Inter- Multi- Trans-
Thursday, November 12, 2020 12pm-Sunday, February 28, 2021 1159pm
Three prefixes that are open to and overlap in any number of concepts. For Video Out’s latest thematic call-for-submissions, Inter- Multi- Trans- invites works that are conceived through more than one focal point, whether in content, context, and/or presentation. How can one mediate plural perspectives? What can we find in between these perspectives? Where do we intersect and where do we fall short?

To submit, please send a weblink of the work (Wetransfers not accepted), a short synopsis, and an artist bio to distribution [arobas] vivomediaarts [point] com. Digital (including digitized film) submissions only, maximum two submissions per artist.

Video Out accepts works for screen, installation, and web-based contexts. Selected works will be presented in a program in Spring 2021, and added to Video Out’s distribution collection.

Send your submission with the subject: Inter-Multi-Trans-LastName by February 28th, 2021.

•••••

The SPAO Centre Gallery is now Accepting Exhibition Proposals for 2022-2023

The SPAO Centre Gallery is the Ottawa region’s only independent and critical gallery space dedicated to lens-based art. The gallery sees upwards of 4200 in person and virtual visitors annually including curators, artists, students, Ottawa’s photographic and arts community as well as members of the general public.

The SPAO Gallery also presents an annual installation in its exterior exhibition space The Photo-Synthesis Garden, which pairs photo-based artwork with biomaterial such as flowers, vegetables and other items from the natural world.

The SPAO Gallery pays appropriate CARFAC fees for selected exhibitions and artists of all backgrounds, including persons with disabilities, Indigenous, Black and racialized persons, and persons across a spectrum of sexual orientation and gender identity are encouraged to apply.

Applications must be received by February 15, 2021 at 12:00 pm (noon) EDT.

For more information on submission guidelines, click here or visit our website at spao.ca

Questions? Email the SPAO Gallery Manager at gallery [arobas] spao [point] ca

•••••

Proposals for the 2022 Exhibition Season
Craft Ontario, Toronto

Deadline: June 7, 2021

Inviting proposals in all craft media by active Craft Professional Members at any stage of their careers, for solo and two-person exhibitions at the Craft Ontario Gallery in 2022.

Read more

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VIDEO OUT CALL FOR SUBMISSIONS: Inter- Multi- Trans-
CALL FOR SUBMISSIONS
DEADLINE: Sunday, Feb 28, 2021
FREE

Three prefixes that are open to and overlap in any number of
concepts. For Video Outs
latest thematic call-for-submissions, Inter- Multi- Trans- invites works that are conceived
through more than one focal point, whether in content, context, and/or presentation. How
can one mediate plural perspectives? What can we find in between these perspectives?
Where do we intersect and where do we fall short?

To submit, please send a weblink of the work (Wetransfers not accepted), a short
synopsis, and an artist bio to distribution [arobas] vivomediaarts [point] com. Digital (including digitized
film) submissions only, maximum two submissions per artist. Video Out accepts works for
screen, installation, and web-based contexts. Selected works will be presented in a
program in Spring 2021, and added to Video Outs distribution collection.

Send your submission with the subject: Inter-Multi-Trans-LastName by February 28th,
2021.
https://www.vivomediaarts.com/news/video-out-call-submissions-inter-multi-trans

•••••

BIPOC Artist Instagram Project

CALL FOR SUBMISSIONS

During this time of crisis and increased precarity resultant of COVID-19, EAHR seeks to
connect with BIPOC artists, to share your work, and provide a platform for your artistic
practices to reach new audiences. We are particularly interested in BIPOC artistic
responses to the circumstances presented by the COVID-19 pandemic, including the
urgent call to address ongoing systemic
racism and oppression, (pre-)existing
conditions, climate change, and social justice activism during this unprecedented time.

EAHR (Ethnocultural Art Histories Research Group) at Concordia University invites
artists who identify as BIPOC to submit work for the opportunity to be featured on the
EAHR Instagram * IG: @eahrconcordia *

Accepting submissions *now* and throughout the summer. Submit your work to
ethnoculturalarts [arobas] gmail [point] com today!

Please send us the following:

1. Maximum 5 artworks in any medium that could be shared on Instagram.

Required specifications:

maximum file size of 50 MB per image

JPEG or PNG format

Image must be approximately 1080px by 1350px (Portrait), or/and 1080px by 608px
(Landscape).

2. Artist Biography (300 words maximum)

3. Description of Artwork(s) submitted (300 words maximum)

Artists will hear from us within two weeks of receipt of work. Selected submissions will
be posted every two weeks. While we have no funding to offer artist honoraria for
the
Instagram project, EAHR is currently seeking funding to pay artists for a selection of the
projects from the Instagram exhibition to be archived at the end of summer on
ethnoculturalarts.com (funding pending, artists whose projects are selected for a second
exhibition in the archiving process will be contacted in September).

For more information, please contact us at ethnoculturalarts [arobas] gmail [point] com

To learn more about EAHR, please visit our website: :

https://www.ethnoculturalarts.com/

•••••

AKA supports the creation and development of artist driven initiatives and emerging practices that speak to, reflect and encourage dialogue in our culturally diverse communities. This includes work in all media by local, national and international artists. Our venues consist of a street-level gallery, billboard and multi-use screening and performance event space; we also source off-site locations for site-specific projects.

AKA accepts submissions on an ongoing basis for project/exhibition proposals that consider AKA’s history and setting.

Support for selected projects/exhibitions includes: curatorial assistance, shipping, insurance, installation/strike assistance, promotion, documentation and the potential development of accompanying programming suited to the form of the project. AKA pays artist fees at or (when possible) above the CARFAC national average.

Submissions Guide Please review AKA’s past programming archives, floorplan and billboard; as well as our mandate. AKA accepts digital submissions as a single PDF document via email: gallerycoordinator@akaartistrun with the subject heading: AKA Submission. Please ensure the PDF document includes your name. Digital or physical submissions in any other format will not be accepted.

Submission PDF (max 7MB) must include:

Project/exhibition proposal including technical/install needs (max. 500 words) Artist statement (max 500 words) CV with complete contact information Images with image details (max 10); OR Time-based direct embedded links

AKA Artist-run centre 424 20th Street West Saskatoon, Treaty 6 Territory and the Homeland of the Métis Saskatchewan, Canada, S7M 0X4

306-652-0044 akaartistrun.com

•••••

Southern Alberta Art Gallery (SAAG) Submission Guidelines Exhibition proposals are accepted throughout the year and reviews are ongoing.  Selection is carried out over a period of time through studio visits and correspondence with artists and curators in whom the gallery has an interest.  Those interested in proposing their work to SAAG are asked to include with their submission: a curriculum vitae, an artist statement and/or letter of intent, a wide selection of images, and other relevant support material. Submissions should be mailed to:

Southern Alberta Art Gallery 601 3rd Ave. S. Lethbridge, Alberta T1J 0H4

The gallery will not return your submission – please do not send original artworks or valuable materials.   Given the large number of submissions received by the gallery, formal letters of reply will only be issued to proposals of immediate interest.

Exhibitions are generally six weeks in length.  An opening is held to introduce the work to the public.  Artists are also invited to give an illustrated lecture on their work in conjunction with the University of Lethbridge Faculty of Fine Art during the academic year.  Other special events (workshops, panel discussions, etc.) are considered on a case-by-case basis.

The Southern Alberta Art Gallery pays CARFAC fees, shipping and insurance, and often seeks funding to produce catalogues for the exhibition.  All publications, including our quarterly newsletter GALLERY (which discusses and reproduces work by exhibiting artists along with other programming), are exchanged with other institutions in Canada and abroad.

The Southern Alberta Art Gallery fosters the work of contemporary artists who challenge boundaries, encourages broad public engagement and promotes awareness and exploration of artistic expression.  Our work extends to local, national and international communities.

http://saag.ca/art/submission-guidelines/

 

 

 

 

3. appels internationaux

 

 

 

 

 

4. résidences

Onassis AiR 2021/22 open call
February 26, 2021

Onassis Culture
Onassis Stegi
107 Syngrou Ave
117 45 Athens
Greece

T +30 21 3017 8000
info [arobas] sgt [point] gr

www.onassis.org
Facebook / Instagram / Twitter

Onassis AiR, the (inter)national artistic research residency program in Athens (Greece), invites artists, curators, designers, activists, collectives, educators, legal advocates, performance makers, economists, architects, filmmakers and other practitioners from any medium of expression or discipline to apply for the second iteration of The School of Infinite Rehearsals: Movements V–VIII, running between September 2021 and June 2022.

Governance: On Self-Organization & Institutions
Movement V: Self-Organization
September 6–October 24, 2021

Movement VI: Institutions
November 1–December 19, 2021

Economies: On Community Economies & Philanthropy
Movement VII: Community Economies
February 28–April 17, 2022

Movement VIII: Philanthropy
May 2–June 19, 2022

Conceived as a collective research program, The School of Infinite Rehearsals brings together an interdisciplinary group of participants to exchange knowledges and practices around two research topics that we find urgent to address today.

For our second year, we will look inwardly and also outwardly, for the spatial and temporal structures that affect the ways we live, act and come together. How do we relate to others and how do we organize our decisions? What modes of governance do we adhere to and how do we shape them? What economic systems do we choose to be complicit in and how much agency do we claim to implement radical alternatives? How do we institute our knowledge(s) and acknowledge our institutional complacency or complicity?

In fall 2021, Movement V & VI will collectively explore issues of governance, delving into self-organization (Movement V) and institutions (Movement VI).

In spring 2022, Movement VII & VIII will tackle areas of economies, with a focus on community economies (Movement VII) and philanthropy (Movement VIII).

Onassis AiR is not looking for answers, but rather for questions, intricacies, aspirations, intuitive strategies that need to be tested, and for ways to imagine other modes of functioning as societies. In conversation with our current participants, we are transforming to further expand and foster our collective and horizontal ways of thinking and practicing together. For this reason, there will be no conveners or mentors. The 2021/22 Movement Groups (V-VIII) will be convened by the participants themselves, who will co-shape the curriculum according to their proposed individual research interests.

The selection for the Onassis AiR 2021/22 open call will be done in two phases. Phase I follows a peer-to-peer blind-selection method by the current participants of Onassis AiR 2020/21. During Phase II the selected applications will be reviewed by the Onassis AiR team together with an advisory board consisting of Grégory Castéra, Binna Choi & Marianna Takou (Casco Art Institute), Ilaria Conti, Karthik Pandian, and Piergiorgio Pepe.

The working language of fall 2021 & spring 2022 Movement Groups is English.

All accepted participants will receive a research fee, housing, travel to/from Athens, a collective research budget, and other resources.

Our past present
Driven by its founding principles that are based upon collective artistic research and a self-organized and process-oriented ethos, Onassis AiR, the (inter)national artistic research residency program in Athens, continues to evolve as a growing community of peers from Greece and abroad. Like any living organism that continually grows based on information extracted from its surrounding environment, Onassis AiR transforms and adapts its programs with characteristics that are passed from one movement to the next. From individual research needs to fostering a collective research study, the experiential and the tactile have become core components of how we think and practice together. Over the past 18 months, we have experienced different ways of “cohabitation” in the AiR house, that now belongs to more than 50 artists, curators and art practitioners, who between September 2019 and January 2021, have taken part in programs developed by Onassis AiR in collaboration with our participants, colleagues, and guests.

Onassis AiR was established by the Onassis Foundation in September 2019. Onassis AiR team: Ash Bulayev, Nefeli Myrodia, Georgia Giannakea and Myrto Katsimicha.

Please click here to see the full Open Call announcement and link to the application form.

•••••

Appel de résidences – Des résidences sur mesure de 2 à 12 mois – Cité internationale des Arts – Paris – 28/02/2021
2-12

Des résidences sur mesure de 2 à 12 mois

Cité internationale des Arts

Paris, France

Date limite de candidature : 28 février 2021 inclus

Chaque année, la Cité internationale des arts déploie un programme de résidence sur mesure nouvellement intitulé 2-12, sur appel à candidatures et ouvert à toutes les disciplines.

Centré sur le temps nécessaire dont chaque artiste a besoin pour réaliser son projet, il laisse la possibilité à chacun de postuler pour des résidences entre deux et douze mois.

Toutes les informations et questions pratiques à lire ci-dessous et disponibles en téléchargement ICI (merci de bien consulter ces éléments avant le dépot de votre candidature). 

DÉPOSER VOTRE CANDIDATURE

Si vous ne pouvez pas accéder à l’inscription en ligne, vous pouvez contacter le service des résidences de la Cité internationale des arts : commissions [arobas] citedesartsparis [point] fr (link sends e-mail). Il ne sera pas donné suite aux appels téléphoniques.

En savoir davantage

•••••

Call for Applications: Moving Image Lab

Harbour Collective seeks applications from Indigenous artists working in media art for a Moving Image Lab at Meech Lake (Quebec), Mon Aug 23 to Fri Aug 27, 2021.

The Moving Image Lab at Meech Lake (Quebec) was previously set for August 2020, but has been moved to August 2021 due to COVID-19.

Applications process opens: Jan 4, 2021
Application deadline: Mar 24, 2021
Applications notified by: Apr 15, 2021
Lab dates: August 23 – 27, 2021
This call for applications is open to Indigenous artists (18+) working in any art form, interested in learning and expanding knowledge. Applicants should be able to work within an English lab environment.

ABOUT THE LAB
The Moving Image Lab at Meech Lake (Quebec) is a pilot project of Harbour Collective and is funded by the Canada Council for the Arts.

It will provide an intensive opportunity for six emerging to established Indigenous artists from across Canada – with a priority on those living in low-resource settings – to engage in artistic reflection, dialogue, experimentation and exchange focused on personal moving image practices.

The week-long lab will include specialized seminars on:

artistic and creative development concepts in experimental moving image art practices
historical concepts connected to the site of the institute (Meech Lake)
technical concepts, including video and sound production and post production systems and workflows
working process concepts, including how to move past the ideas stage
LAB FACULTY
Howard Adler (Ottawa)
Cecilia Araneda (Winnipeg)
Jason Baerg (Toronto)
Cooper (Ottawa)
Penny McCann (Ottawa)
Learn more about the faculty here.

COSTS
There is NO FEE to apply!
Selected applicants will receive a full scholarship for tuition, room and board during the lab, as well as a $1,000 honorarium upon lab completion.
As space in the program is limited, applicants who are selected to participate in the lab will be asked to pay a $250 deposit to reserve their spot. This deposit will be reimbursed in full upon lab completion.
Selected applicants will be responsible for their own transportation to Ottawa. We will provide transportation from Ottawa to the lab site. 
Selected applicants will be responsible for providing their own external hard drive for media storage (recommended 1-2 TB minimum)
APPLICATION PROCESS
>> SUBMISSIONS FORM (click to open the form in a new window)

An application package includes:

Contact information
A current CV (Word or PDF)
A paragraph explaining what you are interested in achieving through the lab (type into form)
Two samples of recent art works (in any discipline)
Inquiries can be sent to program manager Liz Barron at info [arobas] harbourcollective [point] ca

Harbour Collective acknowledges the support of the Canada Council for the Arts for this program. 

 

 

 

 

 

 

 

5. art public

Le ministère du Tourisme, du Patrimoine et de la Culture (TPC) du Nouveau-Brunswick invite les artistes professionnels à soumettre des propositions pour la conception, la création et l’installation d’œuvres d’art public à la nouvelle école Arc-en-ciel située à Oromocto, au Nouveau-Brunswick. Le budget total pour la commande d’oeuvres d’art public à cet endroit est de 50 000$.
L’appel aux artistes pour l’école Arc-en-ciel est maintenant ouvert aux artistes professionnels ! Si vous souhaitez partager l’appel ou revoir les informations, il est disponible sur notre site web : Appels et projets d’œuvres d’art public (gnb.ca) et Appel aux artistes Arc-en-ciel (snb.ca).

La date limite pour les propositions est le 12 mars.
Si vous avez des questions, n’hésitez pas à contacter Claire Gulliver au (506) 429-7246 | claire [point] gulliver [arobas] gnb [point] ca.

https://www2.snb.ca/content/snb/fr/services/services_renderer.201524.Appel_aux_artistes_Maplehurst_Arc-en-ciel.html

•••••

City of Mississauga – Expressions of Interest
Community Engaged Permanent Public Art: Mississauga’s Meadowvale Theatre
DEADLINE: Monday, March 1, 2021 by 4 p.m. EST.

The City of Mississauga’s Public Art Program invites professional artists and artist-led teams to submit expressions of interest to design a community engaged permanent public artwork integrated into glass panels located in the lobby of Mississauga’s Meadowvale Theatre (6315 Montevideo Rd, Mississauga, ON L5N 4G7), as part of the Theatre’s renovation initiative.

All costs and tasks associated with the fabrication, installation and maintenance of the artwork will be paid for and coordinated by the City of Mississauga.

The artwork will be produced onto glass panels surrounding the Theatre’s control room in the building’s lobby and will be fabricated, installed, and maintained by the City of Mississauga and its contractors. The commissioned artist(s) will be expected to complete the design of the project by October 2021.

The vision of the City’s renovation of Meadowvale Theatre is to contribute to the creation of a welcoming arts space, where residents and artists discover the possibilities for growth and development through artistic and cultural experiences.

Meadowvale Theatre acts as both a prestigious performing arts venue and an important gathering place that draws residents together and contributes to the city’s cultural, social, and economic vitality. The building is an important cultural destination and a community space and incubator for emerging artists. The artwork is to be community engaged work because the Theatre is too – this public art installation will play an important role in connecting the Theatre’s users and visitors to the space, both as a prestigious event venue and as a community arts and culture hub.

 

The selected artist(s) must be willing to work with community members to inform the design of the artwork and it is expected that the selected artist(s) will facilitate opportunities for community engagement. The artist will create a digital file of their artwork, which will be provided to the City to fabricate and install onto the glass. Artistic integrity will be respected by all project team members.

Submissions to this call are due March 1, 2021. The selected artist(s) will work with community members to develop the design of the artwork. Public art will be fabricated and installed through Q1 2022 and unveiled in Q3 2022.

Total budget for this project is $15,000 CAD + HST

To learn more about this opportunity, including eligibility criteria and submission requirements, review the full Call to Artists made available here.

Any requests for clarification and questions regarding this artist opportunity must be submitted in writing via email to philippa [point] french [arobas] mississauga [point] ca.

•••••

Call for Expressions of Interest: Permanent Public Art for Meadowvale Bridges, Mississauga

City of Mississauga – Expressions of Interest
Permanent Public Art for Meadowvale Bridges
DEADLINE: Monday, March 8, 2021 by 4 p.m. EST.

The City of Mississauga Public Art Program invites Canadian professional artists or artist teams to submit credentials and expressions of interest to create an original public artwork for the exterior metal structure of two pedestrian overpass bridges: Winston Churchill Bridge (on Winston Churchill Blvd north of Britannia Road) and Derry Road Bridge (on Derry Road, east of Glen Erin Drive).

Artists or artist-led teams may submit applications to one or both of the bridges. The proposed artwork can include both two- and three-dimensional components and a combination of materials.

The commissioned artist(s) will be expected to complete the project by October 2021.

Submissions to this call are due March 8, 2021. Up to six (6) artists will be shortlisted and invited to submit a conceptual design proposal as part of Stage Two of the selection process. A detailed Terms of Reference project document will be provided to help short-listed artists prepare their proposals. The shortlisted artists will be paid an honorarium of $500.00 CAD per bridge upon the submission of all items required for Stage Two.

The total budget for this project is a maximum of $45,000 + HST CAD for the Derry Road Bridge and $40,000 + HST CAD for the Winston Churchill Bridge.

To learn more about this opportunity, including eligibility criteria and submission requirements, review the full Call to Artists made available here.

 

Any requests for clarification and questions regarding this artist opportunity must be submitted in writing via email to philippa [point] french [arobas] mississauga [point] ca.

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Programme d’art mural 2021 / Ville de Montréal
12 mars 2021
 
/ Montréal (Québec)
 
Dans ses politiques et programmes, la Ville de Montréal a notamment pour objectifs d’améliorer la qualité des milieux de vie, de favoriser l’accès aux arts et à la culture, d’encourager l’engagement des citoyen.ne.s dans l’amélioration de leur milieu, d’entretenir et d’embellir la ville et de soutenir et mettre en valeur la création artistique. Le Programme d’art mural 2021 comprend trois volets répondant chacun à des objectifs et des critères d’appréciation distincts et soutient des projets réalisés sur l’ensemble du territoire montréalais. Les volets 1 et 3 sont financés dans le cadre de l’Entente sur le développement culturel de Montréal conclue entre la Ville de Montréal et le gouvernement du Québec, tandis que le volet 2 est entièrement financé par la Ville.

Le dépôt des formulaires et des dossiers doit être effectué par courriel à l’adresse suivante : artmural [arobas] montreal [point] ca avant le vendredi 12 mars 2021 à midi. Les dossiers incomplets ne pourront être présentés au jury; il est de la responsabilité de l’organisme de s’assurer de la conformité de son dossier.

En savoir plus

•••••

StreetARToronto Partnership Program
Applications now open to Not for Profit and Community Organizations, Artists and Artist Collectives
Application Deadline: February 22, 2021, 11:59pm

Learn more by attending the StART Information Session on January 20, 2021 at 1:00 pm. A video link to a recording of this session will be posted to our website for those who cannot attend.

The City of Toronto is seeking submissions for StreetARToronto’s Partnership Program. The application is open to individual Artists, Artist Collectives, and not-for-profit or charitable organizations operating in the city of Toronto.

This project is being implemented by StreetARToronto (StART), part of the Neighbourhood Projects Section of the City of Toronto’s Transportation Services Division.

 

 

Background:
StART Partnership Program is designed to encourage active transportation (walking and cycling), add colour and vitality to neighbourhoods to make our streets more inviting and safe, showcase Toronto artists, demonstrate the positive and powerful impacts of diversity and inclusion, and create opportunities for positive engagement among residents, business owners and operators, artists and arts organizations.

StART provides up to $60,000 in funding for partnership projects that support program objectives. StART strives to support a diverse range of artists and organizations, increase mentorship opportunities through street art installations, develop the talents of local emerging artists and expand the variety and scope of projects supported every year.

All proposed projects and their related activities must be located within the City of Toronto with maximum street visibility and neighbourhood impact. Written authorization from the property owner is required at the time of application.

Projects must demonstrate a strong community engagement component. StART requires applicants to host public consultations or events to inform the community about their projects and obtain feedback, to help create a sense of belonging among all. Mentorship or training opportunities for youth or emerging artists are encouraged.

Submissions are evaluated by an Advisory Committee using a consistent set of assessment criteria.

Application Deadline: February 22, 2021, 11:59pm (eastern)

Download the application package: https://bit.ly/3p60d4N

For more information or general questions please contact streetart [arobas] toronto [point] ca or visit StART’s website at www.toronto.ca/streetart

•••••

Call for Expressions of Interest: The Rooster of Barcelos Project 2021

Call for Artists: The Rooster of Barcelos Project 2021
Applications now open. The City of Toronto is seeking submissions for The Rooster of Barcelos Project in conjunction with the Little Portugal on Dundas BIA, StreetARToronto; the Office of Deputy Mayor, Ana Bailao and The Consulate General of Portugal in Toronto. The application is open to individual Artists, Artist Collectives, and not-for-profit or charitable organizations operating in the city of Toronto.

Background:
The Rooster of Barcelos Project will be located in Little Portugal At Dundas West & Lakeview Ave (1212 Dundas St. W, at the Lakeview Ave. Parkette). A rooster statue has been gifted by the Municipality of Barcelos, Portugal to the City of Toronto to be designed, painted and displayed in Little Portugal, Toronto. This concrete statue (2.8 m. X 1.9 m.) is a blank canvas to be re-imagined by an Artist according to one or both of the guiding themes outlined below.

The Barcelos Rooster, commonly called the Portuguese Rooster, is said to be the embodiment of the Portuguese love of life. It is an unofficial symbol of Portugal found throughout Portugal in town squares, art work and souvenir trinkets. The Rooster stands for pride, hope, a new day, fertility, resurrection and as well as other cultural meanings. In this call, the meaning and symbology of the rooster will be explored in two main ideas or guiding themes:

1. The universal meaning of the rooster as a symbol of the sun.
2. The historical legend of the “Galo de Barcelos” or the Barcelos Rooster.
Submissions can respond to one or both themes.

This Artist Call is Stage 1 of a Two-Stage selection process.

How to apply:
Interested applicants must submit their expressions of interest by February 14, 2021, 11:59pm (eastern)

APPLY ONLINE HERE

For more information or general questions please contact: streetart [arobas] toronto [point] ca or roosterprojecttoronto [arobas] gmail [point] com or visit StART’s WEBSITE.

Key Program Dates:
Submission Deadline: February 14, 2021
Stage 1. Short-listed Artist Selected: March 5, 2021
Stage 2. Final Design Selected: April 5, 2021
Public Artwork Production/ Installation Period: June 2021 – September 2021

How will submissions be assessed?
Review committee members have been selected on the basis of their familiarity with a broad spectrum of public art practices, specialized expertise, fair-mindedness, and regional representation. The committee will assess submissions based on: clarity of project concept; alignment with theme and merit of applicant’s arts practice.

 

 

 

6. pour commissaires

 
La revue culturelle dédiée à la scène artistique de la ville de Québec À l’est de vos empires* est à la recherche de textes éclairés et perspicaces, intelligents et stimulants, mais également accessibles et réfléchis. Nous sommes intéressés par les textes critiques consacrés au domaine des arts visuels, mais aussi par les essais artistiques et les créations poétiques.

Nous raffolons de textes traitant de la théorie des arts et désirons également lire vos comptes rendus d’expositions et d’évènements se déroulant dans la capitale.

On demande aux auteur.rice.s intéressé.e.s de faire parvenir à l’adresse d’À l’est, alestdevosempires [arobas] gmail [point] com, une courte proposition de texte (100 mots), accompagnée d’un CV et d’une biographie succincte** (50 mots).

Nous encourageons la rédaction de textes d’une longueur de 500 mots, bien que nous soyons également ouvert.e.s à des formats novateurs adaptés à vos propositions artistiques ou poétiques originales. Un cachet de 50$ sera offert à nos contributeur.rice.s suite à la publication de leur texte. Les textes retenus puis révisés par notre comité de rédaction seront publiés sur notre site web et partagés dans notre infolettre, en parallèle à nos baladodiffusions hebdomadaires.

Site web

•••••

Appel à contribution

La Revue de Paris fait appel à contribution d’auteurs
qui souhaitent divulguer un article déterminant en lien avec l’art.
—
L’article peut être un texte d’analyse, un entretien,
un texte sur l’actualité ou encore un portrait.
—
Rendez-vous sur le site de la Revue de Paris
pour soumettre votre contribution.

Lien