La Liste de l’Association des groupes en arts visuels francophones présente les nouvelles de ses membres en Nouvelle-Écosse, au Nouveau-Brunswick, en Ontario et au Manitoba, et compile les appels de dossiers en arts visuels, arts médiatiques, performance, art public, etc.
N’hésitez pas à la faire circuler. Vous pouvez consulter La Liste sur Internet, vous y abonner pour la recevoir gratuitement par courriel: liste.agavf.ca. Visitez l’AGAVF sur internet: www.agavf.ca
Nouvelles des membres de l’AGAVF
Julie Forgues & Heather Keung @ Le Labo pendant le festival contact de photographie
Le Laboratoire d’Art (Le Labo) (Toronto)
Julie Forgues & Heather Keung – Commissariat par Alissa Firth-Eagland
Corps & plan: festival contact de photographie
du 30 avril au 29 mai 2011
Vernissage le 30 avril de 18h à 21h
Distillery District, 55 rue Mill Street, Cannery Bldg #58
Studio 317, Toronto, Ontario
www.lelabo.ca
Maison des artistes visuels (Saint-Boniface)
Mélanie Rocan – Pleine de peinture
du 24 mars au 30 avril 2011
219, boulevard Provencher à Saint-Boniface, Manitoba
www.maisondesartistes.mb.ca
Centre culturel franco-manitobain (Saint-Boniface)
Yanick Sasseville – Beautés tragiques
Du 24 mars au 8 mai 2011
340, boulevard Provencher à Saint-Boniface, Manitoba
www.ccfm.mb.ca
Galerie Sans Nom (Moncton)
Institut de l’artefact – Zone d’interaction publique. Enquête 1
Sadie Benning – Une sélection d’œuvres
Alisa Arsenault – Ainsi soit-il
du 22 avril au 6 mai 2011
140, rue Botsford, rez-de-chaussée du Centre culturel Aberdeen
Moncton, Nouveau-Brunswick
www.galeriesansnom.org
Galerie Voix Visuelle (Vanier)
François Mathieu – Joan Rzadkiewicz
du 7 mai au 14 juin 2011
vernissage : le samedi 7 mai à 13h
appel de dossier en cours
81 avenue Beechwood à Vanier
www.voixvisuelle.ca
Galerie Glendon (Toronto)
L’École s’expose
Participants : étudiants des classes de 11e et de 12e en arts visuels, Collège Français
Dates : 10 au 14 mai 2011
Vernissage : 7 mai, 14 h – 16 h
2275 av. Bayview, Collège Glendon, York Hall, C-130, Toronto
www.glendon.yorku.ca/gallery
Le Trécarré (Pointe-de-l’Église)
collection de la galerie d’art de la Nouvelle-Écosse
avec: Joyce Weiland, John Boyle, Gordon Smith, David Thauberger, Jacques Hubertise, Rita Letendre, Daphne Odjig, Ken Danby, Suezan Aikins et Jack Chambers
du 13 avril au 29 mai 2011
Université Sainte-Anne, Nouvelle-Écosse
letrecarre.blogspot.com
Galerie SAW Gallery (Ottawa)
take me to your leader — — lead me to your taker
Artistes : Ming Hon (Winnipeg), Divya Mehra (Winnipeg / New York), Hope Peterson (Winnipeg) + Jeanne Randolph (Winnipeg)
Commissaires : Free Associates (Kendra Ballingall, Joanne Bristol + Sigrid Dahle, Winnipeg)
Du 26 avril au 7 juillet 2011
67, rue Nicolas à Ottawa
www.galeriesawgallery.com
Galerie du Nouvel-Ontario (Sudbury)
Daniel Olsen – three ghosts
spectacles 5, 6 et 7 mai à 20 h
vernissage dimanche 8 mai à 13 h
installation sonore du 8 au 27 mai 2011
174, rue Elgin, Sudbury
www.gn-o.org
Galerie d’art Louise et Reuben-Cohen (Moncton)
Exposition annuelle des finissantes et des finissants du Département des arts visuels de l’Université de Moncton
Jessica Arseneau – Rémi Belliveau – Christine Brideau – Jessie Goulet – Sara LeBlanc – Jean-Denis Migneault – Louise Thériault – Christine Comeau – Travis Melanson
du 15 avril au 29 mai 2011
vernissage: jeudi 21 avril de 19h à 21h
Pavillon Clément-Cormier
Centre universitaire de Moncton
www.umoncton.ca/umcm-ga
1. appels en français du Canada
3e Impérial – Granby – 15 juin 2011
Concours de peintures canadiennes RBC 2011 – 11 mai 2011
Galerie d’art du Théâtre Capitol – Moncton – 31 mai 2011
Prix du Gouverneur général en arts visuels et en arts médiatiques – 1er juin 2011
Voix Visuelle – Ottawa – 1er juin 2011
Exposition internationale d’estampe numérique miniature 6 – Ottawa – 30 juin 2011
La Galerie Verticale – Laval – 28 mai 2011
Le Lieu – Québec – 13 mai 2011
2. appels en anglais du Canada
Modern Fuel – Kingston – 1er mai 2011
OIL: Emmedia Gallery – Calgary – 1er juin 2011
Imaginative 2011 – Toronto – 1er juin 2011
appel à communications: Post-disciplinarity and sloppy craft – Ottawa – 15 mai 2011
Toronto urban film festival – 31 mai 2011
Permanent public art work: City of Toronto – 6 mai 2011
Artspace – Peterborough – 16 mai 2011
Toronto Animated Image Society – 16 mai 2011
Truck Contemporary Art Gallery – Calgary – 3 mai 2011
4 appels de InterAccess Electronic Media Arts Centre – Toronto – 16 mai 2011 et en tout temps
3. appels internationaux
Rencontres Internationales Sciences et Cinémas – Marseille – 20 mai 2011
College art association – Los Angeles – 2 mai 2011
Art in odd places – New York – 8 mai 2011
résidence: El Ranchito – Madrid – en cours
résidence Diogène urban bivouac – Turin – 16 mai 2011
résidence HMK {Hotel MariaKapel} – Hoorn – 1er juin 2011
Stop & Go 3-D – San Francisco – 15 novembre 2011
Bus Stop Cinema – Hay-on-Wye – 14 mai 2011
résidence : Centre de Création Artistique de la Montagne Thiernoise – en cours
Programme Cité internationale des Arts – accueil des artistes étrangers – Paris – 6 mois avant la date de séjour demandé
Programmes de recherche/création – programme hors les murs – Paris – 30 avril 2011
Résidence au Japon: Akiyoshidai International Art Village – Yamaguchi – 1er août 2011
Going Green – CRossing Art – Queens, New York – 10 juin 2011
Visual Overture Magazine – en cours
ARTErra – 15 mai 2011
résidence Cal Gras – Avinyo – 12 juin 2011
Résidence d’artistes 2012, domaine d’Abbadia – 30 juin 2011
Oficinas do Convento, Portugal – 13 mai 2011
4. divers
Faites parler la voix des arts par votre vote
Mise en ligne des actes de colloque de la Conférence Res Artis 2010
1. appels en français du Canada
R É S I D E N C E + A R T I N F I L T R A N T
A P P E L A U X A R T I S T E S
Nous invitons les artistes en art actuel à explorer les zones sensibles du territoire humain et géographique dans le contexte du programme de résidence du 3e impérial centre d’essai en art actuel.
Le prochain cycle de programmations du 3e impérial aborde la posture de l’artiste sous l’angle de l’étrangeté et du pouvoir catalyseur de l’art : invention du quotidien, habileté à créer des protocoles ludiques, inédits, à circuler dans des réseaux inexplorés. C’est à partir de ces prémices de création que nous invitons les artistes en art actuel à venir explorer les zones sensibles du territoire humain et géographique dans le contexte d’une résidence de cinq semaines.
Date de tombée: 15 juin 2011
Tous les détails sur > http://www.3e-imperial.org/soumission
3e impérial, centre d’essai en art actuel
164 rue Cowie, bureau 330
Granby, Québec, Canada
J2G 3V3
Tél. 450-372-7261
www.3e-imperial.org
25 ans d’art infiltrant !
> http://www.3e-imperial.org/
•••••
Concours de peintures canadiennes RBC 2011
La période de mise en candidature pour le Concours de peintures canadiennes RBC 2011 est maintenant commencée. Les formules de participation seront acceptées jusqu’à 17 h 00 HE, le 11 mai 2011.
http://www.rbc.com/commandites/paintingcompetition/index.html
•••••
Artistes visuels recherchés en 2012 à la Galerie d’art du Théâtre Capitol
La Galerie d’art du Théâtre Capitol est encore
une fois à la recherche d’artistes visuels
désirant mettre sur pied une exposition durant
l’année 2012.
Les artistes visuels d’ici et d’ailleurs ont
jusqu’au 31 mai 2011 pour soumettre leur candidature.
Tout comme les dernières années, les
artistes sélectionnés recevront un cachet de 500
$.
Situé sur la rue Main, au centre-ville de Moncton,
le Théâtre Capitol est d’abord et avant tout
un centre des arts de la scène. Il permet cependant
d’accueillir les artistes des disciplines
touchant les arts visuels.
La Galerie d’art du Théâtre Capitol se trouve
dans la partie avant du Foyer Irving du centre
des arts de la scène et est devenue une aire
d’exposition importante. Grâce aux nombreux
spectateurs qui assistent aux spectacles et aux
divers événements du Théâtre Capitol, les
expositions bénéficient d’une excellente visibilité.
Un comité des arts visuels coordonne la sélection
des artistes. Les expositions durent environ
deux mois, selon les autres activités prévues
au théâtre. Les artistes intéressés à devenir
exposant à la Galerie d’art du Théâtre Capitol
doivent remplir le formulaire de demande
d’exposition et le remettre au Théâtre Capitol,
avec le portfolio, avant le 31 mai prochain.
Le portfolio comprend une courte biographie
de l’artiste, y compris une liste des expositions
antérieures et des expositions futures confirmées,
une description de l’exposition proposée
et un minimum de dix diapositives ou photos de
ses oeuvres récentes avec une liste où figurent le
titre des oeuvres, la technique utilisée, la taille
des oeuvres et la date de réalisation.
Pour plus d’information ou pour vous procurer
le formulaire de demande, visitez le site Web
du Théâtre Capitol au www.capitol.nb.ca et
téléchargez le formulaire qui se trouve sur la
page de la Galerie d’art, ou composez le 506-
856-4377, ou encore rendez-vous au Théâtre
Capitol, au 811, rue Main, à Moncton.
•••••
PRIX DU GOUVERNEUR GÉNÉRAL EN ARTS VISUELS ET EN ARTS MÉDIATIQUES DE 2012
Les Prix du Gouverneur général en arts visuels et en arts médiatiques sont les plus grandes distinctions accordées pour l’excellence en arts visuels et en arts médiatiques au Canada.
Aidez-nous à rendre hommage aux artistes canadiens d’exception. Proposez le nom d’un artiste qui, selon vous, est digne de l’un de ces prestigieux prix.
Date limite de mise en candidature :
le 1er juin 2011
http://www.conseildesarts.ca
•••••
Voix Visuelle
Appel de dossiers / L’inconscient de l’œil par le sténopé numérique
APPEL AUX ARTISTES DE TOUT LE PAYS QUI SE SERVENT DE LA PHOTOGRAPHIE
DANS LEUR PROCESSUS CRÉATIF EN ART ACTUEL.
Double défi:
1- Montrer l’invisible en se servant de la photographie
2- Utiliser un processus ancien, le sténopé, adapté à la technologie
moderne, un appareil numérique à objectif interchangeable. (Il n’y a
qu’à enlever l’objectif et le remplacer par un carton noir ou le
bouchon, percé d’un petit trou. Le temps -de pose- fera le reste!)
Laissez entrer un peu de vie dans l’image par le sténopé. Quand la
profondeur de champ est augmentée par la longueur de temps
d’exposition, la magie peut mieux opérer. Seule la photographie peut
révéler l’inconscient de l’œil. Vous prenez une photo et puis, c’est
la photo qui vous prend. Cette valeur ajoutée que Barthes nommait
punctum, c’est en négligeant un instant la raison qu’elle peut surgir.
Le hasard s’approche quand le contrôle nous échappe…
André Paquin, commissaire de l’exposition qui sera présentée au Centre
d’artistes Voix Visuelle en septembre 2011.
www.voixvisuelle.ca
Date de tombée: Le mercredi 1er juin 2011
Toute présentation de dossier doit être uniquement proposée sur disque
CD ou DVD. Inclure une enveloppe de retour pré-affranchie pour qu’on
vous retourne votre disque.
N’envoyez aucun document sur papier.
Les demandes doivent inclure :
-Curriculum vitae (maximum 3 pages)
-Un texte de démarche artistique et/ou votre intention de projet (150 mots)
-Liste détaillée de la documentation visuelle (numéros, titres et annotations)
-Maximum 20 images numériques (en format JPEG d’environ 5”x7” @ 300 ppp)
VEUILLEZ FAIRE PARVENIR VOTRE DEMANDE À :
a/s André Paquin
Voix Visuelle
81 avenue Beechwood
Ottawa, Ontario
K1M 1L7
•••••
Exposition internationale d’estampe numérique miniature 6
Lieu : Ottawa (Ontario) Canada
Nous invitons tous les artistes professionnels à participer à la sixième exposition internationale d’estampe numérique miniature, qui se tiendra à Ottawa (Canada) du 5 novembre au 10 décembre 2011. On demande aux artistes de soumettre leurs estampes numériques de 25 cm par 20 cm (jusqu’à deux par artiste) au plus tard le 30 juin 2011. L’édition 2011 de l’exposition porte le thème Le corps transformé. Le texte expliquant le thème se retrouve sur le site web. L’artiste doit remplir le formulaire et rédiger un court texte faisant le lien entre l’œuvre présentée et le thème de l’exposition. La commissaire, Katy Le Van, fera la sélection des œuvres pour l’exposition et un jury composé de trois artistes réputés décerner trois prix en argent et des mentions d’honneur. La participation à l’exposition est gratuite pour tous. L’exposition se tiendra au Centre d’artistes Voix Visuelle.
•••••
La Galerie Verticale
APPEL DE CANDIDATURE
PROJET COMMISSAIRES INVITÉS HORS MURS
Programmation 2012-2013
La Galerie Verticale lance un appel de candidature aux commissaires d’expositions afin de souligner le 25e anniversaire de l’organisme fondateur, la Société des arts visuels de Laval. Dans l’intention de varier sa formule de diffusion, la Galerie Verticale se tourne d’emblée vers l’exploration et la diversification des modes de diffusions des œuvres et des interventions artistiques hors murs. Ceci nous donnera l’occasion d’utiliser le potentiel de l’environnement urbain et naturel qui servira de matière première aux commissaires et artistes invités. Souhaitant nous rapprocher de la communauté lavalloise, nous élaborons donc une programmation se rapportant à notre réalité.
Nous souhaitons présenter des artistes, architectes, designers ou tous autres créateurs qui inscriront dans la ville toutes formes d’interventions artistiques qui sauront révéler de nouvelles expériences esthétiques au public rendant compte de la permanence et du mouvement, de l’ordre et du désordre de la ville.
NATURE DES PROJETS RECHERCHES :
· Installations monumentales
· Projets déambulatoires et parcours artistiques
· Installations / architectures éphémères, interactives
· Projet artistique faisant intervenir le végétal
· Design sonore d’espaces publics, d’infrastructures, de bâtiments
· Projets artistiques impliquant la communauté lavalloise
· Locative art
· Projets faisant appel aux technologies mobiles, à l’interactivité et aux TIC
· Projets en lien avec les pollutions urbaines : pollutions sonores, visuelles, atmosphériques, électromagnétiques…
MANDAT DES COMMISSAIRES :
· Proposer un projet répondant à la direction artistique décrite mentionnée ci-haut.
· Réaliser une sélection d’artistes et des oeuvres
· Établir le premier contact avec les artistes et les auteurs et obtenir leur accord (le centre prendra ensuite le relais pour les étapes subséquentes
· Rédiger un texte pour publication accompagnant le projet
· apporter son soutien à l’équipe de la Galerie Verticale pour la rédaction des demandes de subventions et des communiqués de presse;
· être présent pour le vernissage et disponible pour d’éventuelles présences médiatiques.
DÉPÔT DES CANDIDATURES
Les candidats intéressés devront faire parvenir :
· un CV à jour
· une brève description du projet de commissariat, expliquant le choix des artistes exposants.
· Dix images des œuvres présélectionnées [il peut s’agir de vues d’installation ou d’esquisses d’œuvres en cours de production] sur CD ou DVD, avec fiche descriptive correspondante indiquant le nom de l‘artiste, le titre de l’œuvre et l’année de réalisation;
· Deux textes publiés [ou en voie de publication];
· Votre dossier de presse et publications.
Les commissaires doivent faire parvenir leur dossier au plus tard le 28 mai 2011 PAR LA POSTE UNIQUEMENT : Galerie Verticale Projet commissaire invité[e]
397, boulevard des Prairies, Espace 412
Laval, (Québec)
H7N 2W
INFORMATIONS
La Galerie Verticale est un centre d’artistes autogéré reconnu et sans but lucratif, au service de la communauté et de son développement culturel. Ouverte au public, elle soutient la production, l’étude et la diffusion de l’art actuel à des fins d’innovation, d’expérimentation, d’éducation et d’échanges critiques.
Agissant sur une base locale, nationale et internationale, la Galerie Verticale intègre toutes les phases allant de la création à la diffusion. Elle supporte et encourage les propositions d’artistes professionnels et de commissaires indépendants, qu’ils soient émergents ou établis en art actuel.
•••••
13 mai 2011
Programmation 2012 / Le Lieu
Lieu : Québec (Québec) Canada
Dans le cadre de sa programmation en salle de janvier à décembre 2012, Le Lieu, centre en art actuel lance un appel de dossiers aux artistes de l’art action et de la performance de meme qu’à ceux de l’installation, in situ et contextuelle. L’appel est ouvert aux artistes locaux, nationaux et internationaux.
VOTRE DOSSIER DOIT COMPRENDRE/PROPOSALS SHOULD INCLUDE :
– un texte présentant votre parcours artistique/an artist statement
– un curriculum vitæ (indiquer absolument une adresse courriel)/a CV (it is essential to include an email address)
– un dossier visuel (photographies, cédéroms, DVD) ou tout autre document essentiel à la compréhension de votre dossier
– une enveloppe préaffranchie si vous souhaitez récupérer votre dossier
INFORMATIONS GÉNÉRALES
– les dossiers seront évalués par un comité de pairs
– par souci écologique, vous recevrez notre décision par courriel/Due to concern for the environment, we will send decisions about proposals by email
– un plan de la galerie est disponible
(http://www.inter-lelieu.org/FR/lieu_appel-dossier.php)
Les dossiers doivent être déposés au plus tard le vendredi 13 mai 2011
Les dossiers peuvent être acheminés
Par voix postale à
Comité de programmation
Le Lieu, centre en art actuel
345, rue Du Pont, Québec (Québec) G1K 6M4
Le cachet de la poste fait foi/ The portfolio must be postmarked
OU
Par courrier électronique à l’adresse suivante programmation [arobas] inter-lelieu [point] org
www.inter-lelieu.org
2. appels en anglais du Canada
Modern Fuel is currently seeking submissions for exhibitions and presentations of innovative, contemporary artwork in any visual media for its 2012-2013 programming season. Emerging artists are welcome. Artist fees are paid. We welcome proposals for solo and group exhibitions in our Main Gallery and our State of Flux Project Room, performances, curatorial projects, collaborative projects, lectures, workshops and other events. For more information about submissions and exhibition spaces please consult our website (www.modernfuel.org). Deadline: postmarked May 1st, 2011.
All proposals are reviewed by Modern Fuel’s programming committee. Please note applications for exhibitions (both solo and group), may be considered for inclusion in any group exhibitions that are curated in-house. Submissions for general consideration may be made anytime in time for our annual deadline of May 1st. Only successful applicants will be notified by Modern Fuel by August 31st, 2010.
Application materials will be returned if a Self Addressed & Stamped Envelope is included.
Please send the following:
————-
1. Exhibition or project description (max one-page).
———–
2. CV
———–
3. Support Material
-a maximum of 20 images of current work related to your proposal. Include a separate image list (titles, dimensions, dates, media). Images must be in digital format submitted on CD or DVD, (emailed images or website links will not be considered) and formatted to the following specifications:
-JPEG files only
-1024 pixels wide and 768 pixels high.
-1 MB maximum.
-RGB, or grayscale colour mode files only (no CMYK).
-Number and title each file (digital still); the number must appear before the title so that the order of the images will correspond to the image list, example: 001RedPainting.jpg.
-Do not submit images embedded in the following programs or formats: iphoto, Powerpoint.
AND/OR
-a maximum of 20 minutes of time-based work on DVD. Time-base work can also be submitted as a computer-based media format that can be read by the following programs:
-Quicktime, RealOne Player, or are in the following formats: .mov .mp4 .avi.
Include a separate documentation list (title, length, year, medium).
If you are submitting a combination of images and time-based work, subtract one digital still for every 2 minutes of time-based work submitted.
For more information on submissions please contact us at:
Modern Fuel Artist Run Centre
21 Queen St, Kingston ON K7K 1A1
Web: www.modernfuel.org
Email: modernfuel [arobas] bellnet [point] ca
Phone: (613) 548-4883
•••••
CALL FOR SUBMISSIONS: OIL
Presented by EMMEDIA Gallery & Production Society
Curated by Daniel Dugas
Deadline: June 1, 2011 @ 4:30PM (MST)
Oil. It fuels our cars, it furnishes our homes, it feeds our debates, our wars. Oil, almost magic, which can be transformed into a multitude of products, toys, fertilizers, carpets, shampoo, insulation, golf balls, credit cards, lipsticks, plastic bags, bottles. A strange philosophers’ stone giving immortality to pop bottles and plastic forks.
How are we going to negotiate our dependency and oil addiction with our environmental concerns? Who defines the Industry practices? How can the individual contribute to the emergence of solutions? What is the role of the artist, writer, poet?
OIL is looking for slick short videos to fuel the discussion! Daniel Dugas will curate the program, through a call of submissions that is open to local, national and international artists. We are looking for videos that address and explore the issues and relationships we have with oil, either politically and/or poetically. The program will be screened on July 12, 2011, which is the one-year anniversary of the capping of the BP well in the Gulf of New Mexico.
To submit your short film/video:
– Must be under 5 min.
– Must be submitted on either data DVD as a .mov file or Mini DV, if sending by mail.
– A .mov file can be uploaded onto our FTP server (Please contact programming [arobas] emmedia [point] ca for more details)
– Must not be an original copy as EMMEDIA will not accept responsibility for loss of, or damage to any submissions.
Please note:
– Submissions will not be returned unless accompanied by a SASE.
– Artists will be contacted if selected. Please no phone calls.
– If you are selected, screening fees will be paid in accordance with the Independent Media Arts Alliance (IMAA) fee schedule.
Please send your submissions to:
Attn: OIL submission
EMMEDIA Gallery & Production Society
#203, 351 – 11 Ave SW
Calgary, AB
T2R 0C7 CANADA
All submissions must be received by EMMEDIA on Wednesday, June 1, 2011 @ 4:30PM (MST). Postmarked or late submissions will not be accepted.
For more information, please contact Vicki Chau, Programs & Outreach Coordinator, at:
programming [arobas] emmedia [point] ca
1.403.263.2833
Curator Bio:
Daniel Dugas is a poet, musician and videographer. He holds an MFA, Time Arts from the School of the Art Institute of Chicago. He was an artist in residence at: the Banff Centre, in both in the Visual Arts and in the Music Department; Sculpture Space, New York; EMMEDIA, Calgary; A.I.R. Vallauris, France, and more recently at the Sydney College of the Arts, Sydney, Australia.
His sixth book of poetry: Hé!, was published last spring by Les Éditions Prise de Parole, Sudbury, Ontario. This spring, he will be participating in the Festival international et Marché de Poésie Wallonie-Bruxelles as well as the Frye Festival. Daniel is currently living in Moncton, New Brunswick where he is pursuing a PhD in creative writing at the Université de Moncton.
•••••
imagineNATIVE 2011 CALL FOR SUBMISSIONS
Be part of imagineNATIVE’s 12th Anniversary Year!
SUBMISSION DEADLINE: JUNE 1, 2011
It’s that time of year once again for you to submit your film, video, radio and new media works for the 12th annual imagineNATIVE Film + Media Arts Festival. This year’s Festival runs from October 19-23, 2011 in Toronto, Canada. imagineNATIVE is an international Festival that celebrates the latest works by Indigenous peoples at the forefront of innovation in film, video, radio and new media. Each fall, the Festival presents a selection of the most compelling and distinctive Indigenous works from Canada and around the globe. The works accepted reflect the diversity of the world’s Indigenous nations and illustrate the vitality and excellence of our art and culture in contemporary media.
imagineNATIVE considers film, video, radio and new media (web-based) works made by Canadian and international Indigenous artists. The Festival strives to represent a diversity of ideas, themes and genres in its programming. The Festival prioritizes works that balance unique content, cultural and social relevance, and a creative approach to form, characterized by innovative expression, distinctive style, and personal vision. Emerging and Student artists are encouraged to submit their work. Priority is given to works that have not yet been broadcast in Canada or on the Internet. International and Canadian premiere status is also a consideration. News reports, extended reportage, television magazine formats, and information programming or segments (such as PSAs) are not eligible (see website for a complete listing of rules and guidelines).
If you are planning to submit, let us know! Send an email to Daniel Northway-Frank, Programming + Industry Manager, programming [arobas] imagineNATIVE [point] org. In the email Subject line, type « Tracking 2011 – » followed by the title of your work. Include in the body of the email your name, email, title of work, length, type (film/video, radio or new media) and genre (documentary, drama, experimental, music video, animation). This helps us track your work and provide follow-up if we don’t receive your submission. If your work is not ready for screening by the June 1 deadline and you wish it to be considered for this year’s Festival, please contact programming [arobas] imagineNATIVE [point] org immediately. If the Programming Team is unaware of your late submission it may not be considered.
New this year! Dramatic or documentary episodic series led and produced by Indigenous production companies are eligible to submit programs and episodes to the Festival’s Mediatheque, an on-site video library of all submitted work to the Festival, which industry distributors, broadcasters and programmers screen for acquisition and programming needs. NOTE: These works are not screened publicly at the Festival, nor are eligible for awards. Application forms for television series will be available early summer for submission. Please contact programming [arobas] imagineNATIVE [point] org for more information.
For complete submission details and film/video, radio and new media submission forms, go to www.imagineNATIVE.org and click « Submit ».
•••••
CALL FOR PAPERS/APPEL À COMMUNICATIONS
2011 UAAC Conference / Congrès AAUC 2011
Carleton University, Ottawa, Ontario, Canada
October 27-29 octobre
POST-DISCIPLINARITY AND SLOPPY CRAFT – A CRITICAL ENGAGEMENT
Is “sloppy craft” fine art or hopeless amateurism? Does post-disciplinarity exist “in the ruins of outmoded disciplinary structures” – mediating between nostalgia for disciplinary boundaries and excitement at the intellectual freedom their demise might offer – or could interdisciplinarity still offer much to illuminate issues attached to “sloppy craft”? And importantly, what are the historical antecedents to this recent turn in craft discourse? This panel seeks to critically assess the value of the post-disciplinary method proposed as a way forward for the making of craft and its discourse (advocated most prominently by craft theorist Glenn Adamson).
We invite speakers to consider ways the following terms/concepts might interact with “sloppy craft” and the post-disciplinarity advocated for it: DIY, amateur, traditional, conceptual art, intentionality, materiality, function, community, skilful, historical, design. Speakers may also consider the advantages of an interdisciplinary approach to these terms/concepts in their application to “sloppy craft.”
Contact either Chair: Elaine Cheasley Paterson, PhD
Craft Historian, Department of Art History
Concordia University, EV 3.765
1455 De Maisonneuve Boulevard West
Montreal, Quebec H3G 1M8
514.848.2424 ext. 4605
email: elaine [point] paterson [arobas] concordia [point] ca
Susan Surette, MA
PhD candidate, Department of Art History
Concordia University
279 ave. des Erables
Brigham, Qc. J2K 4C8
450.263.5696
email: studio [point] surette [arobas] videotron [point] ca
Please send documents in .doc. or .rtf format only. Submissions from students should be accompanied by a letter of support from their supervisor.
All participants at the UAAC Annual Conference, speakers or not, must be UAAC members in good standing with a 2011 Membership number.
Proposals for papers should reach session chairs no later than 15 May 2011.
N.B. les présentations peuvent se faire en français
•••••
Toronto Urban Film Festival
5 Years and Still TUFF!
The Toronto Urban Film Festival (TUFF), the only festival of its kind in North America, is a 10-day long public film festival that reaches over 1.3 million subway commuters daily. TUFF is looking for the best silent one-minute films from across Canada and around the world.
We accept film, video and animation that will engage an urban public. There are no specific themes for this year. All submissions must be silent and exactly 60 seconds.
Recently named one of MovieMaker Magazine’s ’20 Coolest Film Festivals,’ TUFF festival runs from September 9 – 18, 2011, concurrent with TIFF. Films are presented on the Onestop network of 300 subway platform screens inside the TTC, and are featured on the TUFF website, where people can vote for the their favourite films.
Our Guest Judge is Oscar-nominated filmmaker Atom Egoyan, who will be selecting the top awards of the 2011 festival. Other awards include the $2500 Naish McHugh Award for Emerging Filmmakers, sponsored by the City of Toronto; the WIFT-T award for Most Ambitious Film by a Female Filmmaker; Best Environmental Film by a Canadian Filmmaker; the Viewer’s Choice Award, sponsored by the Drake Hotel. See our website for more details.
Free ‘early bird’ deadline is May 31st. Final deadline is July 15th.
http://www.torontourbanfilmfestival.com/
Contact: Sharon Switzer, Festival Director
sharon [arobas] torontourbanfilmfestival [point] com
•••••
City of Toronto
Call to Artists for Expression of Interest (EOI)
Permanent Public Art Work
Public Art at Dawes Road and Victoria Park
Toronto Cultural Services works with staff across City of Toronto divisions and agencies, boards and commissions to identify exciting new opportunities for commissioning innovative contemporary artworks in the City’s public spaces.
Transportation Services, Public Realm, Cycling Infrastructure, Technical Services, City Planning Urban Design, and Cultural Services have been working together with Councillor Janet Davis and the local community to coordinate a number of improvements to Dawes Road, including the relocation of the intersection of Dawes Road and Victoria Park Avenue. The proposed changes will address the safety concerns at Ferris Road and improve the pedestrian environment, increase the available green space and provide an opportunity for civic improvements and public art.
Dawes Road has a rich history as one of the busiest roads in this section of Ontario in the nineteenth century providing farmers from developing Scarborough with the ability to get their produce, livestock and lumber to market in York in a fast and effective manner. Dawes Road does not follow a typical grid pattern along surveyed lots and there is some suggestion that this variation is due to the fact that its origin is based in an early native trail.
Cultural Services views the unique context and parameter of this site as an opportunity to commission an artist or artist team to create a site specific public art work. The artist or artist team will also be requested to work with a recognized experienced landscape architect of their choice to implement an integrated art and landscape concept for this project. The two indicated locations for public art provide an opportunity for a visual connection linking the north and south sites with a gateway work that enhances the identity of this neighborhood.
The art production budget for this project including all fees, materials, technologies, fabrication, landscaping and installation costs is $400,000.
For this first stage of the competition, Toronto Cultural Services is inviting local and national artists or artist teams along with their chosen landscaper to respond to this Expression of Interest (EOI) by submitting the following:
• Resume(s) in text form (including landscape architect or designer)
• Artist(s) statement in text form outlining interest in the project and experience
• 6 to 8 digital images of recent, relevant work in the following format:
jpg images on a PC compatible CD-R
each maximum of 1024 x 768 pixels
each resolution of 72 dpi
each maximum of 1 MB
each RGB, sRGB or grayscale colour mode files only (no CMYK)
caption each with number, your name and title of work
• An “Image Information” sheet, that details per image: number, artist(s) name, title, date, medium, and dimensions. Please be sure the number on the list matches the number of the jpeg image.
• Be sure to label the CD-R with your name.
• If desired, include a stamped, self-addressed envelope for return of submission material.
Submissions by email are not accepted.
Submissions must be received by Friday, 6 May 2011 at 4:00 p.m. via mail or
hand-delivered to:
The Centre for Social Innovation
215 Spadina Avenue, Suite 414
Toronto, ON, M5T 2C7
Attention: Andrew Davies
E-mail: adavies [arobas] andrewdaviesdesign [point] com
Please note: Artists are NOT asked to submit proposals at this first stage of the competition.
A short list of 3 to 5 artists will be selected during this first stage. For the second stage of the competition each artist will be paid a fee to develop a project proposal based on a Terms of Reference document provided to him or her by Toronto Cultural Services. A public open house exhibition of the short listed designs and final design selection will be held at a date and place to be announced.
The public art concept for the Dawes Road and Victoria Park project will be selected through a two stage open competition by a specially convened independent Selection Committee made up of practicing arts professionals and community representatives.
The Dawes Road and Victoria Park project is administered by the Public Art Office of Cultural Services, City of Toronto with assistance from the public art consultant Andrew Davies.
Google map link to Dawes Road and Victoria Park Ave intersection http://maps.google.ca/maps?f=q&source=s_q&hl=en&geocode=&q=google+maps+dawes+road+and+victoria+park+toronto&aq=&sll=43.699155,-79.296227&sspn=0.034005,0.070896&gl=ca&ie=UTF8&hq=&hnear=Victoria+Park+Ave+%26+Dawes+Rd,+Toronto,+Toronto+Division,+Ontario&z=16
•••••
ARTSPACE (Peterborough, ON): Call to Visual Artists, Deadline May 16
Call for Submissions
ARTSPACE Peterborough is seeking proposals from visual and new media artists for its 2012/13 programming.
DEADLINE: MAY 16 2011 (postmarked)
ARTSPACE is dedicated to exhibiting Canadian Contemporary artists working in a variety of disciplines. We strive to present art that reflects and promotes the diversity of cultural and political perspectives, which shape contemporary art practices. Emerging, mid-career and senior artists whose works are alternative, experimental and/or critically engaged are presented. ARTSPACE receives a high volume of submissions. Before submitting, please look at past exhibitions and projects at ARTSPACE to decide if your work fits the gallery mandate.
With multiple exhibition spaces available, we invite artists to apply in the following categories:
MAIN GALLERY: designed for the presentation of solo and group shows. We invite artists, collectives and curators to apply with new or existing exhibition proposals. Video installations will not be considered for the Main Gallery given the natural light in the space from full exposure windows.
MUDROOM: a black-box gallery designated for the presentation of short-term, experimental projects predominantly by local and regional artists, as well as presentation of video installations and single channel works.
PROJECT ROOM: accommodates small and individual pieces that require an intimate and dark space.
PERFORMANCE/RESIDENCY: We are seeking proposals for original performance pieces. We are also interested in works that are participatory in nature and fall under the category of relational aesthetics. In addition, we invite artists to consider doing workshops and lectures during their stay in an effort to engage local artists in research and production. Duration of residency may vary depending on the nature of work and research.
SUBMISSION GUIDELINES
ARTSPACE asks that all proposals be submitted electronically on CD or DVD. Disks should be clearly labeled by artist name and must be readable on MAC OSX. Please save supporting documents as individually labeled pdfs (CV.pdf, Proposal.pdf, StatementandBio.pdf etc.).
ALL SUBMISSIONS MUST INCLUDE
Brief project proposal and any technical requirements (one page maximum)
Artist statement and Bio
Current CV
Documentation of recent work.
*Images should be labeled numerically with the artist’s name (01_name.jpg,
02_name.jpg etc.) and should be no larger than 1024×768 at 300 dpi.
*Video documentation may be presented either in DVD format or as Quicktime
files and should run no longer than 5 mins.
Image list with brief description
Do not submit original artwork. ARTSPACE does not return submission packages and will dispose of materials appropriately.
Artist fees paid according to CARFAC schedule
Please send submissions to:
Programming Committee
ARTSPACE
P.O. Box 1748
Peterborough ON K9J 7X6
ARTSPACE does not accept submissions packages via email.
Full details at http://www.artspace-arc.org/submissions
Contact: Fynn Leitch, Programming Director
705 748 3883 | fynn [arobas] artspace-arc [point] org
Please allow 3-4 months for consideration.
•••••
The Toronto Animated Image Society is seeking independent
animated films
completed after June 2009 that are under 15 minutes in length for
the TAIS
ANIMATION SHOWCASE Screening this June 23, 2011 at Innis
Town Hall
(University of Toronto, 2 Sussex Avenue). All genres, techniques &
themes
accepted, both narrative and non-narrative.
No entry fee. Artist fees paid for all screened films.
Films should be submitted ONLY as QuickTime movie files on
DVD/CD or via a
download link for the file(s). Please send either a 1280 x 720
Quicktime
movie file or a 720 x 480 Quicktime movie file using our preferred
codecs
ProRes or Photo Jpeg with 48kHz sound.
Send your submission to:
Toronto Animated Image Society
TAIS Showcase 2011
60 Atlantic Avenue, Suite 102
Toronto, Ontario M6K 1X9
CANADA
Please include the completed submission form (downloadable at
www.tais.ca/animationshowcase_submissionform.pdf), an artist
bio and two
film stills (tiff or jpg @ 300 dpi  2 x 3). Submission form, bio, films
stills and download links may be emailed to tais [arobas] bellnet [point] ca or
included in
mailed submission package. Please do not send large files via
email.
Deadline for submissions | Monday, May 16, 2011, 5:00 pm
For more information visit www.tais.ca
•••••
TRUCK Contemporary Art Gallery (Calgary): Call to Visual Artists, Deadline May 3
Call for Submissions!
+15 Window Space Special Call
RETURN TO THE DOLLHOUSE
DEADLINE: May 3, 2011
In 2009 TRUCK Contemporary Art in Calgary presented Welcome to the Dollhouse, an exhibition of miniature works displayed in a curio cabinet style dollhouse.
This year, TRUCK will revisit the miniature with Return to the Dollhouse, inviting artists to create small-scale installations that will be viewable from a single « peephole ». Curiosity will entice the viewer’s to gaze into the wonder and mystery that lay behind the closed doors of the dollhouse.
Return to the Dollhouse will take place during August and September of 2011. Each artist will be given a 1 x 1 x 1 foot wooden box to create miniature works in.
Your submission should include:
1. Proposal (maximum of 1 pages): Clearly describe the proposed work. Provide details about any special requirements, including equipment needs.
2. Artist Statement (maximum of 1 page): Contextualizes the work submitted within your artistic practice.
3. Curriculum Vitae (maximum of 3 pages): Describe your artistic background (e.g. education, grants, scholarships or awards received, professional status, previous exhibitions or performances, commissions, professional memberships, articles, etc.)
4. Image List
5. Images/Support Material: Maximum of 10 JPEG images and/or DVD for video. All images must be numbered and labeled to match the corresponding image list. Images must be 300dpi and a maximum of 1MB in size. Video should be limited to 5 minutes in length.
Please send submissions to:
Return to the Dollhouse
TRUCK Contemporary Art in Calgary
Grain Exchange Building
815 – First Street SW (Basement)
Calgary AB T2P 1N3
•••••
InterAccess Electronic Media Arts Centre currently has four Calls for Submissions
1. Call for Submissions: 11th Annual Emerging Artist Exhibition
Deadline: Monday May 16th, 2011
InterAccess seeks submissions of new media and electronic works from emerging artists. Artists must be post-secondary students or recent graduates to qualify, and all works submitted must be exhibition ready, and produced in the last two years. No works in progress will be accepted. InterAccess welcomes new media works in the form of: sculpture, installation, video, audio, performance and interactive art. Web-based projects are also welcome. Based on the works selected, the emerging curator will develop an exhibition related to all the submissions received.
Each selected artist will receive CARFAC standard artist fees for participating. The exhibition will run from Thursday, June 30 — Saturday, August 13, 2011, with an opening reception on Thursday, June 30th, 7-10pm.
While we welcome proposals from outside of Ontario, please note that InterAccess cannot provide artist travel fees or cover the shipping of artwork. Although the artist is chiefly responsible for installing his/her work, InterAccess will provide technical assistance and basic audio/video equipment.
Submissions must include:
• A project description and artist statement (1 page).
• A clear description of technical requirements. Please list materials provided by the artist, such as any software and audiovisual equipment, and materials expected from InterAccess, including software and/or hardware.
• Artistic support material of proposed project/piece as well as previous works (DVD is preferred, however, URL links or JPG images are also accepted).
• A current CV (3 pages max).
Please send all submissions to:
Scott Gamble
Emerging Artist Exhibition
InterAccess Electronic Media Arts Centre
9 Ossington Avenue
Toronto, Ontario
M6J 2Y8
Additional information and questions can be directed to Scott Gamble (a [point] scottgamble [arobas] gmail [point] com).
We thank all applicants for their time and interest in InterAccess, however please understand that our application process is highly competitive. All artist submissions will receive a timely response.
2. Call for Submissions: Gallery Proposals, 2011
Deadline: May 16th, 2011
InterAccess is currently seeking proposals for our 2011 programming year.
How to submit:
InterAccess now only accepts digital applications to our general call for gallery proposals. Applications must be submitted online through InterAccess’ submissions page on our website (interaccess.org/submissions.php). A week before the deadline, we will open the submissions page where you will be able to securely upload your submission files to our server.
Submissions must include, in 100mb or less:
1. In a single pdf file:
• An artist statement.
• A project description.
• A CV.
• A list of support materials with detailed description of content.
2. Support material
You may submit up to 10 items of support material, including jpegs, urls, videos, and software. Please limit video selections to 5 minutes in length and jpegs to 72 d.p.i..
InterAccess has only a limited amount of time to review each submission. Please prepare and cue your materials in consideration that there will be a maximum of 15 minutes allotted to reviewing your support materials.
Please allow up to two months for the complete review of your proposal. For any questions regarding the call for submissions or our new submission process, please contact Alex Snukal, Director of Programming, alex [point] snukal [arobas] interaccess [point] org.
3. Call for Multiples: Electronic Bric-a-Bracs
Deadline: InterAccess is seeking submissions on an ongoing basis
InterAccess is seeking new media ephemera, multiples and publications for its new mini-shop. Electronic Bric-a-Bracs will provide an alternate platform for the dissemination of new media work by showcasing small, cheap and multiple objects.
Housed in a single shelving unit nestled between our offices and the washroom, the shop will receive a high volume of traffic from staff, artists, gallery patrons and anxious members of the public. Electronic Bric-a-Bracs will operate on a consignment basis, with proceeds from the sale of an item divided between the artist (65%) and InterAccess (35%).
Submissions must include:
• A photo or drawing of the item.
• A brief description (including size. Please note that eligible items must be produced in an edition of ten and over, and have a retail price of $100 and under.
• Cost (remember to factor the consignment rates into your cost).
4. Call for Submissions: Plexi Pavilion
Deadline: InterAccess is seeking submissions on an ongoing basis
InterAccess is pleased to announce its new project space, Plexi Pavilion, a body-sized plexiglass box on wheels, situated in our front stairway. Plexi Pavilion is best suited for single works which, since the pavilion can be moved by the viewer, can be viewed from any angle. The pavilion can be seen from the street and will be accessible to the public outside of regular gallery hours.
Submissions must include:
• A brief description of the project (max. 250 words). Projects must fit within the pavilion (and through its door, which measures 1′ 20″ x 5′ 6″). The pavilion measures 6′ 1.5″ x 2′ 5″ x 2′ 5″.
• Documentation or a mock-up.
• A CV and artist bio.
Please see http://interaccess.org/about/calls.php for more information about all our current Calls for Submissions. Questions and submissions can be directed to alex [point] snukal [arobas] interaccess [point] org.
3. appels internationaux
APPEL À CANDIDATURES
Rencontres Internationales Sciences et Cinémas
RISC / 5e édition
Marseille, 22-27 novembre 2011
L’association Polly Maggoo, organisatrice des 5e Rencontres Internationales Sciences et Cinémas (RISC), lance un appel à candidatures.
Tous genres de films (documentaire, fiction, expérimental, art vidéo, animation…), dont le sujet est directement lié à des thématiques scientifiques (sciences fondamentales, sciences du vivant, environnement, médecine, sciences humaines et sociales…) sont éligibles.
Il n’y a aucun critère de durée ni de format (vidéo ou pellicule). Les films doivent être en version originale, soit française si la production est francophone, soit sous-titrée en français si la production est non francophone.
Les démarches les plus singulières seront privilégiées, ainsi que les productions récentes (cependant, la date de réalisation n’est pas un critère exclusif).
Cette manifestation est non compétitive.
Télécharger la fiche d’inscription et le règlement :
> Inscription RISC 2011_FR_AN (.doc / .pdf)
> Règlement RISC 2011_FR (.doc / .pdf)
Date limite de candidature : 20 mai 2011
http://www.pollymaggoo.org/doc_polly/risc-2011.html
•••••
Propose a Paper or Presentation for the 2012 Annual Conference:
http://www.collegeart.org/proposals/2012callforparticipation
2012 Annual Conference in Los Angeles
CAA completes its Centennial year at the 100th Annual Conference, taking place February 22–25, 2012, in Los Angeles California. Most sessions will be located in the Los Angeles Convention Center, with events taking place at schools, museums, and institutions in the city and across southern California.
Propose a Paper
CAA has published the 2012 Call for Participation, which solicits papers and presentations for most regular program sessions at the Los Angeles conference and provides a timeline for session chairs and panelists. The twenty-four-page document also includes information about proposals for Poster Sessions and describes the Open Forms panels. All individual and institutional members will receive the 2012 Call for Participation in the mail in march. CAA has also posted a PDF of it on the CAA website. The deadline for proposals of papers is May 2, 2011…..->
•••••
Art in Odd Places (New York, NY): Call to Public Artists, Deadline May 8
Art in Odd Places 2011, New York – call for submissions
Deadline: 8 May 2011
Art in Odd Places (AIOP) invites artists working across disciplines to propose projects for its seventh installment. Taking place from October 1 to 10, 2011, along 14th Street from Avenue C to the Hudson River in New York City, they encourage proposals that explore this location’s rich history, configuration, and heterogeneous communities. The theme for the upcoming edition of AiOP is RITUAL including Ceremony, Habituation, Myth, Obsession, Superstition, Liturgy, and it will be informed by propositions on the sacred and profane in everyday actions of people in public space.
AIOP 2011: RITUAL offers artists the opportunity to make art outside formal spaces by reconfiguring their artistic practice as public actions or urban interventions without the confinement of a gallery or museum space. AiOP 2011: RITUAL wants to engage passers-by, providing them with a new perspective of an otherwise familiar environment through site-specific installations, social and spatial interventions, video and audio projects, performance, new media, and other inventive practices. In addressing the distinct manifestations of ritual, the festival aims to broaden the public’s outlook on art, city dwelling, and social conventions.
Further Information
Web: http://artinoddplaces.org/
•••••
EL RANCHITO OPEN CALL RESIDENCIES AND WORK SPACES FOR ARTISTS
Matadero Madrid // El Ranchito announces an open call to facilitate the creation of collaborative networks and promote artistic production by offering artist-in-residence programmes and making work spaces available. It is aimed at artists and cultural agents from any creative or artistic field who reside or primarily work in Madrid. There are two non-exclusive forms of participation:
Artist-in-residence: four residencies are available for artists who do not reside in Madrid (whether Spanish or international) and come recommended by artists and cultural agents who are city residents in order to develop a joint or collaborative project. The residencies can last from 3 to 6 weeks between May and December 2011. The project resulting from the residency will enjoy additional financial support for its production and form part of El Ranchito’s programme of activities.
Work spaces for artists: different work modules are available for the city’s artists and collectives that may need them to develop a new project over a period of 3 months maximum. In addition to the spaces allocated individually, shared work spaces and common meeting areas are also available.
You can download the document with the rules and all relevant details here:El Ranchito Open Call.
http://elranchitomadrid.files.wordpress.com/2011/02/convocatoria-el-ranchito_en1.doc
Proposals must be sent to: elranchito [arobas] mataderomadrid [point] com.
mataderomadrid.com
•••••
Diogene urban bivouac
Deadline: May 16, 2011
The Diogene group of artists is promoting the international competition « Diogene urbanbivouac », open to international artists. The « Diogene urbanbivouac » Residency project is the result of a joint effort by a group of artists. They share their ideas concerning the relationship between art and society, the role of the artist, and art as a form of knowledge. They also make themselves available to other artists, thus activating a shared collaboration with them.
Place of Residence
The residency program is characterized by the peculiar location of the residence. The artist selected will in fact be hosted in an old tram carriage, the Bivouac, from the city’s public transports agency, located in a green roundabout in Turin. The Bivouac, restored by Diogene’s members, become the artist’s living and working environment. The arrangement allows the artist to experience a new and powerful interaction between the urban environment and its community.
The copetition is open to all artists currently working in the specific sector of visual arts, without restrictions of approach or medium.
Site, Lenght and Period of Stay
The residence will be hosted by the city of Torino between September 1st and October 20 2011, for a period of 4 to 8 weeks according to the needs of the selected artist.
Art. 4 – Events
During the residence period the Diogene group will organize meetings with critics, researchers and others involved in contemporary art, giving the artist in residence the chance to present his or her works as well as the
project(s) developed in Turin.
There will be one or more days in which the artist opens the studio to the general public who can meet and talk with him.
Art. 5 – Budget (payed by Diogene Association) Stipend for the artist: 2.000 euros
Expenses:
2.000 euros (maximum) – Production expenses for a project or projects to be developed during the residency.
250 euros/week – living expenses (maximum 1.500 euros total).
Travel expenses support.
The application deadline is May 16, 2011
More information at http://www.progettodiogene.eu/
•••••
HMK {Hotel MariaKapel} Open Call for proposals 2012
HMK Open Call for proposals 2012
Deadline: 1 June 2011
Artist-run residency HMK {Hotel MariaKapel} invites artists to submit proposals for our 2012 residency programme.
Or go straight to our website for all guidelines, applicationform and an infopack!
About HMK
HMK {Hotel Mariakapel} is an artist-run residency and project space in Hoorn, a 15th century town by the IJsselmeer, just 40 km north of Amsterdam. In the old center of the town, in a medieval orphanage with a semi public inner garden and
Maria Chapel, HMK receives artists from all over the world.
The programme involves artists and curators working in a wide range of media, focusing on installation and context based work, video and performance art. Projects are developed both in public space and in the exhibition space. In 2011 HMK is kindly supported by several local and national foundations.
We offer:
Residencies
For 2012 we have applications open for four group residencies for artists.
We are looking for projects that make full use of the unique opportunities offered. The longer stay at HMK leads to intensive (international) collaboration while developing new individual/group work for an exhibition or other presentation in and/or around the chapel. We are also keen on projects that do not only focus on art itself but that, in content or practice, are able to step outside the borders of the art-context.
HMK {Hotel MariaKapel} focuses mainly on collaborations and group-projects (between 3 and 6 artists); the nature of the collaboration is important to us. Preferably you work with artists or others with whom you haven’t (extensively) worked with before.
Proposals must focus mainly on content of the work and the process of working resulting in a presentation in our chapel/exhibition space, please do not propose to exhibit pre-existing work.
Projects must have a strong international component (i.e. cooperation with artists from different countries)
Research Residencies
For 2012 we have applications open for two research residencies.
Artist(s) with a special interest in public art and or artistic interventions in public space.
Designer(s) who work on their own initiative (without a commision of a third party) with a special interest in pushing the boundaries of function and/or the relation between art and design.
For both Research Residencies we are looking for individuals or duo’s (no groups) who seek to spend time on research and development of their work through focusing on a self chosen research topic. We are, again, keen on projects that do not only focus on it’s own topic or medium but that, in content or practice, are able to step outside the borders of their own context.
HMK {Hotel MariaKapel}
Korte Achterstraat 6
1621 GA Hoorn NL
www.hotelmariakapel.nl
office [arobas] hotelmariakapel [point] nl
+31(0)22975225
•••••
STOP & GO 3-D, San Francisco
Call for Submissions
Deadline: November 15, 2011 – Postmarked
Stop & Go is a program of innovative stop-motion animations by contemporary visual artists and filmmakers, touring and screening internationally since 2008. The program showcases animations that use stop-motion techniques to explore visual language, tell stories and make poignant social commentaries. New animation work is being sought for the third installment of the program called Stop & Go 3-D. The program will screen hand-rendered stereoscopic and anaglyphic experiments that explore traditional 3-D animation produced using stop-motion. Animations that experiment with geometrical elements, pieces that are highly optical or those that comment on the current 3-D craze will also be reviewed. Please note that stop-motion techniques must constitute a significant portion of the work. Both narrative and experimental works will be accepted to this program. The audience will view most of the show through bi-colored red and blue spectacles.
Entry of materials:
The animation’s total running time must not exceed 10 minutes. All entries must be produced in 2008 or later. If your animation is not in English, please provide English language subtitles. Artists must secure all copyrights to the work including any musical soundtracks.
Send entry submissions on a DVD-NTSC disc—please, no PAL discs. If your submission is accepted, a data-file format DVD or Mini-DV tape will be required for inclusion in the master-screening reel. Each submitted work should be labeled with the title of the piece, running time, name of project director and contact information. Please do not put stickers on the DVDs.
Fees & Costs:
There is no entry fee to submit your work to Stop & Go. All costs for mailing the materials to Stop & Go are at the expense of the participant. Discs will be returned only if a self-addressed envelope and appropriate postage cost is enclosed. If no SASE is enclosed, then it is understood that Stop & Go may keep the disc for their library. Stop & Go does not take responsibility for any loss or damage of the work during shipment. Please do not send original copies.
Tour:
The last two installments of the show, Stop & Go and Stop & Go Rides Again, toured extensively, including venues in the United States, the Netherlands, Germany, Israel and Croatia. Stop & Go 3-D will embark on a similar tour, to begin in 2012, and will travel until 2014. By submitting the signed form with entry materials the artist agrees to these terms.
For further information and a downloadable application please visit http://www.stopandgoshow.com/
•••••
We are looking for artist/film makers to submit to:
Bus Stop Cinema
Hay-on-Wye Festival & elysium gallery
elysium gallery’s 5th annual film extravaganza
Host: elysium gallery, Swansea & Salem Chapel, Hay-on-Wye
Deadlines:
Hay-on-Wye: 14th May (all work submitted for this event will automatically be considered for the August event)
Elysium Gallery: 2nd July
Exhibition dates:
Salem Chapel, Hay-on-Wye: 4th July
Elysium Gallery: 19th August – 3rd September
This summer will see the return of our hugely successful annual international film festival which will take the form of BUS STOP CINEMA. The elysium gallery premises is situated besides one of Swansea’s busiest bus stops and so the gallery will be transformed into a cinema showing artists films throughout the day and early evenings during August 2011 in what will be Elysium gallery’s 5th annual film festival.
This year will also see us return to the Salem chapel at the hugely popular Hay-on-Wye Festival. This old chapel is a fantastic setting for films and last year’s films were viewed by thousands of people.
We are looking for films of all genres to showcase in both film events, please email the gallery for an application form and return to us by the specified deadline dates.
A selection of up to 3 films can be submitted and must be sent to the gallery on DVD format with the application form.
Submission fee is £5 to enter for both events and paid either by cheque or paypal.
All successful entrants will also receive a profile page on the elysium gallery web site and an annual subscription to our membership programme free of charge.
elysium gallery is an artist led organisation run by professional volunteers who share the same vision for artists of all media’s in Wales and beyond.
The gallery promotes the work of emerging artists by providing a solid platform from which artists can anchor themselves and provide a comprehensive national and international network to increase their exposure.
elysium gallery strives to provide support for new artists and art organisations as well as encouraging pride and participation in visual and performing arts in an environment that promotes experimentation, freedom and appreciation in all creative practices.
elysium gallery
31 Cradock Street|Swansea|SA1 3EP
http://www.elysiumgallery.com
info [arobas] elysiumgallery [point] com
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Appel à résidence : Centre de Création Artistique de la Montagne Thiernoise
La Communauté de Communes a accueilli pendant plus de 10 ans une compagnie de théâtre en résidence sur son territoire. Celle-ci était hébergée au Centre de Création Artistique de la Montagne Thiernoise, bâtiment intercommunal situé sur la commune de Viscomtat.
Depuis la fin de cette résidence, souhaitée fin 2009 par les élus de la CCMT, le bâtiment du Centre de Création Artistique de la Montagne Thiernoise est occupé par une association de gymnastique et trampoline.
La CCMT ne dispose donc plus d’accueil dédié à l’accueil en résidences. Cependant, les élus souhaitent poursuivre leur politique d’accueil en résidences et d’aide à la création sur ce territoire. C’est pourquoi, il est question de s’engager dans l’accueil de résidences courtes en lien avec les prestataires d’hébergements du territoire sur le horssaison et autour de disciplines qui ne nécessitent pas forcément de lieu dédié.
Le projet
La CCMT met à disposition d’un artiste ou d’un groupe d’artistes les moyens nécessaires pour concevoir, écrire, achever, produire une oeuvre nouvelle ou pour préparer et conduire un travail original.
Les objectifs
- Développer les habitudes culturelles de la population,
- Dynamiser le territoire,
- Favoriser des liens culturels de proximité.
Plusieurs pistes de travail peuvent être envisagées :
Disciplines (en lien avec les conditions d’accueil)
- Auteur / Illustrateur,
- Photographe,
- Plasticien,
- Peintre,…
Télécharger la suite de l’appel à projet…
http://www.letransfo.fr/content/download/26118/421639/file/CCMT 2011-2012-1.pdf
•••••
Programme Cité internationale des Arts – accueil des artistes étrangers en France
Disciplines : Arts visuels / Arts de la scène / Arts décoratifs /Critique d’art et commissaire d’exposition
Le programme Cité internationale des Arts est destiné à des artistes étrangers qui souhaitent développer un projet précis de création et de recherche à Paris.
L’INSTITUT FRANÇAIS prend en charge la location d’un atelier/logement, d’une surface d’environ 40m2, comprenant une salle de bain et une cuisine.
Tous frais et dépenses engagés en dehors de cette aide restent à la charge du candidat.
• Les candidats qui en font la demande doivent :
– être engagés dans la vie professionnelle ;
– parler français ou anglais ;
– justifier de travaux antérieurs ;
– être autonome dans la gestion de la résidence ;
– se libérer de leurs activités professionnelles durant toute la période du séjour ;
– bénéficier d’un visa (la demande et les frais sont à la charge du candidat)
Aucune limite d’âge n’est requise.
• Procédure du dépôt de dossier
– Les dossiers de candidature complets doivent IMPÉRATIVEMENT être déposés auprès des services culturels français (service culturel de l’Ambassade, Centre culturel français ou Alliance française) du pays d’origine du candidat, six mois avant la date du séjour demandé.
– La sélection est effectuée par l’INSTITUT FRANCAIS en accord avec les services culturels à l’étranger. Celle-ci se réserve le droit d’écarter tout projet sans avoir à motiver sa décision. Ses décisions sont sans appel.
Contact
Mélanie Béréhouc
T. : (+33) 1 53 69 83 33
•••••
Les programmes de recherche / création
Programme Hors les Murs
Disciplines :
1 – Arts visuels : arts plastiques – photographie – nouvelles images – design – commissariat d’exposition, recherche – graphisme – bande dessinée
2 – Arts de la scène : théâtre, danse – cirque, arts de la rue – dramaturgie – musiques contemporaine & expérimentale – musiques actuelles
3 – Projets transversaux : formes performatives – scénographie – recherche
4 – Autres disciplines : architecture – urbanisme et paysage – arts numériques – métiers d’art – mode
• Une allocation de séjour peut-être accordée à un candidat déjà inscrit dans une démarche professionnelle pour développer un travail de recherche dans un pays clairement identifié.
Le montant de l’allocation est de 6 000 € pour un séjour minimum de deux mois consécutifs à l’étranger qui doit se dérouler au cours de l’année.
• Les candidats qui en font la demande doivent :
– posséder la nationalité française, ou être résidant en France depuis au moins 5 ans ;
– avoir achevé leurs études ;
– justifier de cinq années de pratique professionnelle ;
– se libérer de leurs activités professionnelles durant toute la période de séjour.
Aucune limite d’âge n’est requise.
•Une commission consultative placée sous la présidence de la directrice de l’INSTITUT FRANCAIS étudiera l’ensemble des dossiers. Outre l’évaluation du parcours professionnel du candidat, une attention particulière sera portée sur la qualité du projet, la nécessité du séjour dans le pays choisi, le protocole de travail envisagé et les contacts déjà établis.
Les résultats seront communiqués sur le site de l’INSTITUT FRANCAIS après la tenue de la commission. Celle-ci se réserve le droit d’écarter tout projet sans avoir à motiver sa décision.
Ses décisions sont sans appel.
Date de dépôt des dossiers
entre le 10 et le 30 avril 2011 inclus
Lieu de dépôt des dossiers
INSTITUT FRANÇAIS
Pôle Résidences / Programme Hors les Murs
1 bis, avenue de Villars
75007 Paris
Contact
Michelle Robert
•••••
Call for artists – Residency in Japan
Akiyoshidai International Art Village has supported cultural and philosophical exchange among international artists through the artists in residence program since its inauguration in 1998. The aim of the Residence Support Program is to support young artists’ experimental artistic activities, crossing the borders of art disciplines and nationalities.
Residency period: 12 January – 22 March, 2012 (70days)
Two artists of any nationality living outside Japan, 1 artist living in Japan or living abroad with Japanese nationality (Groups of 2 artists may apply, but no larger)
Support:
– Travel expenses: round trip from your address to AIAV
– Accommodation
– Studio
– Production expenses = 230,000 yen
– Per diem = 2,800 yen × day
– Insurance
How to apply: Please download the application from the AIAV website:
http://www.aiav.jp/programs/2011/application/
Deadline: 1 August, 2011, result will be announced in the beginning of October 2011.
Contact:
Akiyoshidai International Art Village
50 Akiyoshi, Shuho-cho, Mine-shi,
Yamaguchi 754-0511 JAPAN
Tel +81(0)837 63 0020 / Fax +81(0)837 63 0021 / Email trans2011 [arobas] aiav [point] jp
http://www.aiav.jp/
•••••
JURIED OPEN CALL EXHIBITION: “Going Green”
Crossing Art (QUEENS, NEW YORK)
Exhibition Dates: August 13 – September 11, 2011
Application deadline (postmarked by): Friday June 10, 2011
Crossing Art Gallery is seeking submissions for « Going Green » a juried group exhibition of local and international artists that will be on view at Crossing Art Gallery from August 13 – September 11, 2011. From the artists chosen for the “Going Green” exhibition, 2 artists will be selected to have a solo exhibition at Crossing Art Gallery in 2012 and have the option to participate in the Crossing Art Artist Residency Program in Nanjing, China.
“Going Green” will present innovative artworks and proposals that integrate natural systems with human patterns while celebrating continuity, uniqueness and place making. We are looking for local and international artists, architects, and designers to submit either artworks that explore contemporary meanings of “green” or proposals for sculptures, architectural models and design that fit in green
development public spaces.
Work submitted should have the power to transform, inspire or promote public awareness of green initiatives. Themes can range from the meaning of the color green to the green political party to issues concerning eco-systems, conservation, recycling and sustainability to what green cities might look like or what a green lifestyle might consist of. All creative persons are invited to submit any artwork or proposal that evokes some form or concept of “green”. All media is acceptable including painting, drawing, printmaking, photography, performance, installation, video and sculpture.
You must submit an application form, CD (please download an application form and CD checklist from www.crossingart.com> and follow instructions) and an entry fee of $40. All entry fees will be donated to the non-profit art organization, Queens Council on the Arts. QCA provides support to arts organizations and individual artists in presenting their cultural diverse programs for the benefit of the community. Please make checks payable to Queens Council on the Arts.
The Jurors:
Mark Dean, Owner, DEAN PROJECT.
Hen-gil Han, Curator, Jamaica Center for Arts & Learning.
Bog-gi Kim, Publisher & Editor of Art in Asia Magazine & Art in Culture Magazine.
Catherine Lee, Owner & Director, Crossing Art Gallery, New York & Shanghai.
Pablo Vaggione, Sustainable Urban Development Expert, Advisor to UN-HABITAT’s 100 Cities Initiative, and Founder, Design Convergence Urbanism.
Schedule for Submitted Work:
Submissions Deadline: Friday June 10
Notice of Artist Selection: July 1
Work Delivered to Gallery: Week of July 31 (exact dates to be announced)
Opening Reception: Saturday August 13
Artwork pick-up:September 12 – 20
For questions or additional information please contact Jennifer Junkermeier at jennifer [arobas] crossingart [point] com.
•••••
Visual Overture Magazine is accepting entries from emerging artists for the « Spotlight on New Media » exhibition-in-print. Artist must submit portfolio showing final artworks that are the result of a dedicated practice to exploring new visual art media and technologies. One selected finalist will be featured in a one-page article showing 3-6 images of his/her work and a write-up about their innovative practice in the Fall 2011 issue of Visual Overture Magazine.
http://www.visualoverture.com/
•••••
ARTErra is a hosting place for artistic creation projects. Here you
find a inspirer and quiet place, with a comfortable house, work places
suitable for distinct artistic disciplines and a personalized
attendance for each project.
If you are seeking a place to develop your artistic project, please
contact us. We are accepting proposals for applications until SEPTEMBER
of 2011.
Limit: 15 May of 2011
The application process is quite simple, if you send the following information:
– Brief description of the project to be undertaken at ARTERRA
(including title (if applicable), objectives, needs and expectations
for the residence, work methodologies and availability to informal
presentations);
– Curriculum Vitae and portfolio;
– Ideal dates and residence time duration;
– Logistic needs (number of bedrooms, number of residents, food, etc)
– Technical requirements (need for tools and/or technical material/equipment, resources, etc).
http://arterra.weebly.com/
http://arterra-residencias.blogspot.com/
contact us:
arterra [point] geral [arobas] gmail [point] com
Please contact us if you are looking for a place to develop your artistic project.
•••••
Cal Gras, Spain (deadline: June 12, 2011)
Cal Gras is a house in Avinyó (Bages), a village of 2,200 inhabitants located in the heart of Catalonia, between Manresa and Vic, a rural setting one hour from Barcelona.
The centre has several workshops and rooms adapted forresearch, experimental and creative projects. The centre is designed to provide temporary accommodation to individuals and collectives, offering bedrooms, and a communal kitchen and dining room.
Cal Gras calls for applications for residencies for the development of creative projects.
Eligibility:
Artists from all fields (visual arts, performing, literary, musical and thought) to work and develop their creative projects at Cal Gras. Groups up to 5 people.
Duration:
Working residency of 7 days minimum to 90 days maximum during August to December 2011
Residency includes:
- Free accommodation in single or shared room(on request), with use of common spaces (kitchen, living rooms, etc.).
- Work spaces, meeting rooms, library, wifi. See the rooms’ features on the centre’s website
- The centre puts residents in touch with the locality, as well as place them in contact with services and providers of material required for projects.
- Possibility of exhibition at Cal Gras, or other local premises, of work accomplished during residency (debates, presentations, performances, workshops, etc.)..
Transport costs and other expenses must be paid by the artist.
Applications Deadline: 12 June 2011
More information:
CAL GRAS
c/ de Francesc Macià, 1
08279 Avinyó
Spain
Tel.: 93 838 78 18
Mòbil: 638 702 756
www.calgras.cat
serveis [arobas] calgras [point] cat
•••••
Résidence d’artistes 2012, domaine d’Abbadia – Appel à candidatures
Contexte général
«NEKaTOENEa » est une ancienne ferme rénovée permettant depuis 1987 d’accueillir des artistes et des scientifiques en résidence, au cœur du Domaine d’Abbadia, à Hendaye.
Propriété du Conservatoire du littoral, site naturel protégé, site classé, le Domaine d’Abbadia offre une diversité de milieux naturels (littoral, prairies, forêt, verger, patrimoine bâti…) et de thèmes d’investigations en lien avec les sciences (géologie, faune, flore, environnement…).
De par sa situation géographique, au Pays Basque, entre France et Espagne, à la limite entre continent terrestre et espace océanique, la résidence est influencée par les notions de frontières (interétatiques, linguistiques, géographiques).
La résidence d’Artiste « NEKaTOENEa », reçoit le soutien des partenaires suivants :
Conservatoire du littoral ; DRAC Aquitaine ; Conseil Régional d’Aquitaine ; Conseil Général des Pyrénées Atlantiques, Mairie d’Hendaye.
Porteur du programme
C’est le CPIE LITTORAL BASQUE (www.cpie-littoral-basque.eu) qui est chargé de gérer et d’animer la résidence d’artistes du Domaine d’Abbadia.
Née en 1986, l’association « Abbadiako Adixkideak ~ Les Amis d’Abbadia » a été labellisée en tant que CPIE LITTORAL BASQUE en 2008. Elle est depuis lors membre de l’Union Nationale des Centres Permanents d’Initiatives pour l’Environnement (www.cpie.fr).
Le CPIE LITTORAL BASQUE est partenaire des acteurs de la protection et de la valorisation du littoral.
Basé sur le domaine d’Abbadia, propriété du Conservatoire du littoral, le CPIE agit désormais sur l’ensemble de la côte basque nord et sud.
Ses objectifs sont de contribuer au Développement Durable du Littoral Basque en proposant un regard croisé sur les territoires, l’espace maritime et le patrimoine humain en conjuguant les approches scientifiques, environnementales et artistiques.
Objectifs du programme
– Offrir à l’artiste sélectionné un temps et les moyens d’une recherche artistique nourris des ressources du territoire (humaine, environnementale, patrimoniale, scientifique…)
– Mettre en adéquation le projet de l’artiste et les sujets de réflexions des écoles d’art de la région
– Permettre au public le plus large (population, enseignants, scolaires…) de se familiariser avec l’art et la création en intégrant les processus de création et en facilitant les rencontres avec les artistes.
Date limite des dossiers de candidature : 30 juin 2011
•••••
Call for proposals for artistic residencies 2011/2012 – Oficinas do Convento, Portugal
The Artistic Residency Programme is a project of promotion of artistic creation, centered in Art and Nature, which aims to explore an earth-connected knowledge, the construction of landscape and the traditional methods and technics. The Residencies will occur in sites with a strong patrimonial and artistic value and should contribute to the rescue of materials and resources. They will be centered in Montemor-o-Novo, Portugal, its historic and natural patrimony, and its inhabitants. The candidates can ask the Association for any information that can be used to the construction of their proposals. The residency lasts one month and is finalised by an exhibition.
The selected candidates will receive a 500EU grant, paid on the first day of Residency. During the Residency, the artists will be given the possibility to spend up to 750EU in production related materials, available only according to the presentation of the expense documents.
Ten grants will be given in the following areas:
- Two grants for projects in the area of “Public Spaces”;
- Four grants for projects in the area of “Sculpture / Ceramics”;
- Four grants for projects in the area of “Equipment Design / Ceramics”.
The call for proposals is open until 7.00 PM (CET) of 13th May 2011.
Terms of Participation and Application Form
http://www.oficinasdoconvento.com/wp-content/uploads/2011/03/Terms-of-Participation-Artistic-Residencies_EN1.pdf
More information
http://www.oficinasdoconvento.com/?p=1852
Oficinas do Convento, Portugal
4. divers
Faites parler la voix des arts par votre vote !
Bonjour,
Savez-vous que les campagnes électorales prévoient que des milliers de bénévoles seront sur le terrain lundi pour inciter les sympathisants à aller voter ? Nous pourrons poser des questions aux candidats et présenter des plateformes jusqu’à épuisement… mais tout cela ne servira à rien si nous n’allons pas voter.
« Lors des dernières élections, plus de 40 % des électeurs ne se sont pas donné la peine d’exprimer leur opinion par les urnes. Avec 58 %, l’année 2008 a marqué le taux de participation le plus bas de notre histoire parlementaire. » – The Arts Policy Diaries: Electing Another Illegitimate Government (blogue de Shannon Litzenberger)
Après un démarrage de campagne plutôt lent, le mouvement s’est accéléré. La participation au vote par anticipation a dépassé de 35 % celle de 2008. Renseignez-vous pour savoir où voter, à quelle circonscription vous appartenez, qui sont vos candidats, etc., sur le site Web d’Élections Canada.
• Assurez-vous de voter.
• Rappelez également à vos collègues de le faire.
• Utilisez l’avatar « J’ai voté » pour répandre la fièvre du vote à travers vos réseaux sociaux !
Comment puis-je voter ?
Le Service d’information à l’électeur répond aux questions sur votre circonscription.
Pour voter, vous devez prouver votre identité et votre adresse.
Mon employeur doit-il m’accorder du temps pour aller voter?
D’après la Loi électorale du Canada, tout électeur admissible doit disposer de trois heures consécutives pour exercer son droit de vote le jour de l’élection. Si vous ne disposez pas de trois heures consécutives à cause de votre horaire de travail, votre employeur doit vous accorder des heures en conséquence.
Votre employeur a le droit de décider du moment où il vous accordera des heures. Il est interdit à l’employeur de faire des déductions sur le salaire d’un employé qui se voit accorder des heures de travail pour aller voter selon la Loi électorale du Canada, ou de lui imposer une pénalité. L’employé doit être rémunéré comme s’il avait continué à travailler pendant les heures qui lui ont été accordées pour aller voter.
Liens :
Élections fédérales – Murmure culturel
Vote culture : Boîte à outils
Adhérér à la coalition
www.lacoalitioncanadiennedesarts.com
•••••
Mise en ligne des actes de colloque de la Conférence Res Artis 2010
Le Regroupement des centres d’artistes autogérés du Québec est heureux d’annoncer la mise en ligne des actes de colloque de la Conférence Res Artis 2010, qui s’est tenue à Montréal, du 6 au 10 octobre dernier.
Le site Internet du colloque a été remodelé pour y accueillir l’archivage vidéo complet de l’événement. Les conférences dans leur langue d’origine y sont toutes, ainsi que les traductions vers le français et l’espagnol. Ce site Internet est une mémoire collective démocratique de la conférence. C’est l’occasion d’entendre, de voir ou de revoir ces penseurs et artisans de la résidence d’artistes.
Les actes de colloque numériques de la Conférence Res Aris 2010 sont le fruit d’un travail d’équipe. Les enregistrements vidéos on été fait par Monique Moumblow et Frédéric Lavoie, lequel s’est également chargé du montage. Les enregistrements audios ont été produits par la compagnie Duocom, puis montées par Mathieu Beauséjour, commissaire général de l’événement. Le site Internet a été réalisé par Patrick Vézina.
Intitulée Les Amériques : Pratiques artistiques indépendantes à l’ère de la mondialisation, la Conférence Res Artis 2010 a réuni 252 participants en provenance du Québec (111), du Canada (64) et de plusieurs autres pays (77), incluant les Pays-Bas, la Finlande, le Mexique, la Corée, le Japon, l’Australie, etc. Pendant trois jours, les délégués et les intervenants se sont penchés sur les questions liées aux résidences d’artistes et à l’autogestion artistique – deux phénomènes en expansion partout dans le monde et particulièrement au Québec.
Le RCAAQ remercie l’ensemble des conférenciers, des participants et des partenaires de l’événement. Parmi ces partenaires, le RCAAQ tient aujourd’hui à remercier particulièrement le Conseil des arts et des lettres du Québec, qui a contribué financièrement à la production de ces actes de colloque numériques, ainsi que Patrimoine Canadien, pour son support à la traduction simultanée des conférences.
La tenue de la Conférence Res Artis 2010 à Montréal est une initiative du Regroupement des centres d’artistes autogérés du Québec. Le RCAAQ est le point de rencontre d’un réseau de soixante-et-onze centres d’artistes et organismes culturels répartis sur l’ensemble du territoire québécois. Le Réseau Art Actuel, une initiative du RCAAQ, est un repère Internet de l’actualité artistique québécoise. À l’aube de ses 25 ans, le Regroupement des centres d’artistes autogérés du Québec est une référence en art actuel.
http://resartis2010.rcaaq.org/
http://resartis2010.rcaaq.org/archives.php?lang=fr